Photograph

162 works

The image shows the entrance of the Cathedral of Chartres with its Gothic architectural details. The horizon is at about one-third from the top, with a tree line and faint clouds in the sky. The precise rendering showcases intricate sculptures on the large stone facade. The color palette consists of various shades of gray and sepia tones. The scene includes the steps to the cathedral entrance, a row of trees, and a building with a window to the right.

Planche XII – Cathédrale de Chartres, Portique du Midi (Plate XII – Chartres Cathedral, South Entrance)

Nègre, Charles

This is a photograph of the surface of the Moon. The image shows the lunar surface with numerous craters of varying sizes. Some craters are more prominent than others, casting shadows that highlight their depth. The landscape looks rugged and desolate, with a rocky texture. The top part of the image is illuminated by a light source, creating contrast and showcasing the uneven terrain. The photograph is bordered with labels and text in French, referencing a specific photographic map of the Moon and providing observation details.

Carte photographique de la lune, planche X (Photographic Chart of the Moon, plate X)

Le Morvan, Charles

The image shows a man from the waist up in a standing position. He is facing slightly to the right and holding a musical instrument, possibly a concertina, in both hands. His facial features include a neatly trimmed beard and mustache, round glasses, short gray hair, and a distinguished expression. He is dressed in a double-breasted coat over a high-collared shirt, with a light-colored flower pinned to his left lapel. He is wearing a tall, rounded hat that matches the tone of his coat. The background is plain with some visible texture and a simple rail or banister is visible at the bottom right, suggesting an interior space. The photo shows signs of age.

Portrait of a Man Holding an Accordion

Gay’s Gallery of Art

This is a photograph of an industrial scene inside a large construction site. The image shows a partially constructed building supported by metal beams and scaffolding. The interior is covered in construction materials, with piles of lumber and debris scattered across the ground. Central to the image is heavy machinery, with steam rising from it. The environment is busy with intersecting lines of the scaffolding and beams, showcasing the complexity of the construction work involved. The sepia tones suggest an early 20th-century setting.

Steam Engine near the Grand Transept, Crystal Palace

Delamotte, Philip Henry

The image shows an older woman in a half-body portrait, sitting and facing forward with her body slightly angled to the side. She has prominent cheekbones, a prominent nose, and deep-set eyes. She wears a white bonnet cap, a dark shawl or cloak, a lighter-colored garment, and a white scarf tied below her chin. Her hands are clasped, with one gloved hand visible. She wears a necklace with multiple strands of pearls around her neck. The backdrop is plain and dark. The image is bordered with a gold frame.

Barbara Frietchie

Byerly, Jacob

The image shows a cityscape with a prominent mosque in the distance, featuring two minarets and a central dome. The background shows a hillside with many buildings. In the foreground, there are cannons lined up along a stone quay, with people in period clothing near the water. The image is in sepia tones, giving it an antique look, with clear details captured in a photograph.

Arsenal and Mosque of Kiledeh Ali Pasha

Robertson, James

The image shows a landscape view from a high vantage point looking across a rocky terrain. A steep cliff rises on the right side with people standing at the top. The horizon is placed low in the image, providing a panoramic view. In the distance, another rugged formation rises from the land. The color palette is monochromatic with earth tones. The scene conveys a sense of vastness and natural beauty.

Plate 23. On the Mountains of Green River

Russell, Andrew Joseph

Shoshone Falls, Snake River, Idaho

Shoshone Falls, Snake River, Idaho

O'Sullivan, Timothy H.

The image shows a woman seated in a three-quarter length portrait. She is sitting in a relaxed position on a decorative chair, with her right arm resting on a small cushion on the armrest. Her left arm lies across her lap. The woman has a voluminous afro hairstyle and a composed expression. She wears a dress with floral patterns, lace details, and high lace-up boots. She is adorned with a bracelet on her right wrist. The backdrop is a textured surface, with the caption "Grier Bros., No. 906 Arch Street, Phila." at the bottom of the photograph.

Portrait of a Woman

Grier, Andrew A.

This is a photograph of a series of motion studies. It captures a sequence of images arranged in two rows, each depicting figures engaged in dynamic movements. In the top row, a figure appears to be leaping over another, showcasing a progression of a jump with varying stages of elevation and descent. The bottom row shows a progression of a piggyback ride, highlighting the lifting and carrying movement between figures. The setting is stripped down and functional, likely focusing on the study of human motion. The background is marked with vertical lines, possibly for measuring movement. The entire composition reflects an analytic, scientific approach to capturing motion in a photographic timeline.

Plate Number 166. Jumping over a man's back (leapfrog)

Muybridge, Eadweard

The image depicts a woman from the waist up, positioned slightly angled to the right with her head turned to the left. Her facial features are delicate with a composed expression, arched eyebrows, and dark eyes. Her hair is styled in large rolls on either side, possibly with extensions, framing her face elegantly. She is dressed in a richly textured garment with an intricately designed lace shawl draped over her shoulders. Her clothing has detailed embroidery. She holds a delicate handheld fan with both hands in front of her. She wears circular earrings and a brooch at the neck of her dress. The background is plain and dark, contrasting with her clothing. The photograph is set within a vintage frame with an ornate gold border.

Portrait of a Young Woman

Southworth, Albert Sands

This is a photograph of a circus performance featuring an acrobat in mid-air performing a daring feat high above the ground. The acrobat is upside down, balancing on a wire and holding various objects, such as a ring and a disc. Flowing fabrics add movement and grace to the scene. The perspective is dramatic, emphasizing the acrobat's poise and control against a light sky backdrop, giving a sense of weightlessness. The image is in sepia tones. There is a handwritten inscription in French in the lower right corner.

Acrobat

Stone, Sasha

This is a photograph of a building facade with three arched windows. The structure displays classical architectural elements such as prominent molding and decorative brickwork above the windows. The windows themselves are divided into multiple panes, and beneath these windows is a sign that reads "Daily News" and "Job Printing" with the name "George & Co." and the number "136." The photograph has a vintage quality, indicated by sepia tones and visible wear around the edges.

E. C. George & Co., Elmira, New York

American 19th Century

The sculpture features intricately carved figures adorning a pair of stone columns. The figures are religious or historical in nature, with detailed garments and poses. One figure is an angel with wings, holding a trumpet. Below this angel, there are two bearded male figures with robes. The figures are crafted from stone with a beige color and aged appearance. The statues are elevated on ornately decorated pedestals attached to the columns.

Strasbourg Cathédrale, Pilier de L'Ange (Strasbourg Cathedral, Pillar of the Angel)

Winter, Charles David

The image shows a landscape with a tiered structure rising above barricades. The view is from a slightly elevated perspective, looking across grass towards the structure. Tall trees and the architecture, including pagoda-like spires, obscure the horizon. The sky transitions from light to dark, and the image is in black and white. Detailed textures are visible in the woodwork and masonry. Closest to the viewer is a patch of grassland, leading towards the fenced enclosure and the architecture.

Rangoon: North Entrance to the Shwe Dagon Pagoda

Tripe, Linnaeus

This is a photograph of a wooden building with intricate architectural details. The gable end is adorned with swirling patterns and decorative elements. The entrance has a slightly arched doorway surrounded by detailed woodwork, with a carved panel above it. The roof edges have decorative trim and flourishes. In the background are tall palm trees and foliage. The craftsmanship of the building showcases attention to detail and artistry, capturing a moment of cultural heritage in wooden architecture.

Pugahm Myo: Carved Doorway in Courtyard of Shwe Zeegong Pagoda

Tripe, Linnaeus

The image shows a woman seated and facing the camera. Her upper body, including her chest and head, is in focus. She has distinct facial features, dark hair styled with waves and curls, and is wearing a dark dress with ornate details and a high collar. The background is plain.

Portrait of a Woman

Ellinwood, John G.

The image shows a series of black and white photographs arranged in a grid pattern, depicting a human figure riding a horse. The photos capture different stages of a trot, with the rider seated upright on the horse's back. The background is plain with a grid-like pattern, and the ground appears flat. The sequence illustrates the motion of the horse and rider, focusing on the horse's legs in various stages of the trot.

Plate Number 615. "Hansel" cantering, bareback

Muybridge, Eadweard

The image shows a landscape with a river flowing through it. Rocky ground lines the left riverbank where a person is sitting or crouching. A large tree is on the right, with mountains in the distance. The sky is expansive above. The color scheme is sepia, giving an antique feel. The image is a photograph capturing details like water ripples and tree foliage.

