← All periods

1876 to 1900

190 works

The image shows a man from the waist up in a standing position. He is facing slightly to the right and holding a musical instrument, possibly a concertina, in both hands. His facial features include a neatly trimmed beard and mustache, round glasses, short gray hair, and a distinguished expression. He is dressed in a double-breasted coat over a high-collared shirt, with a light-colored flower pinned to his left lapel. He is wearing a tall, rounded hat that matches the tone of his coat. The background is plain with some visible texture and a simple rail or banister is visible at the bottom right, suggesting an interior space. The photo shows signs of age.

Portrait of a Man Holding an Accordion

Gay’s Gallery of Art

The image illustrates the upper three-quarters of a seated person, facing forward. The person's facial features are softly depicted, with gentle lines indicating eyes and a mouth, while their hair is short and slightly tousled. They wear a dress with visible sleeves, and their hands are placed in their lap. No jewelry or accessories are shown. The background is simplistic, featuring sketchy diagonal lines and shading.

Little Dorothy

Whistler, James McNeill

The sculpture depicted on the book cover shows an owl perched on a tree branch, next to a coiled serpent. In the background, two flying birds are seen. The word "Ténèbres" at the top may suggest darkness. The color of the sculpture and book cover is predominantly brown with varying shades. The material appears to be leather, as indicated by the texture and pattern. The composition conveys a naturalistic scene with a rustic and somewhat mysterious visual impression due to the muted colors and intricate carving style.

Ténèbres (Darkness)

Redon, Odilon

Mary Cassatt at the Louvre: The Etruscan Gallery

Mary Cassatt at the Louvre: The Etruscan Gallery

Degas, Edgar

The sculpture depicts a figure with the upper body of a man and a fish-like lower body. The figure is adorned with decorative elements and is holding a small horn. The sculpture is intricate, combining gold metal with colored enamel and gemstones. The upper body is made of a lustrous material resembling pearl, while the lower tail-like portion is richly decorated with red and green enamel and embedded gemstones. The sculpture also features dangling pearls. Hanging from a gold chain, it resembles a luxury pendant or an ornamental piece. The elements create a visually captivating and intricate sculpture of a fantastical sea creature in a luxurious form.

Pendant with a Triton

André, Alfred

The image is a sketch of a person seated on a bed. The person is leaning on one arm in a relaxed posture. The facial features and hair are delicately sketched. They are wearing a dress with a voluminous skirt. The setting includes floral patterns, and there are suggestions of drapery or curtains in the background. The sketch is done with light pencil strokes.

Bowing to the Audience (Saluant le public)

Toulouse-Lautrec, Henri de

This painting depicts a landscape with rolling green hills viewed from an elevated perspective. Closest to us, the light green hills on the left are covered with yellowish grass. A dense forest of dark green trees is on the right at the bottom of the slopes. In the distance, towards the high horizon, the hills appear to flatten out, leading to a small white building with a red roof. The sky above is light blue with soft white clouds. The brushstrokes are soft.

Flying Shadows

Cox, Kenyon

The image shows a woman seated in a three-quarter length portrait. She is sitting in a relaxed position on a decorative chair, with her right arm resting on a small cushion on the armrest. Her left arm lies across her lap. The woman has a voluminous afro hairstyle and a composed expression. She wears a dress with floral patterns, lace details, and high lace-up boots. She is adorned with a bracelet on her right wrist. The backdrop is a textured surface, with the caption "Grier Bros., No. 906 Arch Street, Phila." at the bottom of the photograph.

Portrait of a Woman

Grier, Andrew A.

This is a photograph of a series of motion studies. It captures a sequence of images arranged in two rows, each depicting figures engaged in dynamic movements. In the top row, a figure appears to be leaping over another, showcasing a progression of a jump with varying stages of elevation and descent. The bottom row shows a progression of a piggyback ride, highlighting the lifting and carrying movement between figures. The setting is stripped down and functional, likely focusing on the study of human motion. The background is marked with vertical lines, possibly for measuring movement. The entire composition reflects an analytic, scientific approach to capturing motion in a photographic timeline.

Plate Number 166. Jumping over a man's back (leapfrog)

Muybridge, Eadweard

This is a carved copper plate showing a busy street scene viewed from above. The street is lined with tall buildings, and people and horse-drawn carriages are visible on the street below. The street narrows as it recedes into the distance, with a line of buildings where it ends. The sky above the scene is clear, except for faint grid lines that run across the whole scene. The edges of the plate are tinged in purple, teal, and white.

St. James's Street

Whistler, James McNeill

The image shows an ornate bridge with pedestrians crossing it, surrounded by detailed urban architecture. The bridge has dramatic arches, statues, and decorative lampposts. People are walking on the bridge and in the plaza nearby. Complex gothic-style buildings with spires and turrets are visible in the background. The artwork is monochromatic with sepia and gray tones, and fine brushstrokes depict the architectural elements accurately.

Brooksbrucke

Stoltenberg, Fritz

The image shows a rural landscape with a dirt road leading into the scene. The horizon is obscured by dense trees. A horse pulls a cart with a person nearby. The engraving style is detailed with fine lines. The color palette is sepia. Two haystacks are seen next to a wooden fence, with a partly cloudy sky adding depth.

A Long Island Road

Shelton, William Henry

This print shows an array of abstract shapes and lines on a textured background. Many forms resemble human figures, although many of their features are abstracted or exaggerated. One figure near the center has a skull-like face and is seated and with their head in their hands, looking out at us. Other shapes include a child seated on the ground on the left and a figure with long hair and wide eyes on the right, their hands clasped in prayer. In the upper half of the print, there is text in a swirling ribbon, as well as more stylized human faces, most depicted from the shoulders up. The background is filled with solid and patterned sections in shades of black, reddish-brown, and beige.

Be in Love and You will be Happy (Soyez amoureuses, vous serez heureuses)

Gauguin, Paul

The image shows a person riding a horse, leaping over a fence with dogs and buildings in the background. The horse is in mid-leap, with the rider maintaining a steady posture. Two buildings with distinct architectural elements are shown in the background, suggesting an outdoor setting near a residential area. Two dogs are also depicted in the scene, reacting to the movement of the horse. The drawing is done in a loose and expressive style, emphasizing motion over details.

Sheet of Sketches

Toulouse-Lautrec, Henri de

Mahana Atua (Day of the Gods) [recto]

Mahana Atua (Day of the Gods) [recto]

Gauguin, Paul

This is a painting of a book cover. The title "La Porte des Rêves" by "Marcel Schwob" is featured along with the year "1899" and the text "Imprimé pour les Bibliophiles-Indépendants." The background displays a pattern of flowers and leaves in teal and gold. The text is designed in artistic fonts. In the center, there's a stylized illustration of a face with flowing hair, integrated within geometric lines, reminiscent of the Art Nouveau style. The overall style is similar to Alphonse Mucha.

La Porte des Rêves

Feure, Georges de

Croquis (Sketch)

Helleu, Paul-César

The Children

Pissarro, Camille

Ecorché: Relief of a Horse (Josephine)

Eakins, Thomas

This is a drawing of three owls perched together amidst dark foliage. The central owl is prominent, gazing directly outwards with large eyes and pronounced tufts. Flanking the central owl, two smaller owls also perch quietly amidst detailed leaves and branches. The artwork is rendered in a monochromatic blue tone, emphasizing texture and depth. The technique used suggests precise strokes, capturing the essence of the owls with a mystical aura.

Grand-duc (Eagle Owl)

Groux, Henri de

The image shows a series of black and white photographs arranged in a grid pattern, depicting a human figure riding a horse. The photos capture different stages of a trot, with the rider seated upright on the horse's back. The background is plain with a grid-like pattern, and the ground appears flat. The sequence illustrates the motion of the horse and rider, focusing on the horse's legs in various stages of the trot.

Plate Number 615. "Hansel" cantering, bareback

Muybridge, Eadweard

The image shows a landscape sketch featuring an ancient Egyptian scene. The point of view is slightly elevated, capturing palm trees and ruins in an expansive setting. Stone structures and temple remnants are visible against the sky, with palm trees and distant mountains in the background. The sketch uses loose brushstrokes in shades of gray and black, creating a soft, atmospheric quality. Water buffalo are depicted near a body of water, adding life to the scene. The palette is limited to grayscale tones, providing depth to the landscape.

Thebes

Lear, Edward

This is a drawing of a historical street scene. The scene shows a bustling city street filled with a large crowd of people closely packed together. In the foreground, a wooden railing divides the crowd. The background features ornate buildings with multiple windows, some covered with drapes. Electric wires are strung across the sky. Signs are visible on the buildings, and there are street lamps at the edges of the scene.

Märztage I (March Days I)

Klinger, Max

This is a photograph of a text page. The page contains printed text in French and a handwritten signature. The printed text at the top reads, "Il a été tiré cent exemplaires de ce livre." Below this, to the left, is the word "Exemplaire N°" followed by a handwritten number and a signature in light green ink.

Yvette Guilbert

Toulouse-Lautrec, Henri de

This is a photograph showing a series of sequential images of a hand in different positions and gestures. The image features a grid layout with multiple small frames, each showing a close-up of an arm and hand. The background and lighting are consistent, and the series captures various dynamic hand movements. The tones are monochromatic with strong contrast, highlighting the skin and drapery texture. The composition suggests a study of movement or a kinetic experiment, emphasizing hand gestures' fluidity and versatility.

Plate Number 535. Movement of the hand, beating time

Muybridge, Eadweard

This painting depicts a sandy beach under a vast, light blue sky. The horizon is in the center of the painting where the blue sky blends into the blue water. In the center of the painting, a group of women are on the beach, some standing and some seated. The women have light skin and wear clothing in shades of brown, dark blue, and red. They all wear headscarves covering their hair, mostly white except for one that is dark blue. Some of the women carry baskets, while others set them on the sandy ground. In the background, there are faint shapes near the shoreline created by small daubs of paint that suggest other people. The brushstrokes in the painting are thick and visible, especially those that create the shapes of the women. Small details are suggested with dashes and dots of paint instead of being shown clearly.

