Open Collection Archive

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1851 to 1875

166 works

The image shows the entrance of the Cathedral of Chartres with its Gothic architectural details. The horizon is at about one-third from the top, with a tree line and faint clouds in the sky. The precise rendering showcases intricate sculptures on the large stone facade. The color palette consists of various shades of gray and sepia tones. The scene includes the steps to the cathedral entrance, a row of trees, and a building with a window to the right.

Planche XII – Cathédrale de Chartres, Portique du Midi (Plate XII – Chartres Cathedral, South Entrance)

Nègre, Charles

Florence Leyland

Florence Leyland

Whistler, James McNeill

Gentlemen's Still Life

Gentlemen's Still Life

Inman, John O'Brien

The image displays a ceramic bowl with a dragon motif. The dragon is intricately carved and painted on the bowl, showcasing scales and whiskers. The dragon's body is green, set against a yellow background. The bowl has a glossy finish, typical of glazed ceramic. The design suggests a fusion of artistry and functionality.

Bowl

Chinese Qing Dynasty

The image shows a downward perspective, appearing to be from a mountainside looking into a valley. The horizon is partly visible but mostly hidden by mountains and trees. The artwork features light and sketchy brushstrokes with graphite or pencil marks adding texture to trees and rocks, giving depth to the scene. The color palette is mostly monochromatic, using shades of gray to depict shadowed and sunlit areas. Closest to the viewer are rocks and vegetation leading down to the valley, with the scene transitioning into thick woodland and rocky slopes in the background.

Avalanche in an Alpine Landscape

Puvis de Chavannes, Pierre

This is a photograph of an industrial scene inside a large construction site. The image shows a partially constructed building supported by metal beams and scaffolding. The interior is covered in construction materials, with piles of lumber and debris scattered across the ground. Central to the image is heavy machinery, with steam rising from it. The environment is busy with intersecting lines of the scaffolding and beams, showcasing the complexity of the construction work involved. The sepia tones suggest an early 20th-century setting.

Steam Engine near the Grand Transept, Crystal Palace

Delamotte, Philip Henry

The image shows an older woman in a half-body portrait, sitting and facing forward with her body slightly angled to the side. She has prominent cheekbones, a prominent nose, and deep-set eyes. She wears a white bonnet cap, a dark shawl or cloak, a lighter-colored garment, and a white scarf tied below her chin. Her hands are clasped, with one gloved hand visible. She wears a necklace with multiple strands of pearls around her neck. The backdrop is plain and dark. The image is bordered with a gold frame.

Barbara Frietchie

Byerly, Jacob

The image shows a cityscape with a prominent mosque in the distance, featuring two minarets and a central dome. The background shows a hillside with many buildings. In the foreground, there are cannons lined up along a stone quay, with people in period clothing near the water. The image is in sepia tones, giving it an antique look, with clear details captured in a photograph.

Arsenal and Mosque of Kiledeh Ali Pasha

Robertson, James

Three Pears and an Apple

Three Pears and an Apple

Johnson, David

The image shows a landscape view from a high vantage point looking across a rocky terrain. A steep cliff rises on the right side with people standing at the top. The horizon is placed low in the image, providing a panoramic view. In the distance, another rugged formation rises from the land. The color palette is monochromatic with earth tones. The scene conveys a sense of vastness and natural beauty.

Plate 23. On the Mountains of Green River

Russell, Andrew Joseph

The image shows a landscape with three men in the foreground. One of the men is aiming a rifle, while the others are in the grass. In the background, a herd of bison is grazing in a sunlit meadow. The horizon is marked by hills with trees, and the sky has light brushstrokes suggesting a clear day. The color palette is dominated by greens and browns, with trees on the right side of the image.

Catlin and Two Companions Shooting Buffalo

Catlin, George

The image features a landscape viewed from an elevated perspective. It shows a serene expanse of land with mountains in the distance. The horizon line is in the lower third, with a range of mountains stretching across. The left side displays layers of progressively higher peaks, while the right side has a steep, rugged slope covered in dark vegetation. The brushstrokes are loose and impressionistic, with broad strokes for the sky and detailed brushwork for trees and mountains. The color palette is primarily greens and blues, with brighter greens near us transitioning to deeper hues in distant mountains and the cloudy sky. Scattered trees and patches of sunlight provide warmth amidst the cool tones of the scene.