Plate 43. Weber Valley, from Willhelmina Pass

Russell, Andrew Joseph

The image shows a landscape with scattered ruins and remnants of structures. The horizon is visible at the top, where land meets the sea stretching across the frame. In the distance, clusters of buildings are seen on the sloping terrain. The scene has a monochrome appearance with a vintage sepia tint. Various stone structures and debris are scattered throughout the landscape, leading to a central winding path. Close by, there are mounds of dirt and what seem to be building remains. In the background, there is the sea and a hint of a city skyline.

Sebastopol

Robertson, James

This is a photograph of the ornate entrance to a stone building. The image captures the details of a Romanesque-style archway and facade. The central feature is an arched doorway bordered by columns and adorned with carved figures. Above the door, there is a semicircular tympanum containing a relief sculpture, featuring a central figure flanked by other smaller figures. The stone facade is textured and weathered, showcasing layers of historical architecture with decorative columns and figures carved into the stone. Staircases lead up to the door, emphasizing the grandeur of the entrance. The image is monochromatic, highlighting the architectural details and shadows.

Planche VI – Portail de Saint-Trophime d'Arles (Plate VI – Entrance of Saint Trophime of Arles)

Nègre, Charles

The image shows the upper part of a man's body, focusing on his torso and head. He is facing forward, looking directly at the camera. The man has neatly styled dark hair, mutton-chop sideburns, a high forehead, straight nose, and a slightly open expression. He wears a dark coat and a high-collared white shirt with a dark cravat. The portrait is in an ornate frame with a gold-colored mat and a purple velvet-like lining. The background is plain and dark.

Portrait of a Man

American 19th Century

This is a photograph showing a series of sequential images of a hand in different positions and gestures. The image features a grid layout with multiple small frames, each showing a close-up of an arm and hand. The background and lighting are consistent, and the series captures various dynamic hand movements. The tones are monochromatic with strong contrast, highlighting the skin and drapery texture. The composition suggests a study of movement or a kinetic experiment, emphasizing hand gestures' fluidity and versatility.

Plate Number 535. Movement of the hand, beating time

Muybridge, Eadweard

This is a photograph of a sequence showing a figure holding a rod in various positions. The image consists of multiple frames arranged in a grid pattern, capturing a motion study of a figure in motion. The figure is seen holding a rod and progresses through different stages of walking and posing. The background features a vertically striped surface that provides contrast to the figure's movement. The rhythmic sequence captures the dynamics of the motion.

Plate Number 355. On guard, walking and turning around

Muybridge, Eadweard

This is a photograph of a baboon in motion. The black and white image is divided into four horizontal rows, each containing frames showing the progression of the baboon walking. The setting includes a grid-lined background on the left side. Each frame captures a moment in the baboon's stride, showcasing variations in leg and arm positioning as it moves from left to right. The documentation appears detailed, potentially for studying movement mechanics or animation.

Plate Number 747. Baboon walking on all fours

Muybridge, Eadweard

This is a photograph of a sequence showing a group of deer moving. The image is a series of black and white frames depicting the movement of deer within a natural setting. The composition is arranged in a grid format, capturing the deer at various stages of walking or running. Each frame shows slight variations in the positions of the deer's legs and antlers. The setting features a dark background, which serves to accentuate the lighter tones of the deer's bodies. The grid layout suggests an analytical approach, focusing on the precise motion of the deer.

Plate Number 687. Fallow deer, buck and group of does, galloping

Muybridge, Eadweard

The image depicts a castle with cylindrical towers at the center and slightly left. The castle has battlements with a flag on top. Close to the castle are sailing ships with tall masts grounded due to low tide. More ships line the shore to the right. The castle is made of stone. The color scheme is sepia, giving an antique look. The sky is light and overcast, blending with distant hills. A rocky bank leads to the water where a lone figure is visible.

Scene on St. Helier, Jersey Parish

Sutton, Thomas

The image shows a man from the waist up, facing the camera with his body slightly turned to his left. His facial features include prominent eyes and slightly parted lips, with a hint of a mustache visible, and short hair under his hat. He is wearing a striped shirt beneath a light-colored jacket and a wide-brimmed hat. The background is plain and dark. The image is framed by an ornate, gold-colored border with red edges.

Portrait of a Man

American 19th Century

This is a photograph of a rural scene by a small waterway. The image captures an outdoor setting alongside a narrow water channel, with reflections of surrounding grass and a docked wooden boat floating in the water. The boat is laden with bundles of vegetation. In the background, a man stands near a stack of collected grasses or hay. Several elements of rural life are apparent, such as the dirt path, wooden fence sections, and the rustic nature of the landscape. The sky is partly cloudy, casting an even light across the scene.

Towing the Reed

Emerson, Peter Henry

The image shows a woman and an infant, both visible from the waist up. The woman is seated, holding the infant in her lap, and both are looking slightly off to the side. The woman has shoulder-length dark, curly hair that is parted in the middle. She wears a dark dress with a white collar, a brooch at the center, and a watch chain pinned at her shoulder. She also wears earrings and a bracelet. The infant is dressed in a white christening gown with lace patterns and a bonnet. The child looks cozy in the woman's arms. The background is plain and dark to highlight the subjects. The image is in an ornate frame with a gold-tone inner edge and a velvet-lined border, typical of 19th-century portrait displays.

Portrait of a Woman and Baby

Eastham, Silas

This is a photograph showing a sequence of a person swinging a bat. The sequence is displayed in a grid of small, black-and-white images, illustrating the stages of the bat swing. The backdrop features a grid pattern, and each frame captures the progression from preparing to swing the bat to the follow-through of the swing. The setting appears to be an indoor or enclosed motion capture environment. The sequential arrangement suggests the use of chronophotographic techniques for studying physical motion.

Plate Number 277. Baseball, batting

Muybridge, Eadweard

This is a series of black and white photographs showing an individual interacting with a bucket outdoors. Each frame captures a different moment in the motion. The background varies between a grid-like pattern and outdoor structures. The images focus on the physical dynamics of using a bucket, including the flow of water in the middle row. The set provides insight into movement and photography.

Plate Number 401. Emptying a bucket of water

Muybridge, Eadweard

The image shows a central lamp post surrounded by large sacks. The color scheme is grayscale. In the foreground, a tall ornate lamp post stands amid several bags. In the background, two numbered archways labeled '12' and '14' display stacks of more bags and a clock on the wall to the left. The setting includes a rounded architectural space with a balustrade above and two smaller lamp fixtures on each side of the central archway.

Halle aux Blés (Intérieur)

Marville, Charles

This is a photograph of a sequence depicting an elephant in motion. The image comprises a grid of black and white photographs arranged in four rows of four frames each, capturing the different stages of an elephant's walk. The background is plain. The photographs document the elephant's movement in a walking cycle.

Plate Number 732. Elephant walking

Muybridge, Eadweard

The image depicts a group of nine men and women posing for a formal photograph. Some individuals are seated, while others stand behind. The men have short, neatly styled hair and wear suits with bow ties or neckties. The women have their hair pulled back or styled elegantly and wear long dresses with high necklines and long sleeves. One woman seated holds a circular object in her lap. The background shows a plain wall and a draped curtain, creating a studio setting. Each person has a calm expression. The photograph is mounted on orange card stock.

"Jubilee Singers, Fisk University, Nashville, Tennessee"

Black, James Wallace

This is a photograph showing a series of sequential motion studies of a person removing a piece of fabric. The grid layout contains two parallel rows of images capturing the progression of the action. The background appears to be a studio setting with simple, possibly textured or striped walls. The scenes are in black and white.

Plate Number 430. Toilet; taking off clothes

Muybridge, Eadweard

The image shows a forest with tall trees, viewed from a low angle. The horizon is hidden by the thick tree canopy. A pathway leads into the forest and a person stands among the trees. The image has a monochromatic and sepia tone, creating a warm and earthy atmosphere. The presence of shadows and glimpses of light filtering through the trees add depth to the scene.

Forest at Saint-Cloud

Robert, Louis-Rémy

The image shows a naked male figure in various stages of a motion sequence, likely pitching or throwing a baseball. The man's entire body is visible in different stances, each illustrating a step in the throwing process. His arms and legs are flexed or extended accordingly. The man's facial features are somewhat indistinct, and he has short hair. No clothing or jewelry is visible, and he holds a baseball in some frames. The background consists of a plain, textured wall in the upper row and a more detailed outdoor setting with a path, grass, and fence visible in the lower row.