Women on the Beach at Berck

Boudin, Eugène

The image shows a landscape with an elevated point of view. The horizon is at the top of the image, with hills and sparse vegetation visible. The painting uses linear brushstrokes for a textured effect. In the foreground, there are rocks and shrubs, while figures are seen further back sitting or kneeling among rocks and vegetation. The color palette is monochromatic in black and white.

Paysage (Landscape)

Sérusier, Paul

This is a photograph of a sequence showing a figure holding a rod in various positions. The image consists of multiple frames arranged in a grid pattern, capturing a motion study of a figure in motion. The figure is seen holding a rod and progresses through different stages of walking and posing. The background features a vertically striped surface that provides contrast to the figure's movement. The rhythmic sequence captures the dynamics of the motion.

Plate Number 355. On guard, walking and turning around

Muybridge, Eadweard

The image shows a busy dock in the rain, with people arriving under umbrellas. Ships and flagpoles are visible in the horizon against a cloudy sky. The painting is detailed with rain-soaked planks and a crowd of people, giving a sense of movement. The color palette is monochromatic with varying shades of sepia and dark brown. Lamp posts in the distance softly glow.

Un Débarquement en Angleterre

Buhot, Félix-Hilaire

The image features a cover page design with a large flower-like illustration in muted green at the center. The text displays "ALEXANDRE DE RIQUER" and "CRISANTEMES" in red capital letters above the image, and "A. VERDAGUER RAMBLA DEL MIG BARCELONA" in red below. The color palette includes neutral beige with red and green accents. The illustration and text are centrally aligned on the page, with a decorative monogram at the bottom center.

Crisantemes (Chrysanthemums)

Riquer, Alexandre de

This is a photograph of a baboon in motion. The black and white image is divided into four horizontal rows, each containing frames showing the progression of the baboon walking. The setting includes a grid-lined background on the left side. Each frame captures a moment in the baboon's stride, showcasing variations in leg and arm positioning as it moves from left to right. The documentation appears detailed, potentially for studying movement mechanics or animation.

Plate Number 747. Baboon walking on all fours

Muybridge, Eadweard

This is a photograph of a sequence showing a group of deer moving. The image is a series of black and white frames depicting the movement of deer within a natural setting. The composition is arranged in a grid format, capturing the deer at various stages of walking or running. Each frame shows slight variations in the positions of the deer's legs and antlers. The setting features a dark background, which serves to accentuate the lighter tones of the deer's bodies. The grid layout suggests an analytical approach, focusing on the precise motion of the deer.

Plate Number 687. Fallow deer, buck and group of does, galloping

Muybridge, Eadweard

This is a photograph of a rural scene by a small waterway. The image captures an outdoor setting alongside a narrow water channel, with reflections of surrounding grass and a docked wooden boat floating in the water. The boat is laden with bundles of vegetation. In the background, a man stands near a stack of collected grasses or hay. Several elements of rural life are apparent, such as the dirt path, wooden fence sections, and the rustic nature of the landscape. The sky is partly cloudy, casting an even light across the scene.

Towing the Reed

Emerson, Peter Henry

In this painting, two clusters of dark blue-black grapes hang from a thin brown branch against a beige background. The branch stretches horizontally across the top of the painting, and olive-green vines from the top of the grapes wrap around it. The grapes reflect light and cast dark shadows on the beige wall behind them.

Grapes

Decker, Joseph

This is a drawing of a decorative book cover. It features intricate line work depicting a scene with two figures reclining within a large stylized flower, surrounded by foliage and stars. The flower has large petals that cradle the figures, who appear crowned and are lying with tranquility. Above them are two hanging bell-shaped flowers against a star-filled night sky. The title "Life and Works of Wm Blake" is inscribed at the top in flowing, ornate letters. The design uses a limited color palette.

Life of William Blake with Selections from His Poems and other Writings (volume II)

Gilchrist, Alexander

This is a photograph showing a sequence of a person swinging a bat. The sequence is displayed in a grid of small, black-and-white images, illustrating the stages of the bat swing. The backdrop features a grid pattern, and each frame captures the progression from preparing to swing the bat to the follow-through of the swing. The setting appears to be an indoor or enclosed motion capture environment. The sequential arrangement suggests the use of chronophotographic techniques for studying physical motion.

Plate Number 277. Baseball, batting

Muybridge, Eadweard

The image shows a charcoal drawing of a person from the waist up. The individual is seated, leaning slightly forward, with their head down, reading a book held open in their lap with both hands. The person has soft and tranquil facial features, dark hair pulled back, and is wearing a loose-fitting top with short sleeves. The background is shaded with no distinctive details.

Liseuse (The Reader)

Monfreid, Georges Daniel de

Two Title Pages for "Le Sourire" (Les deux titres du Sourire) [verso]

Two Title Pages for "Le Sourire" (Les deux titres du Sourire) [verso]

Gauguin, Paul

This is a series of black and white photographs showing an individual interacting with a bucket outdoors. Each frame captures a different moment in the motion. The background varies between a grid-like pattern and outdoor structures. The images focus on the physical dynamics of using a bucket, including the flow of water in the middle row. The set provides insight into movement and photography.

Plate Number 401. Emptying a bucket of water

Muybridge, Eadweard

A woman with light skin sits facing us across a marble-topped table in a café in this vertical painting. Her body is angled slightly to our right, and she rests her right elbow, on our left, on the table. She leans her right cheek onto the back of her right hand as she gazes into the distance. She holds a cigarette in her other hand, which rests on the tabletop. Her pale pink dress has long sleeves with ruffles at the cuffs, and buttons down the front of the skirt can be seen under the table. A lace bow or ruffles cascade down at her neck. Straw-colored hair peeks out under a black hat encircled with a wide band of lace. A short, stemmed glass sitting on the table in front of her holds a small, round piece of fruit surrounded by caramel-colored liquid. The white marble tabletop is streaked with gray. The burgundy, patterned banquette she sits on takes up the bottom half of the composition, and wood paneling around a slate-gray metal grate fills the top half. Loose brushstrokes are visible throughout. The artist signed the work as if he had written his name on the surface of the table, near the front edge to our left, "Manet."

Plum Brandy

Manet, Edouard

The image shows two people seated at a table, with only their upper bodies visible. Their positions suggest they are engaged in an activity at the table, with heads inclined towards the tabletop. One person has dark hair styled in a bun. The other person's features are illuminated, showing refined facial features and long hair tied back. Both are dressed in dark clothing with white collars. The surroundings include a window draped with sheer fabric on one side, allowing light to filter through. The room seems dimly lit, enhancing the contrast between the figures and the illuminated tabletop.

Intérieur (Les brodeuses)

Fantin-Latour, Henri

This is a photograph of a sequence depicting an elephant in motion. The image comprises a grid of black and white photographs arranged in four rows of four frames each, capturing the different stages of an elephant's walk. The background is plain. The photographs document the elephant's movement in a walking cycle.

Plate Number 732. Elephant walking

Muybridge, Eadweard

Three pale-skinned men wearing black garments and long, white aprons stand behind a table on which lies a nude corpse on a white sheet in this vertical painting. The corpse’s head is to our right and the face falls toward us. The eyes are sunken, and the rib cage and hip bones protrude sharply from the body. The men gathered behind the table are painted with fewer details so their faces are indistinct, though we can make out that the person to our left has gray hair, and he touches the corpse’s pelvis. The other two have dark beards and might wear black caps, and the middle person might take notes. The man to our right rests both hands on the table on either side of the corpse’s head and leans forward, looking down. The table is under the curve of a thick arched wall that separates two high, deep-set windows. Two unlit lamps hang above. The scene is painted with dabs and some visible brushstrokes, giving it a soft, shadowy, and hazy appearance. The artist signed the painting in red in the lower left, “H. Gervex.”

Study for "Autopsy at the Hôtel-Dieu"

Gervex, Henri

Das Mappenwerk der Insel

Rodin, Auguste

This is a photograph showing a series of sequential motion studies of a person removing a piece of fabric. The grid layout contains two parallel rows of images capturing the progression of the action. The background appears to be a studio setting with simple, possibly textured or striped walls. The scenes are in black and white.

Plate Number 430. Toilet; taking off clothes

Muybridge, Eadweard

This image features a small etching of an urban riverscape scene. The viewpoint is from the embankment of the river, showing buildings and a bridge on the opposite side. The horizon has a row of buildings with varying rooftops, and a bridge spans the river. The lines of the etching create texture for trees and water. The color palette is monochromatic in shades of brown. The water's surface shows horizontal lines for flow and reflection. Two large leafy trees frame the central structure and the bridge in the distance.

Paysage

Dumont, Maurice

The image shows a naked male figure in various stages of a motion sequence, likely pitching or throwing a baseball. The man's entire body is visible in different stances, each illustrating a step in the throwing process. His arms and legs are flexed or extended accordingly. The man's facial features are somewhat indistinct, and he has short hair. No clothing or jewelry is visible, and he holds a baseball in some frames. The background consists of a plain, textured wall in the upper row and a more detailed outdoor setting with a path, grass, and fence visible in the lower row.

Plate Number 281. Baseball, catching and throwing

Muybridge, Eadweard

Amor Caritas

Saint-Gaudens, Augustus

Étang de Corot, Ville-d'Avray (Corot's Pond, Ville-d'Avray)

Étang de Corot, Ville-d'Avray (Corot's Pond, Ville-d'Avray)

Atget, Eugène

The image shows a landscape with a rural setting. The horizon is in the middle, with houses with red roofs and white walls. There are trees on the hills. A pathway runs through a yellow field with some greenery. The sky is blue with white clouds. The painting has deliberate brushstrokes creating a textured effect. The color palette includes earthy tones, yellows, blues, and greens.