Humphrey's Ledge

Brownell, Charles de Wolf

Shoshone Falls, Snake River, Idaho

Shoshone Falls, Snake River, Idaho

O'Sullivan, Timothy H.

The image is a sketch of a reclining figure depicted from head to toe, lying on their side with their upper body propped up slightly. The facial features are minimally detailed, with closed eyes, a small triangular nose, and a faintly smiling mouth. The figure's hair is short and dark, depicted with simple strokes. The torso is exposed and sketched with minimal lines. The background includes abstract elements representing an outdoor setting with rough, expressive lines symbolizing plants and vegetation. The image is drawn with blue and green tones on beige paper and signed at the bottom right corner by the artist, Otto Mueller.

Bather

Mueller, Otto

A tall silver vase with gold details holds a bouquet of white flowers with green leaves and red blossoms. The color palette includes metallic silver, gold, white, green, red, and teal. Positioned on the table, the vase stands centrally, with a blue box behind it to the left and a jewelry box with a pearl and flower ring design slightly to the right. There is also a piece of fabric with a tassel and small scissors lying flat behind the vase.

Still Life with Fan and Pendant

Brookes, Samuel Marsden

This painting depicts a body of water surrounded by mountains and dotted with small, tree-filled islands. At the bottom of the painting is a green area with several tall trees and a small dirt path. Beyond this area, a hill slopes down to the water below. The water is painted in light blue and gray tones, and the hazy mountains beyond the water are painted in light greens and blues. The blue sky above the scene is full of puffy white clouds.

Lake George

Casilear, John William

The image shows two men depicted from head to toe in an illustration standing side by side. The man on the left has a solemn expression and wears a dark long coat and a top hat. The man on the right appears more rotund, wears a dark suit with a white shirt underneath, and also a top hat. He holds a walking cane in his right hand. There is a partial view of a door in the background marked with the number '35', and a framed piece of paper with visible but indistinct text hanging on the wall. The background is a muted interior with subtle but textured shading suggesting walls and possibly seating in the far left.

Un Jour de représentation a bénéfice...

Daumier, Honoré

The image shows a landscape with rolling hills, mountains in the distance, foliage, and a path. The colors are earthy, with greens, yellows, and blues predominating.

Sun and Rain in the Serpentara near Olevano

Müller, Carl Wilhelm

This is a photograph of a building facade with three arched windows. The structure displays classical architectural elements such as prominent molding and decorative brickwork above the windows. The windows themselves are divided into multiple panes, and beneath these windows is a sign that reads "Daily News" and "Job Printing" with the name "George & Co." and the number "136." The photograph has a vintage quality, indicated by sepia tones and visible wear around the edges.

E. C. George & Co., Elmira, New York

American 19th Century

The sculpture features intricately carved figures adorning a pair of stone columns. The figures are religious or historical in nature, with detailed garments and poses. One figure is an angel with wings, holding a trumpet. Below this angel, there are two bearded male figures with robes. The figures are crafted from stone with a beige color and aged appearance. The statues are elevated on ornately decorated pedestals attached to the columns.

Strasbourg Cathédrale, Pilier de L'Ange (Strasbourg Cathedral, Pillar of the Angel)

Winter, Charles David

The image shows a wide expanse of land with a line of trees, rolling hills, tipis, figures in canoes on a river or lake, and people gathered around the tipis. The brushstrokes are smooth and meticulous, capturing details in the landscape and structures. The color palette is warm and tranquil, with shades of light yellow, green, and brown dominating the land, transitioning into the orange and pink tones of the sky. The sky features a few wispy clouds.

Sioux Village - Lac du Cygne

Catlin, George

The image depicts a large, conical glass funnel placed on top of a cylindrical container, surrounded by various bottles and containers of different shapes and sizes. The color palette is monochromatic, with sepia and black tones. The objects are arranged on a flat surface, with a piece of fabric or paper draped over the edge of the table closest to the viewer, creating shadows and highlights.