Plate Number 281. Baseball, catching and throwing

Muybridge, Eadweard

Pontoon Bridge on James River, Deep Bottom, Virginia

Pontoon Bridge on James River, Deep Bottom, Virginia

Fowx, Egbert Guy

Étang de Corot, Ville-d'Avray (Corot's Pond, Ville-d'Avray)

Étang de Corot, Ville-d'Avray (Corot's Pond, Ville-d'Avray)

Atget, Eugène

The image depicts a seated woman, visible from the waist up. She has dark, neatly parted hair. She wears a long-sleeved, dark dress with a high collar and white lace or frilled trim at the cuffs. She is posed with her right elbow on a table and her right hand under her chin, with her left hand resting on her lap. There is a small object in her left hand. A dark, round table nearby holds a book or box. The background is plain and the scene is framed in gold.

Portrait of a Woman

Hughes, Cornelius Jabez

This is a photograph of a star chart. The image shows a grid layout with small black dots spread across the background, representing stars in the celestial coordinate system. The chart, titled "Photographische Sternkarten," was created by Joh. Palisa and Max Wolf and includes annotations detailing its production date, location, and contributors. The chart features references to celestial latitude and longitude, presented on an organized grid with numbered divisions running vertically and horizontally along the edges. These coordinates assist in identifying star positions within the mapped sky section. The information provided emphasizes cartographical efforts to document the night sky in 1901.

Photographische Sternkarten (October 15, 1901)

Wolf and Palisa

The image shows three individuals, each dressed in traditional, rustic clothing and wearing wide-brimmed hats. The person on the left is playing a wind instrument with a determined expression. The person in the middle is also playing a wind instrument, with their face partially obscured by shadows. The person on the right, possibly a child, is playing a small wind instrument. The background is a simple wall with a deep shadow cast across it, indicating bright sunlight from the side. No additional objects or jewelry are visible in the image.

Planche III – Groupe de Trois Pifferari Debout, dans la Cour du 21 Quai Bourbon (Plate III – Group of Three Pifferari Standing, in the Court of 21 Quai Bourbon)

Nègre, Charles

The image displays a landscape with a house, leafless trees, wetland, shrubs, and tall grasses. The color palette is subdued and dominated by gray and earth tones.

The Fringe of the Marsh

Goodall, T.F.

The image shows a group of seven people in a workplace. Five women and two men are visible, all from at least the waist up. One man is seated in the foreground, while the rest are standing. The seated man has short hair and a moustache, and is dressed in a dark suit and tie. To his left, a woman sits on the edge of a table, wearing a long dress with a high collar and an apron. The standing women wear long dresses and aprons, with their hair tied back. One woman wears a floral patterned blouse with a belt. Accessories include brooches and an object held by one man. The background features shelves with folded fabrics and bundled items, as well as a metal stove on the right side. The floor is wooden, and the setting suggests a well-organized environment.

"Anna in Union College Laundry”

Edel

This is an image showing a raccoon in a grid-lined background, moving from left to right. The image is composed of multiple frames depicting different stages of the raccoon's motion. Each frame shows a slight progression as the raccoon moves, highlighting its body postures, leg positioning, and tail movement. The grid serves as a reference for observing the animal's actions with accuracy. The sequence documents the nuances of the raccoon's gait in a scientific manner.

Plate Number 745. Raccoon walking and turning around

Muybridge, Eadweard

The images depict a woman in various positions, displaying different views of her body. She starts seated, moves to standing, then bends forward while holding a fan. She has a neat bun hairstyle and wears a long dress with puffy sleeves and a high neckline. The background has vertical lines, resembling wooden paneling.

Plate Number 250. Rising from chair, stooping and lifting handkerchief

Muybridge, Eadweard

This is a photograph showing a sequential motion study of a figure ascending a ladder. Multiple frames depict the progressive movements involved in climbing up a ladder. Each frame captures a slight change in position, illustrating the mechanics of motion. The ladder is positioned upright, with each step clearly visible as the sequence progresses. The background appears to be a plain setting, emphasizing the focus on the movement study. The format suggests the image is part of a motion study or an early example of sequential photography designed to analyze motion.

Plate Number 112. Ascending a ladder

Muybridge, Eadweard

The sequence of photographs depicts two naked men engaging in a blacksmithing task. They alternate roles, with one holding a hammer while the other holds a metal piece on the anvil. The men have short hair and their facial features are visible but not clearly distinguishable due to the black and white quality of the images. They work with a hammer and an anvil placed on a block in a simple outdoor setting with a wooden fence or wall in the background. There are no visible jewelry or additional objects in the images.

Plate Number 377. Two blacksmiths, hammering on anvil

Muybridge, Eadweard

The image shows a group of children and a few adults gathered outdoors. The children, dressed in formal attire typical of the early 1900s, are positioned with their backs to the viewer. They wear long socks, dark suits, and dresses. One girl in the foreground stands out with a light-colored dress and puffed sleeves. The children are standing closely together facing forward. Among the adults is a man elevated above the children, wearing a tall top hat and dark suit. The setting is outdoors, with tall trees and sparse bushes in the background, suggesting a park or forest area. The photograph is in sepia tone.

Singing for President Roosevelt, Pinehurst Tea Farm, Summerville, South Carolina

Underwood & Underwood

The image shows the Colossi of Memnon, two massive seated statues of Pharaoh Amenhotep III, made of light-colored sandstone. The statues are eroded but retain faint details like hieroglyphs. People nearby appear small in comparison, highlighting the statues' grandiosity. The statues are in an open area with barren hills in the background.

The Statues of the Plain, Thebes

Frith, Francis

Notre-Dame

Atget, Eugène

The image shows a man standing with a relaxed posture, leaning slightly to one side while resting one hand in his trouser pocket. His other hand is on a walking stick. He has a composed expression, neatly groomed hair, and a mustache. He is dressed in a formal outfit consisting of dark trousers, a waistcoat with a patterned design, a bow tie, and an overcoat draped over his shoulders. There is a statuette on a pedestal next to him, depicting a figure in armor. The background features patterned wallpaper, a table beside him with a top hat and fabric items.

Portrait of a Man

Silvy, Camille

The image shows a woman standing gracefully. She is positioned with her head slightly tilted and eyes closed. Her right hand is held delicately near her face. She has long, dark, wavy hair falling over her shoulders and down her back. The woman is wearing a voluminous, light-colored dress that extends to the floor, with long, loose sleeves. In her right hand, she holds a candlestick with a lit candle. The background features a rustic setting with a large wooden wheel, stone architecture, and a staircase leading upwards.

Adelina Patti

Silvy, Camille

The image shows a large gray fern leaf on a textured, light beige background. The color palette includes shades of gray for the leaf and off-white to beige for the background. The fern leaf is positioned with its stem from the middle of the bottom edge towards the upper left, taking up most of the image space with its detailed fronds.

Fern

Talbot, William Henry Fox

The image shows an elevated view of a scenic landscape with water and architecture in the distance. The horizon is high, with the water's edge and buildings lining it. A tree with large fruits and dense foliage frames the view closely, its branches extending across the upper section of the image. The photographic technique captures clear lines and textures. The color palette is monochromatic with varying shades of sepia or brown tones highlighting details like tree textures and the water's stillness. In the background, there are rolling hills covered with thick trees.

A Peep from Upper Lake Road showing Temple and Island with Park -- fruit tree in foreground

Bourne, Samuel

The image depicts a small waterfall flowing into a pool within a forest. The viewer is at eye level with the pool, with the waterfall as the focal point. The surroundings consist of tall trees, lush foliage, and a canopy above, obscuring the sky. The monochromatic color scheme enhances textures and contrasts. Water reflects the environment, giving depth to the composition. Ivy covers rocks near the waterfall, and a pathway can be seen in the distance, lined with forest. The scene evokes a sense of serenity and timelessness.

Grotto in the Bois de Boulogne

Marville, Charles

The image shows a river winding through cultivated fields with a small boat anchored nearby. In the distance, there is a cityscape with various buildings, including a prominent domed structure to the right. The photo has a soft, sepia-tone palette, giving it an aged feel.

View of Rome

Caneva, Giacomo

The image shows a landscape with a river, dense foliage, tall grasses, a meandering river, trees along the riverbank, a forested hill, and a calm sky. The style is a classical sepia photograph, with a monochromatic color palette. Large trees are also visible on the left side.

The Susquehanna At Wyalusing

Rau, William H.

The image shows a woman depicted from the waist up, sitting in a formal position. She has a composed expression with clearly defined facial features and her dark hair is styled into a smooth bun, covered partially by a white headpiece. She is wearing a dark, long-sleeved dress with a high neckline, accented by a white lace collar. The woman is holding a small sculpted bust in her right hand, which rests on a table covered with decorative fabric. The background is a simple dark backdrop. The image is framed in an ornate gold mat within a red-bordered frame, with the name "WALSH" imprinted at the bottom.