Das Mappenwerk der Insel

Laage, Wilhelm

The artwork features a reclining figure, lying on their side with their head propped up on one hand and the other arm resting across their body. The facial features are stylized, with dark shading around the eyes and mouth, and short hair. The figure is draped in a cloth with floral patterns, lying on a surface with floral motifs. There are no visible jewelry or objects. The background includes abstract, cloud-like forms and floral patterns, with the initials "P.G." in the upper left corner.

Te Arii Vahine (Lady of Royal Blood)

Gauguin, Paul

The image displays a composition of faint, raised lines and shapes on a textured surface. The lines resemble the outline of a bird with outstretched wings or the imprint of leaves on a branch. These abstract outlines are visible against a uniform background.

Le vautour (The Vulture)

Rouseaud, Aristide

This is a drawing depicting an entrance to an exhibition or gallery space. The scene is framed by an architectural archway, with signage above the entrance reading "Les Salles D'Estampes" meaning "The Print Rooms." Below, there are words "En Province" and a reference to a publication "Publiées dans le Journal des Arts 1884–85" visible.

The composition is in a monochromatic, sepia tone. Two figures stand in the foreground under the archway. Inside the building, a larger space with high ceilings and arches is visible through a doorway, suggesting classical architecture. Various details such as framed artworks and architectural elements like columns are depicted, contributing to a cultured setting.

Frontispiece for "Les Salles d'Estampes"

Buhot, Félix-Hilaire

The image displays a landscape with a house, leafless trees, wetland, shrubs, and tall grasses. The color palette is subdued and dominated by gray and earth tones.

The Fringe of the Marsh

Goodall, T.F.

The image shows a sketch of a street view with a building at the center. Figures are depicted near an entrance, with one figure crouching and a horse hitched to a cart on the right. The background is minimalistic, with light brush strokes creating an impressionistic feel. The color palette is monochromatic in shades of black and gray.

Gaiety Stage Door

Whistler, James McNeill

The image shows a group of seven people in a workplace. Five women and two men are visible, all from at least the waist up. One man is seated in the foreground, while the rest are standing. The seated man has short hair and a moustache, and is dressed in a dark suit and tie. To his left, a woman sits on the edge of a table, wearing a long dress with a high collar and an apron. The standing women wear long dresses and aprons, with their hair tied back. One woman wears a floral patterned blouse with a belt. Accessories include brooches and an object held by one man. The background features shelves with folded fabrics and bundled items, as well as a metal stove on the right side. The floor is wooden, and the setting suggests a well-organized environment.

"Anna in Union College Laundry”

Edel

This is a photograph of an ornate necklace made from gold, pearls, and gemstones. The necklace features an intricate chain with repeating motifs of red and white gems encased in a gold setting. The central pendant shows a figure with a sculpted face and extended wings, with three pearls hanging beneath. The background is dark, emphasizing the craftsmanship and design of the jewelry.

Necklace and Pendant with a Sphinx

André, Alfred

This is an image showing a raccoon in a grid-lined background, moving from left to right. The image is composed of multiple frames depicting different stages of the raccoon's motion. Each frame shows a slight progression as the raccoon moves, highlighting its body postures, leg positioning, and tail movement. The grid serves as a reference for observing the animal's actions with accuracy. The sequence documents the nuances of the raccoon's gait in a scientific manner.

Plate Number 745. Raccoon walking and turning around

Muybridge, Eadweard

The images depict a woman in various positions, displaying different views of her body. She starts seated, moves to standing, then bends forward while holding a fan. She has a neat bun hairstyle and wears a long dress with puffy sleeves and a high neckline. The background has vertical lines, resembling wooden paneling.

Plate Number 250. Rising from chair, stooping and lifting handkerchief

Muybridge, Eadweard

The image shows a large semicircular line intersecting a grid of small squares with symbols, numbers, and letters. The overall appearance is abstract, resembling a geometric diagram or blueprint. This design could be linked to engineering or architectural sketches with precision and calculation at its core.

Diagram of a Lunette [verso]

Pearce, Charles Sprague

The image shows the cover of a book. The cover is a dark brown fabric with distressed black spine and corner edges. Printed in gold lettering, it reads "Prang's Progressive Proofs, Collection William T. Walters, 1895." The book appears aged with signs of wear, especially along the edges and corners, indicating long term use or storage.

Prang's Progressive Proofs

Prang, Louis

This is a photograph showing a sequential motion study of a figure ascending a ladder. Multiple frames depict the progressive movements involved in climbing up a ladder. Each frame captures a slight change in position, illustrating the mechanics of motion. The ladder is positioned upright, with each step clearly visible as the sequence progresses. The background appears to be a plain setting, emphasizing the focus on the movement study. The format suggests the image is part of a motion study or an early example of sequential photography designed to analyze motion.

Plate Number 112. Ascending a ladder

Muybridge, Eadweard

The sequence of photographs depicts two naked men engaging in a blacksmithing task. They alternate roles, with one holding a hammer while the other holds a metal piece on the anvil. The men have short hair and their facial features are visible but not clearly distinguishable due to the black and white quality of the images. They work with a hammer and an anvil placed on a block in a simple outdoor setting with a wooden fence or wall in the background. There are no visible jewelry or additional objects in the images.

Plate Number 377. Two blacksmiths, hammering on anvil

Muybridge, Eadweard

The image shows a landscape viewed from a low perspective with the horizon slightly above the center. In the distance, there is a line of trees and bushes along the horizon, with a prominent, windswept tree leaning to the right. The brushstrokes create a textured effect capturing the movement of the wind. The color palette is monochromatic with shades of sepia and dark brown. The sky has swirling clouds rendered in light strokes, with detailed lines depicting grasses and low vegetation in the foreground.

Near the Coast [small plate]

Gifford, Robert Swain

The image shows a busy port scene from an elevated viewpoint. The background features the horizon, buildings, and ship masts. The artwork conveys detailed linework and a monochromatic color palette using black and white shades. The foreground includes figures and market stalls, while ships docked at the quay and distant buildings complete the scene.

Riva Delgi Schiavoni, No. 1

Duveneck, Frank

The image shows a group of five people. Two individuals are seated or crouched on the ground. One person is wearing a hat with colorful stripes and a light short-sleeved shirt, and the other is wearing a headscarf and a purple garment. The standing person in the center wears a blue dress with a lighter blue apron and has a red scarf tied around the head. To the right is an outline sketch of a person. Faces are not detailed, with minimal depiction of facial features. The background shows a faintly sketched person in a bent over position. The setting appears to be outdoors, perhaps a field or garden. No visible jewelry or objects are being held apart from the foliage in the hands of the central figure.

Pea Harvesters [recto]

Pissarro, Camille

This muted, celestial blue, wide book cover has gold text and a drawn illustration of marshlands and sailboats. The text is oriented at an angle between the lower left and upper right corners. It reads, “Life and Landscape on the NORFOLK BROADS BY P.H. EMERSON and T.F. GOODALL.” In dark brown, cattails rise along the left edge, near the book’s tan-colored spine, and two boats sail away from us toward a harbor town to the right. The spine and cover are worn and scuffed, and there are a few stains.

Life and Landscape on the Norfolk Broads

Goodall, T.F.

The image depicts a person in a dynamic, upward movement as if emerging from the bottom of the frame. The person is portrayed with one arm bent and raised, and the other arm lower and slightly forward. The facial features and hair are outlined with expressive lines, and the long hair is flowing backward. The person is wearing a long, dark coat over a lighter inner garment, possibly a shirt. There are no visible jewelry pieces or objects being held by the individual. The background consists of dynamic, diagonal strokes, and the image is signed in the lower right corner by the artist.

Bruant?

Ibels, Henri-Gabriel

The image displays a landscape with a rolling hillside and ruins in the distance. A rocky hill with sparse vegetation and ancient stone structures sits near the upper third of the scene. The artwork features sketchy and loose pencil marks, giving a dynamic feeling. The color palette consists of muted tones on a soft grey backdrop contrasting with darker pencil lines. The land close to us has softer shapes and lightly suggested textures, while the rocky formation in the distance is sharper and more defined.

Nile Journey, Tmui of Ptolemy

Vedder, Elihu

The sculpture depicts three or four intertwined people on a rough base. The people are in a moment of interaction, with their limbs and torsos intertwined. One person appears seated in the center, while the others bend around them, their bodies contorted. None of their faces are visible. The people are smooth, while the base of the sculpture is roughly hewn. The material of the sculpture is white.

The Evil Spirits

Rodin, Auguste

This is a drawing of a scene featuring a rustic building with people outside. The building is weathered and wooden, with a porch where figures are seated. In the foreground, a woman in period attire walks with two children playing nearby. The people on the porch appear relaxed while the woman walks by with a confident posture. The building's facade shows signs of wear and age, with a rough texture and small windows with shutters. The drawing is in a monochromatic palette, capturing a moment of everyday life from a historical time period.

With Pride Upon Her Brow

Juengling, Frederick

Roiling, churning waves breaking against a patch of a sandy beach fill most of this wide, horizontal landscape painting. The water deepens from aquamarine blue to teal, slate, and midnight blue amid clouds of ivory-white crests and spray. A glassy, mirror-like sheen of water coats the sandy beach where it drops sharply from the lower left corner to the breaking waves. A few shells or other objects are suggested with touches of pumpkin orange and charcoal gray along the beach. Near the lower center, a battered wooden cage is pommeled by waves where the water meets the foot of the sloping beach. A strip of sky lightens from sable brown to our left to light tan to our right across the upper third of the composition. The artist signed and dated the work with red paint in the lower left corner, “T MORAN 1884,” with the T overlapping the M to make a monogram.