Frontispiece

Bonvin, François

This sculpture is a large ceramic jar. It is made from brown, glazed material with a glossy finish. The jar is cylindrical with a wide opening at the top and two small, rounded handles near the rim. There are carved lines of text or markings around the upper portion of the jar near the rim.

Storage Jar

Drake, David

The image shows a landscape with a tiered structure rising above barricades. The view is from a slightly elevated perspective, looking across grass towards the structure. Tall trees and the architecture, including pagoda-like spires, obscure the horizon. The sky transitions from light to dark, and the image is in black and white. Detailed textures are visible in the woodwork and masonry. Closest to the viewer is a patch of grassland, leading towards the fenced enclosure and the architecture.

Rangoon: North Entrance to the Shwe Dagon Pagoda

Tripe, Linnaeus

This is a photograph of a wooden building with intricate architectural details. The gable end is adorned with swirling patterns and decorative elements. The entrance has a slightly arched doorway surrounded by detailed woodwork, with a carved panel above it. The roof edges have decorative trim and flourishes. In the background are tall palm trees and foliage. The craftsmanship of the building showcases attention to detail and artistry, capturing a moment of cultural heritage in wooden architecture.

Pugahm Myo: Carved Doorway in Courtyard of Shwe Zeegong Pagoda

Tripe, Linnaeus

A light-skinned man and woman stand looking at each other, surrounded by blooming flowers and lush green trees in this square landscape painting. The palette is dominated by shades of vibrant green and blue, and is loosely painted with daubs and short strokes, making details indistinct. The people stand to our left of center and both are dressed in navy blue. The man stands facing our right, almost in profile, and bends forward slightly with one hand gesturing toward the flowers. He wears a vest and trousers, a white shirt, and a butterscotch-gold hat. The woman stands near him to our right, and faces us with her head turned to look at the man. She wears a long gown, a cherry-red hat, andwhat appears to be a denim-blue and cherry-red scarf around her neck. The trees fill right half of the painting, and the profusion of flowering bushes closest to us almost spans the width of the scene. Their blooms are suggested with touches of rose and petal pink, cream white, mustard yellow, and azure blue. More flowering bushes behind the man and woman are suggested by loosely painted areas of parchment white and laurel green, with scattered dots of poppy red. Pale pink clouds swirl through the topaz-blue sky in the upper left corner. The artist signed the painting in the lower right, “Renoir.”

Picking Flowers

Renoir, Auguste

The image shows a woman seated and facing the camera. Her upper body, including her chest and head, is in focus. She has distinct facial features, dark hair styled with waves and curls, and is wearing a dark dress with ornate details and a high collar. The background is plain.

Portrait of a Woman

Ellinwood, John G.

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting. The horizon comes about halfway up the composition, and is lined with hazy mountains and clouds in the deep distance. Close examination slowly reveals minuscule birds tucked into the crimson-red, golden yellow, and deep, sage-green leaves of the trees to either side of the painting. Closest to us, vine-covered, fallen tree trunks and mossy gray boulders line the bottom edge of the canvas. Beyond a trickling waterfall and small pool near the lower left corner, and tiny within the scale of the landscape, a group of three men and their dogs sit and recline around a blanket and a picnic basket, their rifles leaning against a tree nearby. The land sweeps down to a grassy meadow crossed by a meandering stream that winds into the distance, at the center of the painting. Touches of white and gray represent a flock of grazing sheep in the meadow. A low wooden bridge spans the stream to our right, and a few cows drink from the riverbank. Smoke rises from chimneys in a town lining the riverbank and shoreline beyond, and tiny white sails and steamboats dot the waterway. Light pours onto the scene with rays like a starburst from behind a lavender-gray cloud covering the sun, low in the sky. The artist signed the painting as if he had inscribed the flat top of a rock at the lower center of the landscape with his name, the title of the painting, and date: “Autumn – on the Hudson River, J.F Cropsey, London 1860.”

Autumn - On the Hudson River

Cropsey, Jasper Francis

There is a bird with a yellow chest and blue-tinted wings lying on its side on a dark brown surface. The bird's head faces left, its legs stretch towards the right, and a small feather and a sphere-like object lie nearby at the bottom.