Portrait of a Phrenologist

Walsh, Thomas S.

Men's Fashions

Atget, Eugène

The image shows a child sitting on a chair. The child is facing forward, with hands clasped in their lap. They have a serious expression, curly hair, and wear a dark dress with a light collar, light socks, and dark shoes. The chair has a decorative back, and the background is plain. The image is bordered by a golden frame.

Portrait of a Girl

British 19th Century

Two men pitchfork hay onto a horse-drawn carriage in a field in this horizontal black and white photograph. The platform of the carriage is wider than the two white horses harnessed to it. One man tosses hay onto the top of the pile and the other man standing there. We look slightly down a hill, which is spanned a short distance away by a band of evergreen trees. Rolling hills are hazy in the distance beyond.

Loading Hay

Bullock, John G.

Plate Number 588. "Reuben" walking, harnessed to sulky

Muybridge, Eadweard

The sculpture depicts a human figure lying on its side with one arm bent under the head. The figure is detailed with visible features such as a head shape, torso, bent knees, and a foot. The sculpture appears to be made from a light-colored material, which gives it an off-white to grayish appearance. The surface of the sculpture looks rough with visible texture, creating an impression of being aged or eroded. It is placed on a dark cloth or surface with cracked earth or stone tiles beneath. The posture suggests a realistic portrayal of human form and anatomy.

Impronte Umane, Pompei (Human Cast, Pompeii)

Sommer, Giorgio

The image shows a framed photograph of three people from the waist up. There is a woman on the left, a child in the middle, and a man on the right. The woman wears a patterned shawl and a white bonnet, with a neutral expression. The child wears a dark collared outfit and places one hand on the man's chest. The man wears a suit with a bow tie and has neatly combed dark hair. They are against a backdrop with an ornate foliage pattern, and the photograph is in a wooden frame against a dark matte background.

Sulisse Family

French 19th Century

The image depicts a man seated from the waist up, with his body slightly turned to the side but facing the camera. The man has deep-set eyes, a prominent nose, and a firm mouth. He has curly dark hair with some thinning at the front. He is dressed in a dark suit, including a waistcoat and bow tie, over a white shirt. A pocket watch chain is visible hanging from his waistcoat. The bottom of the photograph is inscribed with "Barnum." The background is plain.

P. T. Barnum

Fredricks, Charles D.

This is a photograph of a grand Gothic cathedral with detailed architecture featuring towering spires. The cathedral is shown from a side angle, emphasizing the use of flying buttresses along its façade. A large rose window is prominently displayed on the side. The two large towers at the front of the cathedral exhibit ornate detailing, and the roof of the building slopes steeply, with an array of lines and textures. In the foreground, along a waterway, there are smaller structures and what appears to be building materials.

Église Notre Dame - Côté sud

Renard, François-Auguste

The image shows a body of water extending towards a distant shore with buildings lining the horizon. A hill rises prominently on the left side, above the structures. The style is photographic, resembling a cyanotype print in shades of blue. The foreground water is rippled, contrasting with the static buildings. The color palette is predominantly blue, creating a serene effect. The hill and buildings guide the eye across the horizon, with a soft blue sky above.

Redwing, Minn. and Barnbluff

Bosse, Henry Peter

The image shows sequential photographs of a nude woman interacting with a hammock. The woman is seen in various positions, from standing to sitting and swinging in the hammock. Her short, likely brown, hair is visible, but not her facial features. She is not wearing any clothing or jewelry. The setting is outdoors with a cord or wire grid and a solid backdrop. The lighting indicates a bright day or well-lit area, highlighting the movement in the photos.

Plate Number 261. Getting into hammock

Muybridge, Eadweard

The image shows four women posing for a portrait. Two women are seated in front, while two are standing behind them. The women have different hairstyles and wear various dresses. They are positioned against a blank backdrop. The photograph is colored and framed with textured cardboard, labeled with "EMERSON, Lowell."

Portrait of Four Women Weavers

Emerson, Moses W.

The image shows a historical ruin with distinct columns and arches on the left side. A group of people is resting on the ground near the ruins. In the background, there are rooftops and a tall clock tower. Other buildings and a palm tree are also visible. The color palette is sepia, highlighting the aged textures of the structures.

Temple of the Winds

Robertson, James

The image shows an ancient temple-like structure with intricate architectural details. The scene is closely cropped around the building, which features arched doorways, detailed carvings, and steps. The architecture is ornate, worn, and aged. The image is rendered in sepia tones, giving it a historical feel. The sky is relatively clear with some scattered clouds in the background.

Pugahm Myo: East Facade of Damayangyee Pagoda

Tripe, Linnaeus

This is a photograph showing a person flipping over a chair in a series of sequential frames. The top row displays the person moving from a seated position on the chair to a handstand and flipping over the chair. The second row shows a similar sequence from a different angle. Each frame captures a moment in the movement, illustrating motion progression.

Plate Number 373. Acrobat, "press up" from chair

Muybridge, Eadweard

The image depicts a woman pouring liquid from a spoon into a glass. She is standing in a studio setting, wearing a traditional nurse's uniform and standing next to a small table with bottles and glassware. A chair with wicker detail is seen behind her.

Portrait of a Wellesley College Graduate, Class of 1897

Holden, Charles W.

The image shows a woman sitting on a large rock outdoors. She is captured from the waist up, positioned in a three-quarters view. The woman has a mature appearance with soft facial features and short, dark hair mostly hidden under a wide-brimmed hat. She is wearing a dark cape over a light-colored blouse and holding a cluster of flowers around her midsection. The background includes a calm body of water with a distant shoreline populated with trees and sparse buildings.

Gertrude Käsebier in Maine

White, Clarence H.

The image shows a sculpture of a standing female figure with long flowing hair and draped in a cloth. There is an additional smaller figure at her feet. The sculpture is white and placed on a square pedestal. The setting seems to be an exhibition hall with intricate architectural backdrop and various display items around, including other sculptures. The sculpture is centrally positioned among other exhibits in the aisle.

The International Exhibition of 1862 — "The Nave, from the Western Dome"

London Stereoscopic and Photographic Company

The image displays a waterside view captured from a slightly elevated angle. A solitary house with several sailboats is seen on the horizon, alongside a calm water surface reflecting the boats and trees. The color palette is monochromatic, with various shades of gray. In the foreground, a grassy shore leads to the still water, with tree reflections adding to the scene's natural beauty.

Cantley: Wherries Waiting for the Turn of the Tide

Emerson, Peter Henry

The image consists of small photographs arranged in a grid format. The photographs show two women from multiple angles and positions, standing closely next to each other and appearing to walk together while holding fans. Their facial features are indistinct due to the small size of the frames, but their hair is tied back in a bun. They are nude except for the large fans they hold, which partially obscure their bodies in some frames. The background features a brick wall and a wooden floor, suggesting an enclosed, outdoor setting. The sequential nature of the images suggests motion or a narrative of movement as the women progress from one side of the frame to the other.

Plate Number 54. Two women walking arm in arm and turning around; one flirting a fan

Muybridge, Eadweard

This is a black and white photographic series capturing a sequence of movements associated with a domestic laundry chore. The series comprises multiple frames arranged in two rows. Each frame shows the progression of action, beginning with handling a laundry item and ending with laying it out. The background features a patterned backdrop and a partially visible bucket. The series depicts fluid transitions between actions, providing a time-lapse effect and highlighting physical gestures involved in the task. The photograph breaks down movement into visual elements reminiscent of early motion studies.

Plate Number 434. Hanging clothes on a line

Muybridge, Eadweard

This grayscale photograph is a portrait of two people, visible from the knees up. They both have pale skin and dark hair. A man is seated on the left, facing forward. He has pale skin and short, dark hair styled into a curl on top of his head. He is wearing a dark suit with a white shirt and a black collar. A woman is seated on the right. Her hair is parted in the middle and styled into bunches above her ears. She is wearing a dark dress with a checkered pattern around the collar and white cuffs. She holds a small book in her hands. The backdrop is plain and dark. The photograph is enclosed in a gold frame with some dark specks and discolorations. Around that frame is a dark wooden frame with some red trim.

Portrait of a Couple

Washington, Augustus

The image shows a group of four people. Three women and one man are present. The oldest woman, sitting in the center, wears a bonnet with lace details and a dark dress. She has a calm expression. A younger woman stands behind her. A child stands to the left, leaning on the older woman. On the right, the man is seated at a small ornate table with his hand on a book, wearing a dark formal suit with a white shirt and cravat. The background appears textured, possibly a patterned fabric or wallpaper. The photograph has a sepia tone.