The Much Resounding Sea

Moran, Thomas

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right. The five large golden-brown haystacks are shaped like tall cones and are surrounded by more golden hay on the ground beneath them. The rest of the field is mostly green, with patches of yellow, purple, and light blue. The sky above the field is light blue, with long horizontal strips of white clouds. At the horizon is a line of purple and dark blue shapes, suggesting faraway trees, or perhaps low buildings. The brushstrokes are short and textured, making the landscape appear blurred.

Haystacks

Seurat, Georges

Madame Abdala

Toulouse-Lautrec, Henri de

The image shows a landscape with a river, dense foliage, tall grasses, a meandering river, trees along the riverbank, a forested hill, and a calm sky. The style is a classical sepia photograph, with a monochromatic color palette. Large trees are also visible on the left side.

The Susquehanna At Wyalusing

Rau, William H.

The image shows a full-body drawing of a person standing. The person is facing forward with their face slightly tilted upwards and their eyes looking forward. Their facial features include outlined eyes, a straight nose, and lips, with short hair. The person is wearing a long robe with draped fabric and shading for texture. They are holding a hammer-like object in their right hand and a goblet or cup in their left hand. There is no visible jewelry. The background is a plain surface.

Study for "Dogma of the Redemption: Frieze of Angels" [recto]

Sargent, John Singer

The image shows flowing lines and shapes arranged in an abstract composition. There is a rounded form at the top left with elongated, undulating shapes radiating from it. Below are curved lines and irregular areas of color, suggesting hills or clouds. A bright yellow band runs through the center. A small, intricate circle with flame-like patterns is present below the yellow band. The lines also form figures seated facing left. The inscription "TE PO" is at the bottom left of the image.

Te Po (The Long Night)

Gauguin, Paul

Young Woman with a Straw Hat

Morisot, Berthe

The image shows an elevated view of three horses. The horses are depicted in a sketch-like style with loose brushstrokes. One horse is on the left, and two are on the right with harnesses. The ground line gives depth. The color palette is mainly sepia tones. There are a few additional elements in the background, like a tree trunk.

Station de fiacre (Cab Stand)

Béjot, Eugène

This is a photograph of a vintage book or magazine cover. The image displays the cover of an old, light brown publication with a minimalist design. The title "L'ÉPREUVE Album d'Art" is centrally aligned at the top, printed in a classic serif font. The paper shows signs of age with slight discoloration and some texture from wear. The lower-left corner of the cover is marked with the number "12," and the bottom right has another small marking, "XII."

L'Épreuve (album 1, deluxe edition)

Carrière, Eugène

Two men pitchfork hay onto a horse-drawn carriage in a field in this horizontal black and white photograph. The platform of the carriage is wider than the two white horses harnessed to it. One man tosses hay onto the top of the pile and the other man standing there. We look slightly down a hill, which is spanned a short distance away by a band of evergreen trees. Rolling hills are hazy in the distance beyond.

Loading Hay

Bullock, John G.

Plate Number 588. "Reuben" walking, harnessed to sulky

Muybridge, Eadweard

Woman Ironing

Degas, Edgar

The painting depicts a harbor scene with several large ships and smaller boats on a wide waterway. To the left and right of center, two large ships are visible, each with multiple tall masts and several sails. The boat on the left appears to fly a flag that has white and red stripes and a section of dark blue. A small rowboat is positioned in the water by this ship, and it appears to have several indistinct people on it. To the left, a plume of gray smoke rises from low gray buildings. On the right, more people in rowboats appear to head towards a line of tall buildings in the distance. The sky is painted with soft brushstrokes in shades of light blue and grey, with hints of pale yellow at the center of the painting by the horizon. Some gray clouds drift across the sky. The water reflects these colors as well as the gray ships. Overall, the color palette is mostly light blue and shades of gray. The brushstrokes are visible, and details in the distance are suggested with minimal lines of paint.

Entrance to the Harbor, Le Havre

Boudin, Eugène

The image shows the upper half of a person's body positioned at the foreground. The person has long, dark hair that falls over one side of their face, with a prominent eye and a mustache. The individual is wearing a dark, loose-fitting garment. In the background, there are snow-covered mountains and a body of water that extends into the distance. On the left side, small, indistinct figures can be seen following a path alongside the water.

Brand, acte V (projet de programme)

Dumont, Maurice

This is a drawing of two swans on the water. The drawing depicts the swans with simple, flowing lines. One swan is shown in a resting position with its wings folded, while the other seems to be preening or stretching its wings. The water is illustrated with light strokes to suggest reflection and movement.

Swans in the Water

Sargent, John Singer

The image shows a body of water extending towards a distant shore with buildings lining the horizon. A hill rises prominently on the left side, above the structures. The style is photographic, resembling a cyanotype print in shades of blue. The foreground water is rippled, contrasting with the static buildings. The color palette is predominantly blue, creating a serene effect. The hill and buildings guide the eye across the horizon, with a soft blue sky above.

Redwing, Minn. and Barnbluff

Bosse, Henry Peter

The image shows a side view of a figure standing on a rocky overlook with a crescent moon in the sky. The horizon line is subtly depicted where the land meets the sky. The image has a dreamlike texture created by soft, stippled brushstrokes. The color palette consists of various shades of gray, giving a serene visual effect. The figure dominates the foreground, while the calm landscape in the distance is illuminated by the moon.

Rêverie dans la nuit (Evening Reverie)

Osbert, Alphonse

The image shows sequential photographs of a nude woman interacting with a hammock. The woman is seen in various positions, from standing to sitting and swinging in the hammock. Her short, likely brown, hair is visible, but not her facial features. She is not wearing any clothing or jewelry. The setting is outdoors with a cord or wire grid and a solid backdrop. The lighting indicates a bright day or well-lit area, highlighting the movement in the photos.

Plate Number 261. Getting into hammock

Muybridge, Eadweard

This print shows a person seated in a round border. They are leaning slightly forward with their arms resting on their lap, where they appear to hold a stack of paper and a long stylus. The person has pale skin and wavy hair in an updo adorned with a leafy crown. They have dark eyebrows, a small nose, and thin lips in a slight smile. They wear a flowing off-the-shoulder dress cinched at the waist with a red sash. The background features intricate patterns in rings, including illustrations of foliage and geometric shapes in blue, yellow, and green against a brown background. Surrounding the central print, text reads "ANATOLE FRANCE," "CLIO," and “ILLUSTRATIONS DE MUCHA"" against beige paper, with a few more lines of text at the bottom."

Clio

Mucha, Alphonse Marie

The image shows a cityscape in the distance across a body of water. The horizon is located towards the lower third of the image, lined by dark shapes including a tall tower and a domed structure. The artwork features soft, diffuse brushstrokes likely made with charcoal or a similar medium, creating a hazy atmosphere. The color scheme is minimalistic, using shades of sepia and gray. In the foreground, there are dark silhouettes resembling small boats with figures against the water reflecting soft lights.

Evening, San Giorgio Maggiore, Venice

Vail, Eugène

This is a photograph showing a person flipping over a chair in a series of sequential frames. The top row displays the person moving from a seated position on the chair to a handstand and flipping over the chair. The second row shows a similar sequence from a different angle. Each frame captures a moment in the movement, illustrating motion progression.

Plate Number 373. Acrobat, "press up" from chair

Muybridge, Eadweard

The image depicts a woman pouring liquid from a spoon into a glass. She is standing in a studio setting, wearing a traditional nurse's uniform and standing next to a small table with bottles and glassware. A chair with wicker detail is seen behind her.

Portrait of a Wellesley College Graduate, Class of 1897

Holden, Charles W.

The image shows a head-and-shoulders portrait of a person facing slightly to the right. Their facial features are partly visible, with eyes closed or downcast. The person has long hair framing their face and is wearing a garment with a high collar. Their hands are clasped in front of their face. The background is dark, and the image is rendered in a monochrome palette. The name "Alfred Heinrich" is written in the top left corner.

Mélancolie (Melancholy)

Martin, Alfred-Nicolas

The image shows a nude figure in a reclining pose. The body is oriented slightly sideways, facing left, and the head is tilted slightly downward. The facial features are soft and partially shaded, with closed eyes and a relaxed expression. The hair is long with gentle waves falling down past the shoulders. The person seems to be holding a long piece of fabric or garment draped over one shoulder and extending down the back. The background is textured with dark, sketch-like shading interspersed with lighter areas for contrast around the figure.

Eve

Besnard, Albert

The image features a riverside pavilion overlooking a river scene. Architectural elements and nautical life are detailed. The horizon shows distant city structures and smokestacks. There are intricate buildings on the water with turrets and flags. The brushstrokes are refined and precise, emphasizing architectural details. The color palette consists of muted tones like greys. Close to the pavilion, small boats with figures are on the water. In the distance, more boats are visible along with a cityscape.

Alsterlust

Stoltenberg, Fritz

Two men are depicted standing in front of a large agave plant. The man on the left is holding a cigar close to his mouth with his left hand. He has a mustache, dark, bushy eyebrows, and is wearing a bowler hat, long coat, pants, and shoes. The man on the right has his right hand on his hip and his left hand extended, pointing at the cigar of the first man. He wears a hat with a wide brim, a scarf, long-sleeve shirt, pants, and shoes. In the background, a large agave plant dominates the scene, with a building faintly visible in the distance. Birds are drawn in the sky.

Cactus from Mexico

Kemble, Edward

The image displays a waterside view captured from a slightly elevated angle. A solitary house with several sailboats is seen on the horizon, alongside a calm water surface reflecting the boats and trees. The color palette is monochromatic, with various shades of gray. In the foreground, a grassy shore leads to the still water, with tree reflections adding to the scene's natural beauty.