Dead Bird

Brandegee, Robert Bolling

This is a photograph of a book cover. The cover displays the title "ALBUM OF VIRGINIA" in gold embossing on a dark reddish-brown surface. Below the title, it reads "ILLUSTRATED BY ED. BEYER, 1858," in vertically stacked lines. At the bottom, it is marked "CORCORAN GALLERY OF ART." The cover features minimal wear with some scrapes and scuffs, with yellow-brown triangles on the right corners and a vertical yellow-brown stripe on the left edge.

Album of Virginia

Beyer, Edward

The image shows a landscape with a river flowing through it. Rocky ground lines the left riverbank where a person is sitting or crouching. A large tree is on the right, with mountains in the distance. The sky is expansive above. The color scheme is sepia, giving an antique feel. The image is a photograph capturing details like water ripples and tree foliage.

Plate 43. Weber Valley, from Willhelmina Pass

Russell, Andrew Joseph

Three artists are depicted painting on a large canvas. Two central figures are shown holding painter’s palettes and brushes while working on the artwork. One stands upright and the other leans forward. The tallest figure has a focused expression with eyes on the canvas. In the background, framed paintings are displayed on the wall. The drawing uses strong lines and shading to create a textured composition, highlighting the artists' focused energy and expressions.

Exposition de peinture de 1868 - Le Dernier coup de pinceau

Étienne

The image shows a landscape with scattered ruins and remnants of structures. The horizon is visible at the top, where land meets the sea stretching across the frame. In the distance, clusters of buildings are seen on the sloping terrain. The scene has a monochrome appearance with a vintage sepia tint. Various stone structures and debris are scattered throughout the landscape, leading to a central winding path. Close by, there are mounds of dirt and what seem to be building remains. In the background, there is the sea and a hint of a city skyline.

Sebastopol

Robertson, James

This is a photograph of the ornate entrance to a stone building. The image captures the details of a Romanesque-style archway and facade. The central feature is an arched doorway bordered by columns and adorned with carved figures. Above the door, there is a semicircular tympanum containing a relief sculpture, featuring a central figure flanked by other smaller figures. The stone facade is textured and weathered, showcasing layers of historical architecture with decorative columns and figures carved into the stone. Staircases lead up to the door, emphasizing the grandeur of the entrance. The image is monochromatic, highlighting the architectural details and shadows.

Planche VI – Portail de Saint-Trophime d'Arles (Plate VI – Entrance of Saint Trophime of Arles)

Nègre, Charles

This painting shows a group of children in the woods. To the left of center, a boy plays the violin, standing on the edge of a gray path. He faces the right, where a group of children sit, looking at him. Three children sit on a pale log, while two sit on the green grass, which is dotted with small white flowers. The children mostly wear clothes in shades of tan and brown, although one child wears a pink dress and a blue jacket. All of the seated children wear straw hats. They all have pale skin. The trees fill the background with autumnal colors, including brown, orange, yellow ochre, and dark green. On the left, at the end of the path, a white cottage is visible in the distance behind a wooden gate.

His First Appearance in Public

Ward, Charles Caleb

The image depicts a scene by a body of water. The viewpoint is slightly elevated, showing a shoreline with tree-covered hills and a small sailboat on the water. The horizon divides the sky from the water. The etching uses fine lines to create textures in the water and foliage. The color palette is monochromatic, with variations of sepia or black ink on a cream-colored background. A man stands on the bank of the water, and ducks float nearby. A small boat with a person inside is on the right. Reflections of hills and trees can be seen on the water.

Cabin Boy Pulling the Rope (Le Mousse tirant le cordeau)

Daubigny, Charles-François

The image shows a book cover titled "AMERICAN ARTIST LIFE." The cover is made of brown leather with embossed gold lettering that reads "AMERICAN ARTIST LIFE." It features an ornate gold decorative border design along its edges with a pattern of swirls and leaves. The spine appears slightly darker than the front cover. The design conveys elegance and historical significance, typical of older collectible books.