Rev Ebenezer Miller and family

Hill, David Octavius

The image is captured from a ground-level point of view, looking down a winding path surrounded by dense trees and foliage. The path disappears into the distance, with no clear end in sight. The photograph is monochromatic, akin to early photography, creating a sepia-toned effect. Greenery and tall trees line the path, casting shadows, while three figures in light clothing sit at the edge of the path. The composition and color palette of the image give a serene, timeless nature scene.

At Winterdyne on the Severn

Gresley, Francis

Portrait of a Scientist

Portrait of a Scientist

Unknown 19th Century

The image shows a rocky cliff photographed from a side, slightly elevated point of view, with a person standing on the large boulders near the top. The horizon is mostly obscured by the massive rock formation. The texture of the rocks is rough and weathered. The color palette is earthy and muted, with a historical or vintage feel. The sky above is a uniform light hue, contrasting with the darker tones of the rock face and soil.

The Logan Rock, South Coast of Cornwall

May, William

The remains of a rectangular porch-like portico are photographed in tones of ash-brown and black in this horizontal albumen print. The roof of the portico is held up by six marble columns carved into the shape of women wearing robes that fall in long, vertical folds. The women all face forward, and some of their features are weathered. All are missing their arms. The portico and structure behind it are constructed with massive, squared blocks. A man wearing a suit and a bowler hat sits drawing in the corner where the portico meets the bulk of the building, near the lower right corner of the photograph. Fragments of reliefs and other architectural ornaments are lined up behind and next to him. A few scrubby plants grow on the dirt ground, and the sky above is a washed out white. White text angled up across the lower right corner reads, “D. CONSTANTIN.”

The Caryatides

Constantine, Dimetrius

Portrait of Men with Telephone Equipment

Portrait of Men with Telephone Equipment

American 19th Century

The image shows a portrait of two young children, with their upper bodies and torsos visible. The child on the left has short, curly hair and wears a coat with light-colored fur trim, holding a hat with a wide brim and plume. The child on the right has medium-length, straight hair and wears a dress with puffed sleeves. Both children have neutral expressions. The background is plain and dark, and the portrait is framed with an ornate border with a gold and red design.

Portrait of Two Children

American 19th Century

The image shows a waterfall streaming between trees, with water flowing over rocks in the foreground. The viewpoint is from below the falls, looking upwards towards the cascading water from a distance. The scene conveys depth as the viewer's eye follows the water's path to the edge. The horizon is hidden by trees and rocks around the waterfall. The monochrome sepia palette highlights the textures of the trees and rocks, creating a timeless feel. The water appears smooth, contrasting the rough surfaces of the rocks. The image captures the power and beauty of nature, focusing on the interaction between the water and the landscape.

Pi-wy-ack (Cataract of Diamonds), Vernal Falls, Yosemite Valley, California

Muybridge, Eadweard

This is a photograph of a sequence of black and white frames capturing a person running. The frames show different stages of the running motion in both side and frontal views. Each frame freezes a moment in time, depicting the movement of limbs and body. The background is plain, emphasizing the motion of the subject. The style is reminiscent of early motion studies in photography.

Plate Number 68. Running

Muybridge, Eadweard

The image depicts a rugged landscape with large rock formations dominating the right side. The horizon is situated in the upper third of the image, mostly obscured by towering cliffs. The rock surfaces rise steeply from the water, with varied tones. The water is still, mirroring the cliffs and enhancing the vertical lines. The color palette is monochromatic with sepia tones. In the distance, the cliffs continue, interspersed with shadows.

Black Canyon, Colorado River, Looking Below from Big Horn Camp, #4

O'Sullivan, Timothy H.

This is a sepia-toned photograph of a group of people riding horses that stand on a grassy field with mountain peaks in the background. The people and horses are in a horizontal line across the photograph, all facing the left. The people have dark skin and black hair tied in two braids, many of which are adorned with long black-and-white feathers. They wear long pants, some with tassels or fringe, and many of them appear to have bare chests. The person on the far left has several strands of white beads around their neck and down their chest, and the person behind them holds a long spear. The backdrop consists of light gray mountains with snow caps against a pale sky.

The Pass Finders, Piegan, Montana

Reed, Roland W.

This grayscale photograph shows a young girl sitting on a dark wooden-framed sofa with an opened book on her lap, her head tilted downward to look at it. She has pale skin and her facial features are slightly blurred. She is wearing a light-colored dress with long sleeves, dark stockings, and black shoes. Her long hair is flowing down her shoulders. The room has a patterned carpet and a framed picture on the otherwise blank wall behind her.

Miss Grace

White, Clarence H.

This image shows a woman standing next to a small table. She is dressed in a dark, long-sleeved dress with a white collar. Her hair is neatly styled, and she has a composed expression on her face. She is resting her hand on the table, which has a decorative cloth draped over it. On the table, there is a black hat with a feather. The background is plain with a geometric patterned floor.

Portrait of a Civil War Widow

American 19th Century

The image depicts a young woman standing in a factory setting. She is positioned facing slightly toward the viewer, with her left arm outstretched near machinery. Her hair is short and styled away from her face. She wears a light-colored blouse with short sleeves and a dark ribbon tied at her neck. The background shows rows of machines with threads and spindles in an industrial building.

Portrait of a Weaving Mill Woman

Taylor

The image shows black and white photographs depicting a person playing tennis in various poses. The person is captured standing, crouching, and leaning forward, with changing body orientations for a dynamic sense of motion. Their facial features show shadows, and they have short to medium-length hair. They wear a long, flowing garment resembling a toga and hold a tennis racket in some frames. The background features a grid pattern on the wall and a flat ground surface.

Plate Number 299. Playing with a ball

Muybridge, Eadweard

The image shows a sculpture of a figure in robes on an ornate pedestal. The figure is standing upright with hands delicately positioned. The sculpture appears to be made of light-colored stone, possibly marble or limestone. It is located outdoors near leafless tree branches. In the background, there is a large, ornate building with multiple windows. The scale of the sculpture and pedestal makes it appear tall compared to the trees and the viewer's point of view.

Luxembourg, Anne of Brittany

Atget, Eugène

Plate Number 718. Cat; trotting; change to galloping

Plate Number 718. Cat; trotting; change to galloping

Muybridge, Eadweard

The image shows a vintage, framed sepia-toned photograph of a grand manor in an elevated landscape. The viewpoint is head-on, displaying the architectural features clearly. The horizon is marked by the manor's roofline and surrounding trees. The manor's structure is symmetrical with windows and a central entrance, flanked by trees. Below the manor is a greenhouse with a glass roof divided into sections. The photograph is framed in gold, giving it a formal, vintage look. The color scheme is warm and aged, adding a nostalgic feel to the image.

House with Greenhouse, Virginia

American 19th Century

The image shows four women seated on the floor with musical instruments partially visible. Two women on the left are playing instruments. The second from the left holds a string instrument resembling a biwa, and the woman furthest left appears to hold a shamisen. The women have traditional Japanese hairstyles with hairpins. Their faces are adorned with subtle makeup. They are dressed in traditional Japanese kimonos with serene colors. A small table in front of them holds what appears to be tea kettles and cups. The background features a painted screen with depictions of nature, showing foliage and possibly birds.

Musical Party

Beato, Felice

The image shows a man seated in a formal posture with his left arm resting on an upholstered armrest. He gazes directly at the camera with a calm yet attentive expression. His facial features include deep-set eyes, a broad nose, and lips that are closed in a neutral line. His hair is short, slightly curled, and neatly styled. He is dressed in a suit comprising a dark jacket over a plaid vest and a white shirt underneath, complemented by a light-colored bow tie. He wears a ring on his left hand's pinky finger. The backdrop is plain, focusing attention on the subject within a case featuring a maroon and gold border.

Portrait of a Man

Plumbe, John Jr.

The image shows a large, multi-story historical building on the right side of the frame. The building has ornate architectural detailing and reaches towards the sky. The horizon is low in the image, with manicured grass sloping up to the building. In the distance to the left, another structure with a spire is partially visible through trees. The image has a sepia-toned color palette. A gravel path runs along the front of the image, bordered by a lawn, trees, and shrubs. There are light and shadow variations indicating a bright day. The photograph conveys a sense of tranquility and historic significance.

Untitled

Rau, William H.