Cantley: Wherries Waiting for the Turn of the Tide

Emerson, Peter Henry

This painting shows two halves of a pale-yellow lemon with visible seeds and a small hole in the center. Two green leaves and a short stem accompany the lemon halves. The lemon halves are placed side by side in the center of the painting, with one half slightly angled towards the right. The background is brown, and the lemon halves cast dark shadows.

Lemons

Hall, George Henry

Study of "The Roman Orator (Germanicus)"

Cezanne, Paul

The image consists of small photographs arranged in a grid format. The photographs show two women from multiple angles and positions, standing closely next to each other and appearing to walk together while holding fans. Their facial features are indistinct due to the small size of the frames, but their hair is tied back in a bun. They are nude except for the large fans they hold, which partially obscure their bodies in some frames. The background features a brick wall and a wooden floor, suggesting an enclosed, outdoor setting. The sequential nature of the images suggests motion or a narrative of movement as the women progress from one side of the frame to the other.

Plate Number 54. Two women walking arm in arm and turning around; one flirting a fan

Muybridge, Eadweard

This is a black and white photographic series capturing a sequence of movements associated with a domestic laundry chore. The series comprises multiple frames arranged in two rows. Each frame shows the progression of action, beginning with handling a laundry item and ending with laying it out. The background features a patterned backdrop and a partially visible bucket. The series depicts fluid transitions between actions, providing a time-lapse effect and highlighting physical gestures involved in the task. The photograph breaks down movement into visual elements reminiscent of early motion studies.

Plate Number 434. Hanging clothes on a line

Muybridge, Eadweard

This is a drawing of a dragon coiled around an elaborate vase. The vase features intricate designs and scenes, including figures and symbols, with the dragon clutching a piece of paper labelled "U.S. TREATY." The setting evokes a sense of cultural diplomacy or negotiation. The illustration contains a variety of elements that seem to portray a blend of Eastern and Western motifs, with a focus on the ornate style of the vase's artwork and the powerful presence of the dragon. The drawing is detailed with an ink rendering, conveying a sense of intricate craftsmanship both in the depiction of the mythical creature and the decoratively illustrated vase.

A Diplomatic (Chinese) Design Presented to U.S.

Nast, Thomas

The image displays a composition of curved lines, undefined shapes, and a partial semicircle. Within this abstract sketch are figures that could resemble two people, potentially in seated or crouching positions. Above these figures are smaller shapes that might suggest clouds or birds. Towards the bottom right, there are vertical lines and small circles that could represent plant life, hinting at a garden or natural setting.

Study for a Lunette [recto]

Pearce, Charles Sprague

This painting depicts a green field of cotton plants with white blossoms. Three individuals are seen harvesting the cotton. They appear to be wearing skirts and bonnets and have dark skin, although their faces aren’t detailed. The background includes buildings on the left and green trees against a pale blue sky with hints of grey. The painting utilizes loose, visible brushstrokes. The color scheme is warm and natural, featuring shades of green, brown, and muted tones.

Picking Cotton

Gaul, William Gilbert

The image depicts a low angle view across a calm body of water with boats and buildings. The horizon line is high, marked by trees and structures. The boats dominate the right side, while buildings line the left. The technique uses fine brushstrokes, giving an ethereal quality. The color palette is monochromatic with tones of brown and gray, creating a serene atmosphere. The contrast between dark sails and lighter elements adds visual impact.

Hurlingham

Whistler, James McNeill

Tête de femme, profil à droite (Head of a Woman in Profile to the Right)

Gandara, Antonio de la

This is a painting of a geometric pattern with abstract and organic elements. The image features intersecting lines and shapes forming a lattice-like background in earthy tones of brown and green. Two elongated leaf-like shapes are seen over this pattern, with subtle touches of blue along the edges. The artwork is minimalist, relying on texture and pattern.

Study for a Border Design [recto]

Pearce, Charles Sprague

Portrait of Men with Telephone Equipment

Portrait of Men with Telephone Equipment

American 19th Century

The image shows a drawing of two people in an interior setting. On the left, a standing man wearing a long coat and hat is facing towards the other person. He is holding a bag over his shoulder. To the right, a woman is lying in a bed with pillows, wearing a nightcap and nightgown. She has wide eyes and an open mouth. The background is simple. French text is inscribed in the upper and lower portions of the image.

Elections Municipales

Forain, Jean-Louis

The image depicts a young boy in a bust-length view. He is standing in a frontal position with his face directly towards the viewer. The boy's facial features include round cheeks and a slight pout or a neutral expression. His hair is covered by a cap. He is dressed in a dark-colored high-collared shirt with a prominent bow at the neck and a band across the chest. The background features a sketch-like drawing of an outdoor scene, possibly a garden or yard, with abstract outlines of plants and a wooden fence, along with a broom leaning against it. The scene is monochromatic, rendered in shades of brown against a light paper background.

Le petit épicier (Chandlery)

Delâtre, Eugène

This is a photograph of a sequence of black and white frames capturing a person running. The frames show different stages of the running motion in both side and frontal views. Each frame freezes a moment in time, depicting the movement of limbs and body. The background is plain, emphasizing the motion of the subject. The style is reminiscent of early motion studies in photography.

Plate Number 68. Running

Muybridge, Eadweard

The image is depicted from a slightly elevated point of view. The horizon line is relatively low, with a series of distant mountains or hills. A tower with intricate architectural details is visible on the horizon. In the foreground, there are figures, objects like baskets or bags, and a textile structure. To the right, two figures on horses and a pedestrian are present. The brushstrokes are detailed, with a sketch-like quality emphasizing contour and texture. The palette is monochromatic, with sepia or brown tones. The background shows open skies with lightly sketched clouds.

Ruins of a Mosque, Tlemciem, Algeria

Colman, Samuel

Auguste Vacquerie, 1819-1895, Writer and Critic

Ringel d'Illzach, Jean Désiré

Study for "Breton Women at a Pardon"

Study for "Breton Women at a Pardon"

Dagnan-Bouveret, Pascal-Adolphe-Jean

The image depicts a young woman standing in a factory setting. She is positioned facing slightly toward the viewer, with her left arm outstretched near machinery. Her hair is short and styled away from her face. She wears a light-colored blouse with short sleeves and a dark ribbon tied at her neck. The background shows rows of machines with threads and spindles in an industrial building.

Portrait of a Weaving Mill Woman

Taylor

The image shows black and white photographs depicting a person playing tennis in various poses. The person is captured standing, crouching, and leaning forward, with changing body orientations for a dynamic sense of motion. Their facial features show shadows, and they have short to medium-length hair. They wear a long, flowing garment resembling a toga and hold a tennis racket in some frames. The background features a grid pattern on the wall and a flat ground surface.

Plate Number 299. Playing with a ball

Muybridge, Eadweard

This is a drawing of an ornate architectural scene with lush foliage. The image features a detailed depiction of a stone balcony or terrace with classical architectural elements, including pillars and intricate carvings. To the left, abundant foliage surrounds parts of the stone structure. A large ornamental vase or urn is present, embellished with sculptural figures and patterns. The view through the railing reveals a garden or park area. At the bottom right of the image, two feet clad in shoes are visible behind a pillar. In the background, there is a dark sky with a flock of birds. The details capture a serene atmosphere with an interplay between nature and architecture.

In Flagranti

Klinger, Max

The image shows two figures engaged in interaction. One figure is crouched down, reaching towards the standing figure on the right. The crouched figure has reddish-brown hair and wears a light-colored garment. The standing figure has dark hair and wears a robe-like attire. Both figures extend their hands towards each other. The background features an outdoor setting with greenery, trees, and a sky with blue and white swirls.

Study for a Lunette

Pearce, Charles Sprague

Plate Number 718. Cat; trotting; change to galloping

Plate Number 718. Cat; trotting; change to galloping

Muybridge, Eadweard

About two dozen men, women, children, and a baby sit in rows of wooden benches or on traveling trunks in this horizontal painting. Their skin is mostly pale with some ranging more toward pink and others toward tan. A woman nursing a baby sits in the center of the composition. Her blond hair is pulled back, and she wears a white blouse under a red vest and a long black skirt. Her shirt is pulled down to expose one breast, and the feeding baby wears a white bonnet and clothing, and is wrapped in a gray-patterned blanket. The woman sits on a wooden trunk in front of a young girl, who sits on a second chest just behind her and to our left. This girl has strawberry blond hair held back under a black headband, and she wears a blue shawl over a brick-red dress. Three silver pans, a silver jug, a glass bottle, and tin cup sit next to her trunk. She leans forward and looks intently off to our left. A man with a red beard wears glasses, a brown suit, and a flat-topped straw hat sits farther back in the room on the far side of bulging sacks and more trunks. He looks into the distance off to our right. Three men wearing black suits and two wearing black bowler hats sit facing each other just over this man’s shoulder. In the right two-thirds of the painting, more men wear fedoras, bowler hats, or brimless caps. Their clothing ranges from vests over button-down shirts to suits and ties. Some wear overcoats, and some are bearded. One man wears a military-style hat, a double-breasted black coat, and smokes a pipe with a white bowl. He looks toward the nursing woman, as does a standing man farther in the room. The men sit alone or chat in groups of two or three, and one sleeps, propped up against a fabric bag. A few more women are among the group, including one older woman who wears a yellow scarf tied over her head to the left. A sign hanging on a column behind the nursing woman begins with the text, “Emigrant Landing Depot” over columns of fine print. The walls of the room are mottled fog and cream white, and one visible window is small within the thick wall. The floor is wooden planks and there is a brown stain near the lower right corner.

In the Land of Promise, Castle Garden

Ulrich, Charles Frederic

This is a photograph of a metallic plate. The image shows a rectangular copper or brass plate with a slightly aged and tarnished surface. The plate has engraved text, with the name "EMILE VERNIER" prominently displayed in the center. Towards the bottom, partially visible, is the word "SOCIETAIRE". The plate's surface is marked by scratches and blemishes, and the edges are softly rounded.

Inscription [reverse]

Charpentier, Alexandre

The image shows a large, multi-story historical building on the right side of the frame. The building has ornate architectural detailing and reaches towards the sky. The horizon is low in the image, with manicured grass sloping up to the building. In the distance to the left, another structure with a spire is partially visible through trees. The image has a sepia-toned color palette. A gravel path runs along the front of the image, bordered by a lawn, trees, and shrubs. There are light and shadow variations indicating a bright day. The photograph conveys a sense of tranquility and historic significance.

Untitled

Rau, William H.

The image features a faint line drawing of a full-bodied person standing in a serene manner. The person has long hair, flowing robes, and is holding a small branch with leaves. No distinct facial features are visible in the light sketch. The background includes lightly sketched trees and a pathway. The overall appearance is soft and monochromatic, set within a neutral, lightly speckled beige or off-white paper background.

Léger relief pour une reliure (Light Relief for a Binding)

Dumont, Maurice

The image shows a young person on a small wooden raft in the lower right corner. The viewpoint is at water level, facing the child. Foliage blocks the horizon, and water extends into the distance. The brushstrokes are delicate and watercolor-like. The color palette is muted with shades of green, brown, and light blue. A fish is on the raft, and a faint bird outline is in the trees. The sky has a light blue tint.

Boy on a Raft

Homer, Winslow

The sculpture depicts a centaur, a mythical creature with the upper body of a human and the lower body of a horse. The human part is holding a bow. The sculpture is colorful and detailed. It has gold and enamel detailing. The centaur features a combination of enamel in rich hues, possibly including reds, blacks, and whites, while the horse body has a fur-like texture, with gilded highlights. The body is adorned with decorative jewels or stones. There are tear-shaped pearls dangling from the sculpture.

Pendant with a Centaur

André, Alfred

The image displays a seascape with crashing waves seen from a slightly elevated angle. The horizon is near the upper third, with a small sailboat visible. The brushstrokes are dynamic, depicting the sea's energy. The color palette is mainly monochromatic, with shades of black and brown on a light tan background, creating contrast between the waves and the sky. The waves appear chaotic, leading towards distant storm clouds.

The Resounding Sea

Moran, Thomas

This is a photograph of a deer in motion. The image shows a series of frames depicting a deer walking or trotting in front of a grid-lined backdrop. The frames capture different moments in the deer's gait. The background features a cage or fence with vertical lines. The lighting highlights the shadow and form of the deer's body as it moves, showcasing the fluidity and grace of its movement. The image appears to be an early motion study focused on capturing the anatomy and motion of the deer in a scientific manner.

Plate Number 683. Virginia deer, buck, galloping

Muybridge, Eadweard

The image displays a river landscape with a busy waterfront. A bridge with multiple archways and towers is visible in the distance, marking the urban setting. Factories with smokestacks can be seen beyond the bridge, enhancing the industrial feel of the cityscape. The precise yet fluid brushstrokes capture architectural details and the vast sky with light washes of ink. The color palette is dominated by sepia and gray tones, creating a monochromatic look. Buildings and pathways are depicted along the riverbanks, leading into the bustling city.

Freihafen mit den Elbbrucken

Stoltenberg, Fritz

The image shows two men standing in shallow water next to a small wooden boat, handling fishing nets. The background features distant trees, a cloudy sky, and two small structures or boats on the horizon. The overall color scheme is muted in sepia tones, giving the image a vintage appearance. The contrast between the dark clothing of the men and the lighter tones of the water and sky, with soft lighting, creates a serene and industrious atmosphere.

Taking Up the Eel-Net

Goodall, T.F.

The image shows a person standing sideways, facing a workbench or table. The individual is wearing a cap and appears to have short hair, or their hair is concealed by the cap. Their facial features are indistinct due to the shading of the sketch. They are dressed in a long-sleeve shirt with rolled-up sleeves and pants secured with a belt. There are objects on the table in front of them, suggesting manual work or crafting. The background includes a window above the person's head, casting light onto the scene.

Auguste Delâtre au travail (Auguste Delâtre at Work)

Luce, Maximilien

The image shows the upper body of a person leaning on one arm, with their head resting on their hand. The person has delicate features and long dark hair. They are dressed in a light-toned garment with darker patterns. The background is a textured wash of gray.

Etude d'enfant (Study of a Child)

Bourget, Camille

This is a photograph of the surface of the moon. The image captures an area densely covered with craters of various sizes. A particularly prominent crater near the center stands out. The surrounding surface displays radiating streaks of lighter color. The photograph's detailed texture offers a sense of depth and structure, revealing both large and small craters, as well as subtle variations in the lunar surface. The text around the image adds a scientific and cartographic context, indicating it is part of a lunar map by C. Le Morvan, with specific longitudinal and latitudinal coordinates noted.

Carte photographique de la lune, planche XIV (Photographic Chart of the Moon, plate XIV)

Le Morvan, Charles

This is a photograph of a dog jumping over a fence. The image is a sequence of black and white frames arranged in two rows, capturing a large dog in motion as it approaches, leaps over, and lands on the other side of a fence. The dog is shown from various angles, providing a detailed study of its movements. The environment appears to be an enclosed area, likely with metal fencing visible in the background, under a natural or ambient source of light. The set-up suggests an early form of motion study or animal locomotion photography, focusing on capturing the precise mechanics of the animal's leap.

Plate Number 712. Dog; jumping hurdle; mastiff, Dread

Muybridge, Eadweard

This is a photograph of a sequence showing two figures engaged in a combative or dance-like interaction. The image is presented in a grid layout featuring twelve black and white frames, capturing the intricate motions and dynamics between the figures. Each frame depicts a slightly different position, illustrating the fluidity and continuity of their movements. The figures are positioned against a backdrop with a grid pattern. The photograph exhibits a high level of detail, allowing the viewer to observe the musculature and the choreography of the sequence.

Plate Number 340. Boxing, open hand

Muybridge, Eadweard

The image depicts a landscape with an eye-level perspective. The horizon is positioned in the upper half of the image, showing trees and distant elements. The technique appears to be a form of etching or lithography, with textured brushstrokes creating a soft effect. In the foreground, a figure and a dog walk along a path, accompanied by elongated shadows. Vertical trees line the right side, extending into the distance. The palette is monochromatic with various shades of grey, creating a somber atmosphere. The background shows a slightly lighter sky for contrast with the darker elements below.

Matinée d'automne (Le petit chasseur)

Buhot, Félix-Hilaire

The image depicts a woman seated or slightly leaning, captured from the waist up. Her head is tilted to one side, with her gaze averted from the camera. She has delicate facial features and a serene expression. Her hair is styled in an intricate updo under a large, dark, slightly tilted hat. She wears a high-necked dress with ruffled fabric around the chest and shoulders. The background is plain with a soft-focus texture.

Woman

Keiley, Joseph T.

Rose and coral pink, vivid white, delphinium blue, and buttercup yellow flowers with deep green leaves are arranged in a blue and white vase in front of a pale sea-green background in this vertical still life painting. The vase has a white cup on a flaring foot. The vase is encircled with a twisting, decorative blue vine and scrolls. It sits on a band of peanut brown, suggesting a wooden tabletop. The still life is painted with blended strokes, giving the composition a soft, almost mottled appearance. The artist signed the painting in the lower left corner, “Cezanne.”

Flowers in a Rococo Vase

Cezanne, Paul

This is a photograph of a cover page. The page is a plain beige color with minimal text. The text is located in the upper right quadrant, printed in a serif font, and reads '"l'Epreuve" Album d'Art'. The cover exhibits a simple, minimalist design with no other text, images, or graphic elements present. The texture of the paper suggests it might be of a vintage or aged quality. The edges of the page are slightly worn.

L'Épreuve (album 6, deluxe edition)

Dumont, Maurice

The image displays a series of photographs showing a nude male figure transitioning from standing to crouching and eventually lying on the ground. The man's body is visible entirely in each frame, showcasing different angles and stages of movement. He is bald and his facial features are not distinctly visible in all frames. There are no clothes or accessories visible on the person. The background includes what seems to be a wire mesh and solid vertical surfaces, possibly a part of a fenced or enclosed area, with light filtering through and casting shadows on the ground.

Plate Number 257. Lying on the ground

Muybridge, Eadweard

Boite à thé porcelaine

Boite à thé porcelaine

Buhot, Félix-Hilaire

This painting shows a partial view of a dark wooden mantle. The mantle itself takes up the bottom right corner of the painting, and we see one side of it, but not the other. On its left corner, there is a vase of pink flowers, which stands at the center of the painting. Behind the vase, on top of the mantle, is a large silvery mirror in a golden frame. The mirror reflects gray walls and indistinct rectangles of black, gray, and brown. In the bottom left corner, there is a patterned brown and white object, perhaps furniture or draped fabric. The wall on the left of the mantle and the mirror is a cream color. In some areas of the painting, the reddish-brown material beneath the paint is visible.

Vase of Flowers on a Mantelpiece

Vuillard, Edouard

Invocation mémoriale

Dumont, Maurice

This is a photograph of sequential movements captured in multiple frames. The image shows a progression of movements demonstrating various body positions. There are twelve distinct positions arranged in a grid of four rows and four columns with a backdrop of a grid pattern. The photography captures the fluidity and flexibility of the subject matter as it advances through each frame.

Plate Number 510. Contortions on the ground

Muybridge, Eadweard

The image shows a sketch of several people situated around a table indoors. Two individuals are visible sitting at the table, with one person's back slightly turned. Both individuals have simple hair styles, and their facial features are minimally detailed. The clothing is suggested with basic lines, and one person appears to be wearing a hat. There is no clear depiction of jewelry or objects being held. The background is roughly sketched with shading hinting at a window or architectural detail. The focus is on the figures, with surrounding lines giving context.