This is a photograph of a parade marching through a city street lined with spectators. It captures a group of uniformed individuals marching in rows through an urban environment, flanked by an audience along the sidewalk. The background features tall buildings with American flags. Street lamps and architecture contribute to the historical feel of the image, suggesting an early 20th-century setting. The perspective and sepia tone enhance the historical atmosphere, capturing a moment of order, attention, and public interest.

"Colored Veterans of the 15th Regiment, 369th Infantry, Marching up Fifth Avenue, New York City"

Keystone View Company

The image shows a landscape from a slightly elevated viewpoint. On the left, a rocky slope with sparse vegetation runs diagonally upwards. A dirt path meanders along this slope, leading towards trees on the right with branches hanging over it. Beyond the trees is a calm body of water, followed by a forested area. In the distance, rolling hills rise against the horizon, placed high in the frame. The scene has a monochromatic color scheme with sepia tones enhancing natural details and contours of the landscape.

F.W. 4 (Old Chain Battery Walk), West Point, New York

Warren, George K.

The image shows a woman standing upright, holding a fan in each hand. She is wearing a traditional Japanese kimono with a checkered pattern and a colorful belt. The woman's hair is styled in an updo. She has a calm and focused expression. There is a bowl on the floor and a small section of a mat underneath her feet. In the background, there is a decorated box with a teapot-like object.

At Her Toilet

Beato, Felice

This is a photograph of a deer in motion. The image shows a series of frames depicting a deer walking or trotting in front of a grid-lined backdrop. The frames capture different moments in the deer's gait. The background features a cage or fence with vertical lines. The lighting highlights the shadow and form of the deer's body as it moves, showcasing the fluidity and grace of its movement. The image appears to be an early motion study focused on capturing the anatomy and motion of the deer in a scientific manner.

Plate Number 683. Virginia deer, buck, galloping

Muybridge, Eadweard

The image shows a rocky formation from a low angle. The rocks are unevenly stacked, with a person standing on the tallest point. The background is dominated by the rocks, with a hint of a horizon. The color scheme is sepia-toned, giving the image an aged look. In the foreground, there is grass with some smaller rocks, and in the distance, there are shrubs and a slightly overcast sky. Multiple people are seen around the rocks.

Plate 6. Skull Rock

Russell, Andrew Joseph

The image depicts a bust portrait of an elderly man facing forward. He has deep-set eyes, a broad nose, a full, curly white beard, and curly white hair. He is seated upright, dressed in a dark jacket with buttons over a vest and shirt. There are no visible objects in his hands. The background is a plain surface. Below the image, text identifies him as "The Original 'UNCLE TOM.' [Rev. Josiah Henson.]"

Reverend Josiah Henson

Hart, Edward H.

The image depicts a seated woman in an ornate chair, visible from the knees up. She is seated with her arms resting on a table and a book, facing the camera. Her facial features include a long, oval face with a calm expression, and she has dark hair styled in tight ringlets on either side. She wears a floor-length, long-sleeved dress with a high collar and a white lace-edged chemisette peeking out at the neck and cuffs. Additionally, she is holding a newspaper in her lap, and a long chain is draped around her neck, falling onto her dress. The background is a plain, light-colored wall without any distinct features.

Portrait of a Woman

Hart, Henrietta M.

The image shows two men standing in shallow water next to a small wooden boat, handling fishing nets. The background features distant trees, a cloudy sky, and two small structures or boats on the horizon. The overall color scheme is muted in sepia tones, giving the image a vintage appearance. The contrast between the dark clothing of the men and the lighter tones of the water and sky, with soft lighting, creates a serene and industrious atmosphere.

Taking Up the Eel-Net

Goodall, T.F.

The image depicts a man seated in an ornate wooden chair. He is facing forward with his legs crossed, one hand resting on the chair's arm. The man has a composed expression with a neatly groomed beard and mustache, and his hair is combed back. He is wearing a dark double-breasted suit with a white shirt and a tie. To his left is a richly carved table with books on top, and a portion of draped fabric is visible behind it. The background is plain, emphasizing the man and the furniture elements around him.

Giuseppe Verdi

Disdéri, André Adolphe-Eugène

This is a photograph of the surface of the moon. The image captures an area densely covered with craters of various sizes. A particularly prominent crater near the center stands out. The surrounding surface displays radiating streaks of lighter color. The photograph's detailed texture offers a sense of depth and structure, revealing both large and small craters, as well as subtle variations in the lunar surface. The text around the image adds a scientific and cartographic context, indicating it is part of a lunar map by C. Le Morvan, with specific longitudinal and latitudinal coordinates noted.

Carte photographique de la lune, planche XIV (Photographic Chart of the Moon, plate XIV)

Le Morvan, Charles

This is a stereoscopic card featuring two identical images of the full moon, showcasing its craters and surface texture in detail. The card is on a beige background with inscriptions mentioning the photographer, Prof. H. Draper, and the publisher, C. Bierstadt, in Niagara Falls, N.Y. It notes that the negatives were taken with a silvered glass telescope, capturing the selenographic features of the moon.

"Full Moon"

Draper, Henry

This is a photograph of a dog jumping over a fence. The image is a sequence of black and white frames arranged in two rows, capturing a large dog in motion as it approaches, leaps over, and lands on the other side of a fence. The dog is shown from various angles, providing a detailed study of its movements. The environment appears to be an enclosed area, likely with metal fencing visible in the background, under a natural or ambient source of light. The set-up suggests an early form of motion study or animal locomotion photography, focusing on capturing the precise mechanics of the animal's leap.

Plate Number 712. Dog; jumping hurdle; mastiff, Dread

Muybridge, Eadweard

The image depicts a large house surrounded by trees with a waterfall in the foreground. The house is built of light stone and partially obscured by trees. The waterfall flows over rocks with a soft blur effect. The image has a grainy texture and warm sepia tones, giving it a nostalgic feel.

Colinton Manse and weir, with part of the old mill on the right

Hill, David Octavius

The image shows an up-close view of a person's hand. The hand is positioned with the back facing the viewer and fingers slightly bent, relaxed, against a flat surface. The skin appears smooth. There are no specific facial features or hair visible. The image does not display any clothing. The background is plain and likely composed of a neutral, slightly textured surface behind the hand.

Study of a Hand

European 19th Century

The image shows a scene with a low angle perspective, focusing on a ridge where two figures are holding up a flag. The terrain below is rough and dotted with stones, graves marked by crosses and headstones. The scene has a muted and monochromatic color palette, reminiscent of an old photograph. A solitary figure stands below the ridge facing the flag, while the background shows a horizon merging into a blank sky. The composition is clear and detailed, capturing the elements in the frame with precision.

Cemetery, Cathcart's Hill

Fenton, Roger

This is a photograph of a sequence showing two figures engaged in a combative or dance-like interaction. The image is presented in a grid layout featuring twelve black and white frames, capturing the intricate motions and dynamics between the figures. Each frame depicts a slightly different position, illustrating the fluidity and continuity of their movements. The figures are positioned against a backdrop with a grid pattern. The photograph exhibits a high level of detail, allowing the viewer to observe the musculature and the choreography of the sequence.

Plate Number 340. Boxing, open hand

Muybridge, Eadweard

The image shows two girls from the waist up, sitting closely together. The older girl is positioned directly next to the younger girl, and both are facing slightly towards the camera. The older girl has long, dark hair styled in braids, framing her face with a middle part, and her facial expression is neutral. She wears a dark dress with a high collar and plaid decoration near the neck. The younger girl wears her hair parted in the middle and down to her ears, and she also has a neutral expression. Her dress is dark with short sleeves and a white lace or embroidered collar. Their hands are folded in their laps, and they appear to be sitting on a piece of furniture like a chair. They are framed within an ornate, oval-shaped gilded frame with floral and leaf patterns. The background is plain and dark.

Portrait of Two Girls

British 19th Century

This is a photograph of the surface of the Moon. The image shows a detailed view of the Moon’s surface, capturing craters and variations in terrain. The craters vary in size and depth, some appearing as small indentations while others are large and prominent. The lighting creates shadows across the surface, emphasizing the rugged and uneven texture of the lunar landscape. The photograph is marked with various labels and coordinates, indicating details about the location and orientation of this lunar capture.

Carte photographique de la lune, planche XVIII (Photographic Chart of the Moon, plate XVIII)

Le Morvan, Charles

The image depicts a woman seated or slightly leaning, captured from the waist up. Her head is tilted to one side, with her gaze averted from the camera. She has delicate facial features and a serene expression. Her hair is styled in an intricate updo under a large, dark, slightly tilted hat. She wears a high-necked dress with ruffled fabric around the chest and shoulders. The background is plain with a soft-focus texture.