Late Picquet

Whistler, James McNeill

This is a photograph of a pronghorn antelope in motion captured through a sequence of frames. The image is in the style of Eadweard Muybridge. A series of twelve separate, sequential images in a grid show the antelope moving progressively. Each frame depicts a change in the position of the animal's legs and body, illustrating the fluid motion of its gait. The background is simple, likely a plain dark surface with vertical and horizontal lines.

Plate Number 697. Antelope trotting

Muybridge, Eadweard

The image shows a canal lock system near a body of water. The horizon line is high, with a treeline visible across the water. A grassy slope with a wooden fence is in the foreground, leading to buildings and a canal lock with a guardhouse. The cyanotype style gives a blue-tinted color palette, ranging from deep blues to lighter shades. The water reflects light, adding to the serene atmosphere.

Guard Rock, Des Moines Rapids Canal L.W.

Bosse, Henry Peter

The sculpture depicts a standing female figure with her arms behind her back and head slightly tilted downwards. The figure is leaning against a textured form, possibly representing drapery or a natural object. It is crafted from light brown or terracotta-colored material, likely clay, giving it an earthy appearance. The sculpture has a rough texture with visible marks and surface variations, suggesting a hand-modeled quality. The base is dark and polished, contrasting with the natural color of the sculpture. The proportions of the figure are naturalistic, emphasizing form and posture, conveying a sense of timelessness and human presence.

Statuette of a Woman

Rodin, Auguste

This tan-colored, fabric-covered sketchbook cover is marked with a few smudges of dark gray and white paint. The binding is to the left in this photograph. The cover is wide and has a cream-colored rope wrapped around the narrower end to our right. The weave of the fabric is visible. A few swipes of gray paint are spaced along the binding, to our left, and there are tiny touches of white, lavender purple, and brick red marking the cover.

Cezanne Sketchbook

Cezanne, Paul

The image depicts swirling lines and circular shapes in an abstract composition. The top portion of the artwork contains curved formations blending into the background. In the center, there are detailed circular patterns. Below, a softly rendered face of a young person emerges. The lower section features distinct linear elements resembling a celestial object or mechanical device.

Tete d'Enfant (Head of a Child)

Redon, Odilon

The sculpture is of a human hand and wrist, depicted in a relaxed, natural position with fingers slightly bent. The sculpture's material appears to be a pale, white plaster, with a matte surface that shows subtle texture. The hand is life-sized, comparable to the size of an average human hand, and is oriented upright. The sculpture focuses on anatomical accuracy, with detailed contours and proportions that mimic the appearance of real human skin and bones. The material and color give the sculpture a minimalist and classical appearance.

Right Hand

Rodin, Auguste

This is a photograph of a city street with a large crowd, horse-drawn carriages, rising smoke, multi-story buildings, signs, and lamps. The architecture suggests a historical setting, and the sepia tone adds to the aged appearance. The presence of carriages and building style indicate it was taken before automobiles were common. The scene conveys a sense of vibrant city life with movement in the crowd and street activity.

Fire in Oxford Street

Davison, George

This is a photograph of a sequential depiction of an athletic activity. The photograph shows a series of frames with two rows, each capturing moments in a motion sequence. The images present two figures in motion, engaged in a form of sparring or wrestling. The background has a plain, grid-like pattern. The series captures different stages of the interaction between the figures, highlighting their dynamic movements and positions.

Plate Number 342. Boxing, open hand

Muybridge, Eadweard

The sculpture is a round relief featuring two young girls facing each other. The girls are engaged in a gentle interaction, with one girl looking at the other girl as she points towards her chest area. Both girls are wearing long-sleeved attire, detailed with folds and textures. The medium of the sculpture is a dark bronze material. Surrounding the girls are engraved flowers. There are inscriptions around the sculpture's border stating "Daughters of Frederick and Elizabeth Shattuck" and the artist's initial "S. L. Pratt 1887."

Clara and Lizzie, Daughters of Frederick and Elizabeth Shattuck

Pratt, Bela Lyon

A pale turquoise footbridge arching over a pond lined with tall grasses and filled with petal-pink and butter-yellow waterlilies spans this horizontal landscape painting. The scene is loosely painted with touches of vibrant color. In the top third of the composition, the shallowly arched bridge nearly touches the top edge of the canvas, and it extends off each side. The shadows on the bridge are painted with eggplant purple. Bands of waterlilies gently zigzag into the distance on the surface of the water. The spring and emerald-green grasses growing along the banks fill the space around and over the pond, and they blend into a screen of trees beyond that enclose the scene. The green of the grasses and trees is reflected in the surface of the water, as is the underside of the bridge. The artist signed and dated the work with dark paint in the lower right corner: “Claude Monet 99.”

The Japanese Footbridge

Monet, Claude

This is a photograph of a sequence showing a person in motion. The image captures a series of photographic frames depicting the detailed motion of a figure engaged in a physical action, set against the backdrop of a gridded wall. Each frame in the sequence highlights different stages of the leap, documenting the bodily dynamics and postures from various angles.

Plate Number 161. Jumping, standing high jump

Muybridge, Eadweard

This drawing features several horses in harness pulling a cart. The image shows a horse facing the viewer in the foreground, with a team of horses pulling a cart in the background. The drawing is monochromatic in tones of brown and beige, created with loose and expressive lines.

Station de fiacre (Cab Stand)

Béjot, Eugène

This is a series of time-lapse images capturing the motion of a person walking. The grid displays sequential images highlighting nuances in movement. The focus is on the biomechanics of walking, with each frame showing different phases of the stride from various angles. The controlled setting suggests a study in motion photography, with vertical lines in the backdrop adding structure to the composition.

Plate Number 119. Descending an incline with right hand on breast

Muybridge, Eadweard

This is a photograph depicting a sequence of movements involving the handling of a large log. The image is divided into smaller frames arranged systematically to show a series of actions. It shows lifting, carrying, and positioning the log against a backdrop with horizontal lines. The sequence emphasizes the observation of movement dynamics and could be reminiscent of motion studies for analyzing actions in detail.

Plate Number 383. Lifting a log on shoulder

Muybridge, Eadweard

The sculpture depicts a figure in a dynamic pose. One leg is lifted high with the foot pointed forward, the arms are bent at the elbows, and both hands are positioned differently - one pointed downwards and the other upwards. It portrays a dancer caught in mid-motion. The figure is sculpted in a dark brown color, and the material appears to be bronze, giving the subject a polished, metallic sheen. The sculpture is mounted on a simple rectangular base, providing a foundation to keep it upright. A metal rod provides additional support to the figure, attaching from the base to the torso. The detail in the sculpture captures the muscularity and movement of the dancer, highlighting the contours and tensions of the body's form.

Fourth Position Front, on the Left Leg

Degas, Edgar

The image shows a sequence of photographs displaying a nude individual in motion. The top row shows the person crouching down and standing up, while the bottom row captures similar movements from different angles. The individual has short hair tied closely to the head and is holding a small cloth or towel in some frames. The background consists of a tiled wall with horizontal lines, and the ground appears flat, resembling a paved or sports court.

Plate Number 220. Stooping, and lifting handkerchief and turning

Muybridge, Eadweard

The image features elongated, pointed shapes that converge at a central axis, forming an abstract arrangement. Interspersed among these shapes are small circular forms. The composition is framed on the right by a vertical, wavy border pattern. The background color is earthy.

Study for a Border Design [recto]

Pearce, Charles Sprague

The image shows a woman standing in a formal pose with her body slightly angled to the side. She has a neutral expression and neat hair, wearing a long-sleeved dress with decorative details. She holds a rolled piece of paper in her right hand. The background depicts an artistic studio setting with painted elements including foliage, rocks, and an architectural balustrade, suggesting an outdoor scene.

Portrait of a Woman

Wright & Cornwell

This is a photograph of a series of images capturing the movement of a horned animal. The image is divided into frames that document the progression of the animal running or leaping, captured in mid-motion. The setting appears to be an enclosed area with a fenced boundary visible in the background. The ground is earthy, and the movement is presented in a way that displays the dynamics of the animal’s motion across the frames, showing different phases of its stride.

Plate Number 702. Gnu bucking and galloping

Muybridge, Eadweard

Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap. She has a round face and smooth, lightly flushed cheeks. She has brown eyes under arched brows, a delicate, snub nose, and her rose-pink lips are closed. Her hair, which is painted with broad strokes of caramel brown and moss green, is parted on one side and pulled smoothly back, presumably tied behind her head. Tendrils fall over her shoulders. Her dress is gathered around her neck and tied with a bow at the back. The loose sleeves fall to just below her elbows, and the dress is belted around the waist. A curving swipe of canary-yellow paint could be a buckle at the front. The fabric of the dress is painted with long, visible strokes of shell and rose pink, butter yellow, and ivory white, and a few touches of sage green and periwinkle blue for shadows. She wears a ring on the middle finger of her right hand. The space around her is loosely painted with strokes of electric and cobalt blue, with unpainted canvas visible at some of the edges. To our left, over the girl's shoulder, a wooden bird cage holds an emerald-green parakeet. The bird is streaked with royal blue along its back, and the area around its hooked beak is apple red. The cage has a mint-green bow and ribbon along the top. The artist signed the painting in green on the lower right corner: “Berthe Morisot.”

The Artist's Daughter with a Parakeet

Morisot, Berthe

The image shows a drawing of an elderly woman from the upper half of her body. She faces forward with a neutral expression. The woman has prominent facial features including deep-set eyes, a defined nose, and a firm mouth. She has styled hair in an updo with a headpiece resembling ruffled lace or a floral accessory. She wears a high-collared garment, likely a dress or blouse, with buttons down the front. A scarf tied into a bow is around her neck, and she wears small hoop earrings on both ears. The background is a plain, light surface.

La vieille (Old Woman)

Martel, Eugène

The image depicts abstract lines and shapes, with a prominent triangular form in the center. The shapes create an otherworldly landscape with emerging faces resembling floating masks or ghostly visages. A large circular shape with spiky lines radiating from it and scattered faces floating within the textured space can be seen.

Sur le fond de nos nuits dieu de son doigt savant dessine un cauchemar multiforme et sans treve (On backdrop of our nights God with His knowing finger traces a multiform implacable nightmare)

Redon, Odilon

This photograph shows the interior of a large industrial building filled with piles of raw cotton and large machinery. Wooden support beams stretch up to a tall, planked ceiling, all covered in fluffy white cotton. There are several large machines with cotton accumulating around them, including one close to us at the bottom left. A burlap sack is clamped into a mechanical press in the large machine, appearing full of white cotton. Around and on top of this machine are five men, all working on different areas. One turns a wheel, one holds a hammer, two push a large wooden beam, and one stands behind a long plank. All of these men have dark brown skin and wear shirts and trousers with suspenders. They are all covered in white cotton. In the background are more men, standing in different areas of the building and looking towards the machine in the bottom left. These men wear jackets and wide-brimmed hats. Two appear to have dark skin, and two appear to have light skin, although the photograph is faded and details are indistinct.

Mississippi Cotton Gin at Dahomey

American 19th Century

The image shows three figures in an alleyway. On the right, a woman in a light-colored dress leans against the wall, her head tilted back. In the center, a person in dark clothing leans forward towards her. On the left, another figure stands upright in shadow. The alleyway is narrow, with tall buildings on each side and a cloudy sky in the background.

Ein Schritt (A Step)

Klinger, Max

The image is a composite of sequential photographs showing a man performing a gymnastic routine. In each frame, the man's full body is depicted, highlighting different stages of a handstand routine performed on gymnastic equipment. The man is balancing and maneuvering with precision, transitioning between various positions. His facial features are not clearly visible. He is not wearing clothes and there is no jewelry. The background has a grid pattern on the wall, and the floor is clear, allowing space for the gymnastic apparatus and highlighting the man's movements.

Plate Number 368. Acrobat descending stairs on hands

Muybridge, Eadweard

This is a black and white line drawing of an older woman shown from the chest up. She is facing forward, showcasing her face and upper torso. Her facial features are outlined, with visible lines indicating age, and she is smiling. Her hair appears styled and is voluminous, possibly held up or adorned with a headpiece. She is dressed in a high-neck garment fastened with buttons down the front, and has a scarf or bow tied around her neck. The drawing is on a plain paper background with no additional elements.

La vieille (Old Woman)

Martel, Eugène

This is a photograph of a sequence showing a person swinging a hammer. The image is divided into multiple frames capturing the dynamics of an action with meticulous detail. Each frame captures a slight progression in the motion, demonstrating the body's transitions and positioning during the hammer swing. The background has a grid pattern, indicative of a scientific or anatomical study purpose. This series resembles early motion study photography aimed at capturing and analyzing the different phases of an action.

Plate Number 376. Blacksmith, hammering on anvil with two hands

Muybridge, Eadweard

The image features performers and an audience in an outdoor setting. One performer showcases an act with an animal jumping through a hoop, while a crowd watches. The scene includes various figures engaged in different activities such as playing instruments or observing. The setting is outdoors with a cloudy sky in the background, capturing a lively moment of entertainment and public gathering.

Les Chiens savants

Vierge, Daniel

This is a sketch of a person from head to toe. The body is facing forward and is partly obscured by lines. The facial features, eyes, and a beard are visible, with long hair. The person appears to be wearing a flowing robe, with bold shading on the lower portion. There are no visible accessories or objects. The background is a textured surface, emphasizing the person in the sketch.

Study for Moses - Trinity Church, Boston

La Farge, John

This is a photograph of a series of black and white images capturing the movement of a figure in period clothing performing different actions with a broom and a bucket. The full description depicts a motion study consisting of sequential frames arranged in a grid. Each frame captures a slight advancement in movement, illustrating the act of walking and handling objects in a choreographed manner. The background features a grid pattern. The attire includes a bonnet, long dress, apron, and patterned stockings. The composition serves an educational or analytical purpose, emphasizing the fluidity of motion through still imagery.

Plate Number 107. Turning to ascend stairs with a bucket of water and a broom in hands

Muybridge, Eadweard

The image shows a man depicted from head to knee, leaning forward with one leg slightly forward. He has a bushy beard, moustache, curly hair under a round-brimmed hat, and wears a suit with a checkered pattern. He holds a walking stick in his left hand, positioned near his chest. The background is minimalistic with a shadowy figure holding a small object to the left of the man, set against a plain, light-colored backdrop.

American Singer (Chanteur américain)

Toulouse-Lautrec, Henri de

The image is a portrait drawing of an older man. He is depicted in a frontal position, showcasing his facial features such as deep-set eyes, furrowed brows, a straight nose, long beard, mustache, and wavy hair that falls past his ears. The drawing is in pencil with hatching and cross-hatching for shading and texture. The background is plain, emphasizing the subject's features and expression.

Self-Portrait

Legros, Alphonse

This is a photograph of a decorative book cover. The book cover has a golden-yellow background with a repeating pattern of floral motifs, resembling chrysanthemums. The text "BADAUDERIES PARISIENNES" is printed in a dark bold font in the upper portion, and "Les Rassemblements" is displayed centrally beneath it. The design suggests elegance and artistic flair with the patterned florals and typography contributing to a refined aesthetic.

Les Rassemblements

Vallotton, Félix

The image shows a person standing upright. They are facing slightly to the left, with their left hand on their hip and their right hand holding a coiled rope. The person has short hair and is wearing a brimmed hat, long sleeves, a high-collared shirt, suspenders, and a strap across the body, suggestive of a utility belt. They have a small satchel over their shoulder and there is another rope present. The background features classic architectural elements and the floor is covered in what appears to be hay or straw. The photograph is mounted on a card from a photography studio in Kewanee, Ill.

Portrait of a Telephone Lineman

McWilliam, Peter

This is a photograph of an old book cover. The cover features a dark, textured spine on the left, with two thin gold vertical lines running along the edge. The spine is mostly black. The rest of the cover is a light brown fabric, which shows signs of wear and possible water or age stains, resulting in a mottled and discolored appearance. The overall feel of the image conveys a sense of antiquity and use.

On English Lagoons

Emerson, Peter Henry

The image shows two large buildings set against a sloping landscape. The horizon is obscured by the elevated ground behind the buildings. The buildings have multiple stories, rows of windows with awnings, chimneys, and decorative cornices. The railroad tracks run horizontally at the bottom of the image. The color tone is sepia, giving an antique quality. The color palette is predominantly brown. The sky is clear with no visible clouds. Trees on the left provide a touch of greenery.

South Bethlehem General Office Buildings

Rau, William H.

The image shows three owls against a dark, leafy background. The central owl is larger and has focused eyes. The two smaller owls on either side mimic the central owl's pose and expression. The drawing evokes a mysterious, nocturnal atmosphere with detailed shading and cross-hatching.

Grand-duc (Eagle Owl)

Groux, Henri de

This is a photograph of a sequence showing the movement of a figure running. The image is divided into a series of frames capturing progressive moments in the motion of the figure. The background consists of a grid. Each frame captures a static moment, detailing changes in the position and posture. The figure's movement is fluid, with hair and limbs depicted in various stages of running.

Plate Number 469. Child running

Muybridge, Eadweard

This is an embossing of abstract shapes. The artwork features raised patterns on paper that create an intricate abstract design. The embossing reflects curves and lines that suggest natural or organic forms. The limited color palette emphasizes the play of light and shadow over the embossed areas, adding depth and dimension to the piece.

Le vautour (The Vulture)

Rouseaud, Aristide

This is a drawing of an interior scene. The image shows a sketched interior with two figures. One figure on the right is leaning on a surface, while a second figure stands slightly to the left, seemingly engaged in a domestic task. The surrounding area includes faintly drawn elements, suggesting a room with a chair and other indistinct items. The style of the drawing is loose and suggestive rather than detailed or highly realistic.

La friction au gant de crin (Massage with Coarse Hair Glove)

Forain, Jean-Louis

This print features swirling lines and large, petal-like shapes that radiate outward. The petals seem to end in pointed, jagged edges. Those at the center are a pale-pink color with vibrant red shadows, while the leafy shapes in the background are blue-green and brownish-yellow. In the center there is also a cluster of black-and-white dots amid the petals.

The Golden Legend: the Golden Legend of Master William Caxton done anew (volume 1)

Morris, William

The image shows a young child facing away from the viewer. The child is walking with their left foot slightly forward and is wearing a long checkered dress and a wide-brimmed bonnet. They are holding a small bucket in their right hand. The background depicts a shoreline with sand meeting greenish water or grass.

Das Mappenwerk der Insel

Delâtre, Eugène

This is an ornate pendant with a carved face. The pendant features a central cameo with a face carved from a semi-transparent, milky blue stone. The face is of a woman, with an open mouth, wide eyes, and curling hair surrounding her face. The carved face is encased in a golden frame with colorful enamel work in blue, green, red, and gold. The pendant has a loop for hanging at the top and a pearl drop hanging from the bottom.

Pendant with the Head of Medusa

André, Alfred

The image shows an ornate building labeled "KUNSTHALLE." The structure has intricate architecture with columns, arches, and statues integrated into the facade. The brushstrokes are detailed, creating a precise depiction. The color palette is sepia. A cobblestone path leads to the entrance, with figures walking towards it. Trees with sparse foliage frame the sides. The background lacks detail, focusing on the building and its surroundings.

Kunsthalle

Stoltenberg, Fritz

Mrs or Miss McNay

Whistler, James McNeill