Woman

Keiley, Joseph T.

The image displays a series of photographs showing a nude male figure transitioning from standing to crouching and eventually lying on the ground. The man's body is visible entirely in each frame, showcasing different angles and stages of movement. He is bald and his facial features are not distinctly visible in all frames. There are no clothes or accessories visible on the person. The background includes what seems to be a wire mesh and solid vertical surfaces, possibly a part of a fenced or enclosed area, with light filtering through and casting shadows on the ground.

Plate Number 257. Lying on the ground

Muybridge, Eadweard

The image shows a landscape with a body of water, distant cliffs, and rocky formations on the right. There are two small boats near a sandy shore, with one person seated inside. The scene has a sepia tone, and the details of the cliffs, water, and textures are captured clearly in a photographic style.

Cape Horn, Columbia River

Watkins, Carleton E.

This is a photograph of sequential movements captured in multiple frames. The image shows a progression of movements demonstrating various body positions. There are twelve distinct positions arranged in a grid of four rows and four columns with a backdrop of a grid pattern. The photography captures the fluidity and flexibility of the subject matter as it advances through each frame.

Plate Number 510. Contortions on the ground

Muybridge, Eadweard

The image shows an older man seated, captured from the waist up. The man's facial features are characterized by a broad face, prominent nose, and a neutral expression. He has short, slightly wavy hair with sideburns. He is dressed in a formal dark suit, with a visible white shirt and cravat or bow tie. Marks or damage are present on the suit's shoulder area. The photograph is framed in an ornate gold case with a decorative edge. The background is plain and dark, centering the focus on the man's portrait.

Captain Gideon Lane

Campbell, Hamilton

This is a photograph of a pronghorn antelope in motion captured through a sequence of frames. The image is in the style of Eadweard Muybridge. A series of twelve separate, sequential images in a grid show the antelope moving progressively. Each frame depicts a change in the position of the animal's legs and body, illustrating the fluid motion of its gait. The background is simple, likely a plain dark surface with vertical and horizontal lines.

Plate Number 697. Antelope trotting

Muybridge, Eadweard

The image shows a canal lock system near a body of water. The horizon line is high, with a treeline visible across the water. A grassy slope with a wooden fence is in the foreground, leading to buildings and a canal lock with a guardhouse. The cyanotype style gives a blue-tinted color palette, ranging from deep blues to lighter shades. The water reflects light, adding to the serene atmosphere.

Guard Rock, Des Moines Rapids Canal L.W.

Bosse, Henry Peter

The image shows a young boy standing upright, with one hand resting on a wooden chair. His posture is formal, and he is facing the camera with a slightly tilted head. The boy has short, curly hair and his facial expression is neutral. He is dressed in a dark three-piece suit with a white shirt and a tie. The background consists of a simple draped curtain, and the floor is covered with a patterned rug. The environment portrayed is typical of a traditional photographic studio setup.

Duc d'Alençon

French 19th Century

The image is a portrait of a man shown from the waist up, sitting in a formal pose. He is facing slightly to his left, with his right arm resting on a surface draped with a green fabric that has a paisley pattern. His left elbow appears to be resting on his knee. The man has a full beard and mustache, and styled hair with a side part. He is wearing a dark coat with a matching vest, white shirt, and a black bow tie. A gold chain is attached to his vest. The background features a curtain with a tassel, indicating an indoor setting. The portrait is surrounded by an oval frame with floral motifs in gold.

Portrait of a Man

American 19th Century

The image was captured from an elevated point of view. The horizon line is low in the composition. A series of ancient columns stand above the horizon. A sprawling urban area extends to the left. A large building is visible behind the columns. A mountain rises in the background. The color palette is sepia-toned, giving a vintage feel. The image has gentle tonal variations and soft contrasts, creating a sense of calm and timelessness.

View of Athens with the Temple of the Olympian Zeus

Robertson, James

This is a photograph of a city street with a large crowd, horse-drawn carriages, rising smoke, multi-story buildings, signs, and lamps. The architecture suggests a historical setting, and the sepia tone adds to the aged appearance. The presence of carriages and building style indicate it was taken before automobiles were common. The scene conveys a sense of vibrant city life with movement in the crowd and street activity.

Fire in Oxford Street

Davison, George

This is a photograph of a sequential depiction of an athletic activity. The photograph shows a series of frames with two rows, each capturing moments in a motion sequence. The images present two figures in motion, engaged in a form of sparring or wrestling. The background has a plain, grid-like pattern. The series captures different stages of the interaction between the figures, highlighting their dynamic movements and positions.

Plate Number 342. Boxing, open hand

Muybridge, Eadweard

This is a photograph of an industrial construction scene. The image shows a structure of scaffolding and iron beams at a construction site. Details like beams, metal rails, and columns are visible, along with wooden scaffolding. The presence of light and shadows creates contrasts and textures on the metal surfaces.

Workers on Girders of Auditorium, New Paris Opera

Delmaet, Hyacinthe César

This is a photograph of two wooden walking staffs or canes. The image features two elongated objects with bulbous, rounded tops that resemble natural wooden staffs. Each staff is mounted on a simple wooden base against a dark, neutral background. The wooden surfaces display an intricate pattern of natural wood grain and knots, with visible cracks and irregularities. The photograph emphasizes the tactile and organic qualities of the wooden objects, showcasing their simplicity and rustic beauty. The stands at the bottom have numbered tags.

Specimens of Gunshot Fractures of the Femur

American 19th Century

This is a photograph of a sequence showing a person in motion. The image captures a series of photographic frames depicting the detailed motion of a figure engaged in a physical action, set against the backdrop of a gridded wall. Each frame in the sequence highlights different stages of the leap, documenting the bodily dynamics and postures from various angles.

Plate Number 161. Jumping, standing high jump

Muybridge, Eadweard

This is a series of time-lapse images capturing the motion of a person walking. The grid displays sequential images highlighting nuances in movement. The focus is on the biomechanics of walking, with each frame showing different phases of the stride from various angles. The controlled setting suggests a study in motion photography, with vertical lines in the backdrop adding structure to the composition.

Plate Number 119. Descending an incline with right hand on breast

Muybridge, Eadweard

This is a photograph depicting a sequence of movements involving the handling of a large log. The image is divided into smaller frames arranged systematically to show a series of actions. It shows lifting, carrying, and positioning the log against a backdrop with horizontal lines. The sequence emphasizes the observation of movement dynamics and could be reminiscent of motion studies for analyzing actions in detail.

Plate Number 383. Lifting a log on shoulder

Muybridge, Eadweard

The image shows a sequence of photographs displaying a nude individual in motion. The top row shows the person crouching down and standing up, while the bottom row captures similar movements from different angles. The individual has short hair tied closely to the head and is holding a small cloth or towel in some frames. The background consists of a tiled wall with horizontal lines, and the ground appears flat, resembling a paved or sports court.

Plate Number 220. Stooping, and lifting handkerchief and turning

Muybridge, Eadweard

The image shows a woman standing in a formal pose with her body slightly angled to the side. She has a neutral expression and neat hair, wearing a long-sleeved dress with decorative details. She holds a rolled piece of paper in her right hand. The background depicts an artistic studio setting with painted elements including foliage, rocks, and an architectural balustrade, suggesting an outdoor scene.

Portrait of a Woman

Wright & Cornwell

Three children with different hairstyles and clothing styles are depicted against a natural background. The left child has long, wavy hair and a contemplative expression. The center child wears a wide-brimmed hat and a dress with puffed sleeves, with a distant gaze. The right child, with a flat top hat and a sailor-style shirt, is holding a basket and a stick. Foliage fills the background, suggesting an outdoors setting.

Elizabeth Keown, Kate Keown, and Freddy Gould

Cameron, Julia Margaret

This is a photograph of a series of images capturing the movement of a horned animal. The image is divided into frames that document the progression of the animal running or leaping, captured in mid-motion. The setting appears to be an enclosed area with a fenced boundary visible in the background. The ground is earthy, and the movement is presented in a way that displays the dynamics of the animal’s motion across the frames, showing different phases of its stride.

Plate Number 702. Gnu bucking and galloping

Muybridge, Eadweard

The image shows a riverside view with an estate surrounded by greenery on the other side. The horizon is high, emphasizing the reflective water surface. Trees and a house are visible on the horizon. The water reflects the surroundings. The color palette is sepia, highlighting textures and shapes in the scene.

Halliford

Prout, Victor Albert

This photograph shows the interior of a large industrial building filled with piles of raw cotton and large machinery. Wooden support beams stretch up to a tall, planked ceiling, all covered in fluffy white cotton. There are several large machines with cotton accumulating around them, including one close to us at the bottom left. A burlap sack is clamped into a mechanical press in the large machine, appearing full of white cotton. Around and on top of this machine are five men, all working on different areas. One turns a wheel, one holds a hammer, two push a large wooden beam, and one stands behind a long plank. All of these men have dark brown skin and wear shirts and trousers with suspenders. They are all covered in white cotton. In the background are more men, standing in different areas of the building and looking towards the machine in the bottom left. These men wear jackets and wide-brimmed hats. Two appear to have dark skin, and two appear to have light skin, although the photograph is faded and details are indistinct.

Mississippi Cotton Gin at Dahomey

American 19th Century

The image is a composite of sequential photographs showing a man performing a gymnastic routine. In each frame, the man's full body is depicted, highlighting different stages of a handstand routine performed on gymnastic equipment. The man is balancing and maneuvering with precision, transitioning between various positions. His facial features are not clearly visible. He is not wearing clothes and there is no jewelry. The background has a grid pattern on the wall, and the floor is clear, allowing space for the gymnastic apparatus and highlighting the man's movements.

Plate Number 368. Acrobat descending stairs on hands

Muybridge, Eadweard

This is a photograph of a sequence showing a person swinging a hammer. The image is divided into multiple frames capturing the dynamics of an action with meticulous detail. Each frame captures a slight progression in the motion, demonstrating the body's transitions and positioning during the hammer swing. The background has a grid pattern, indicative of a scientific or anatomical study purpose. This series resembles early motion study photography aimed at capturing and analyzing the different phases of an action.

Plate Number 376. Blacksmith, hammering on anvil with two hands

Muybridge, Eadweard

The image shows a kitten inside a circular metal structure. The kitten is positioned near the edge of the opening, looking upwards. Its fur is primarily white with some darker patches, particularly on one ear and part of its face. The metal structure is cylindrical with a smooth finish. The background is blurred, emphasizing the kitten. The photograph is mounted on a decorative backing and labeled "Yung Fong, Shanghai."

Portrait of a Kitten

Fong, Yung

The image shows a large castle with detailed architecture. The horizon is blurry, highlighting the castle's stone structure. The castle features a tower with battlements, turrets, and conical roofs with cross-like spires. Nearby are trees and a stone balustrade. The monochrome palette accentuates the stonework's texture and details.

Segovia, Façade of the Alcazar and Moorish Tower

Clifford, Charles

This is a photograph of a series of black and white images capturing the movement of a figure in period clothing performing different actions with a broom and a bucket. The full description depicts a motion study consisting of sequential frames arranged in a grid. Each frame captures a slight advancement in movement, illustrating the act of walking and handling objects in a choreographed manner. The background features a grid pattern. The attire includes a bonnet, long dress, apron, and patterned stockings. The composition serves an educational or analytical purpose, emphasizing the fluidity of motion through still imagery.

Plate Number 107. Turning to ascend stairs with a bucket of water and a broom in hands

Muybridge, Eadweard

The image shows a young girl's seated upper body with her hands resting in her lap. Her face is turned slightly towards the camera, revealing straight hair parted in the middle that falls past her shoulders. She is wearing a dark, striped dress with short sleeves, secured with a sash around her waist. A ribbon or string is tied in her hair on both sides. The portrait is encased in an ornate gold-colored frame with a textured border. The background is a plain, neutral tone.

Portrait of a Girl

American 19th Century

The image displays a ground-level view of a large and classical building with prominent columns and ornate capitals on the left side. The horizon is not visible, as the focus is on the tall architecture and adjacent structures. The photo is in sepia tones, giving it an antique feel. Besides the columns, there is a tower structure with arched windows and detailed stonework. On the right, a high wall leads to another building with balconies and window grids against a smooth stone exterior. The scene lacks people and emphasizes architectural elements under soft lighting, creating a serene and slightly timeless impression.

St. Paul's Cathedral, Valetta, Malta, with Bell Tower

Jones, Calvert Richard, Reverend

The image depicts a woman from the waist upward seated in a portrait style, facing slightly to the right. She has dark hair and is wearing a dark dress with lace collar and cuffs, accessorized with a brooch, lace detailing on the sleeves, and bracelets. The background is a dark hue, typical of daguerreotype portraits, and the photograph is framed with a gold-colored border.

Portrait of a Woman

Verdier Mlle.

The image shows a scene of railway tracks curving to the right beside a river. The tracks are flanked by rocky terrain, with a large rock face on the left. In the distance, rugged cliffs and rock formations are visible against a clear sky. The perspective is slightly angled, giving a sense of standing at the edge of the tracks. The color palette is composed of sepia tones, creating a warm and nostalgic atmosphere. Light and shadow highlight the texture of the rocks. The image has a classical aesthetic.

Dodge’s Bluff, Canyon of Grand River

Savage, Charles R.

The image shows a person standing upright. They are facing slightly to the left, with their left hand on their hip and their right hand holding a coiled rope. The person has short hair and is wearing a brimmed hat, long sleeves, a high-collared shirt, suspenders, and a strap across the body, suggestive of a utility belt. They have a small satchel over their shoulder and there is another rope present. The background features classic architectural elements and the floor is covered in what appears to be hay or straw. The photograph is mounted on a card from a photography studio in Kewanee, Ill.

Portrait of a Telephone Lineman

McWilliam, Peter

The image shows two large buildings set against a sloping landscape. The horizon is obscured by the elevated ground behind the buildings. The buildings have multiple stories, rows of windows with awnings, chimneys, and decorative cornices. The railroad tracks run horizontally at the bottom of the image. The color tone is sepia, giving an antique quality. The color palette is predominantly brown. The sky is clear with no visible clouds. Trees on the left provide a touch of greenery.

South Bethlehem General Office Buildings

Rau, William H.

This is a photograph of a sequence showing the movement of a figure running. The image is divided into a series of frames capturing progressive moments in the motion of the figure. The background consists of a grid. Each frame captures a static moment, detailing changes in the position and posture. The figure's movement is fluid, with hair and limbs depicted in various stages of running.

Plate Number 469. Child running

Muybridge, Eadweard

Omar Pacha

Fenton, Roger

The image shows a rugged coastal landscape with a stone structure resembling a tower or fortification on the left. The stone appears weathered and aged. Rocky formations and ruins stretch along the coastline to the right, leading to the sea on the horizon. The sea forms a wide separation between the land and the sky. The image is in a sepia tone, giving it an aged appearance. The scene is barren and detailed, with warm brown and cream colors emphasizing its historical feel.

The Castle, St Andrews

Hill, David Octavius

Title from caption on object: "Read All About It!"

Title from caption on object: "Read All About It!"

Hine, Lewis Wickes

The image shows a wooded area with a riverbank in the foreground. A large tree with visible roots and sparse leaves is on the right third of the frame. In the middle ground, a group of leafless trees extends diagonally, leading to a man standing among them. The horizon is high in the composition with barren hill slopes rising up to an overcast sky. The color palette is sepia, giving a vintage feel. The textures and details in the landscape are highlighted against the subdued background. The image is a photograph.

Rebel Rifle Pits, Bull Run

Russell, Andrew Joseph

The image shows a man seated facing the camera. An apparatus holds his mouth open. His facial features include a pronounced brow, deep lines across his forehead, and a visible frown emphasized by the device. His hair is thinning and combed back, revealing more of his scalp. He wears a loosely fitted shirt with an open collar. Two other individuals are partially visible, wearing suits suggestive of a formal setting. One on either side of the man holds the device in place. The background is plain and slightly blurred with no noticeable details or objects.

Pain and despair

Duchenne (de Boulogne), Guillaume-Benjamin-Amant

The image shows ancient stone columns in a clear, orderly line. The horizon is low, emphasizing the columns against the sky. In the distance, low buildings and a mountain range are visible. The image likely depicts a photograph of the stone columns, showing their texture and weathering. The color palette is monochromatic, giving an aged look. A person stands close to a column, providing scale, with others sitting on the grass nearby.

Temple of Minerva

Robertson, James

The image shows three men standing closely together in military uniforms. Each man holds a sword in their right hand, resting against their left shoulder. The man on the left has his left arm resting on the shoulder of the center figure. They all have mustaches and wear caps. The background is plain, with a curved arch at the top framing the photo.

M. Edward Rogers, Robert E. Randall, and Charles F. Lennig, First Troop Philadelphia City Cavalry

Broadbent, Samuel