Book of the Artists. American Artist Life, Comprising Biographical and Critical Sketches of American Artists: Preceded by an Historical Account of the Rise and Progress of Art in America

Tuckerman, Henry Theodore

The image depicts an etching plate with a faint outline of a man's head and partial bust, primarily focusing on his facial features. The figure appears to be oriented slightly to the left, as if turning slightly in profile. Facial features such as the outline of a nose, mouth, and a detailed mustache and beard can be discerned through a series of etching marks and scratches. The man's hair appears to be short with defined lines suggesting a combed back style. The clothing suggested by the more densely etched area provides the hint of a collared shirt or jacket, though details are sparse. The overall setting is a plain copper plate surface with no additional background details beyond the etched figure itself.

Alphonse Hirsch

Degas, Edgar

The image features an elevated perspective overlooking a countryside scene with a shepherd and a flock of sheep. The horizon line is suggested by a light gradient, separating the sky from the landscape. The scene is depicted in a sketch-like style with detailed lines creating textures in the grass and foliage. The color palette consists of shades of brown and sepia, giving the image a vintage quality. Closest to us are patches of earth and grass, leading to the shepherd and his flock on a rise. The landscape recedes into the distance where a lone tree stands against the pale sky.

Shepherd with Flock

Schmutzer, Ferdinand

The image shows pencil sketches on tan paper portraying various architectural views and elements in a loose, informal style. The sketches include a cityscape with domed structures in the distance and architectural details like arches and stonework. The horizon is high on the paper, and there is a mix of quick lines and shading to depict depth. The warm paper tone complements the graphite and creates a muted palette. Close-up details include arches, stonework, and a tree-like shape. The focus is on form and composition rather than detailed realism.

Studies of the Colosseum and Monte Pincio (verso)

Jacob the Elder, Julius

This is a painting of Native Americans participating in a ceremonial gathering. The painting depicts a group of people gathered outdoors on a grassy field, encircled by hills under a sky with scattered clouds. At the forefront stands a figure adorned in traditional attire, including a feathered headdress and garments with detailed patterning. The figure appears to be holding ceremonial objects and addressing or leading the assembly. Around this central figure, the people are positioned in various postures, seemingly listening or observing attentively. The scene is framed within an oval border, highlighting the central action while subtly incorporating a background structure that resembles an earthen or wooden lodge. The atmosphere is serene, with muted colors suggesting a peaceful observance. This is in the style of George Catlin, known for his portraits of Native American life.

A Mandan Medicine Man

Catlin, George

This appears to be a textured metal plate carved with a scene of tall tree trunks. Some of the trees curve slightly, but most are straight. The metal reflects light, making the carved lines appear white. On the left, there is an outline of what seems to be a woman standing, facing the right. She appears to have long hair and holds a lyre in one hand. The artwork is set against a plain beige paper background with a signature in the lower right corner.

Sappho

Dumont, Maurice

The image shows a central lamp post surrounded by large sacks. The color scheme is grayscale. In the foreground, a tall ornate lamp post stands amid several bags. In the background, two numbered archways labeled '12' and '14' display stacks of more bags and a clock on the wall to the left. The setting includes a rounded architectural space with a balustrade above and two smaller lamp fixtures on each side of the central archway.

Halle aux Blés (Intérieur)

Marville, Charles

The image depicts four individuals against an abstract background. The first adult, on the left, is a woman with long, dark hair, wearing a shawl and holding a small unclothed child. In the center, a man stands with a raised arm holding a spear. The third adult, on the right, stands with a relaxed posture holding a bow. The background is soft-hued with a grassy ground underneath the individuals.

Four Mura Indians

Catlin, George

The image depicts a group of nine men and women posing for a formal photograph. Some individuals are seated, while others stand behind. The men have short, neatly styled hair and wear suits with bow ties or neckties. The women have their hair pulled back or styled elegantly and wear long dresses with high necklines and long sleeves. One woman seated holds a circular object in her lap. The background shows a plain wall and a draped curtain, creating a studio setting. Each person has a calm expression. The photograph is mounted on orange card stock.

"Jubilee Singers, Fisk University, Nashville, Tennessee"

Black, James Wallace

The image shows a forest with tall trees, viewed from a low angle. The horizon is hidden by the thick tree canopy. A pathway leads into the forest and a person stands among the trees. The image has a monochromatic and sepia tone, creating a warm and earthy atmosphere. The presence of shadows and glimpses of light filtering through the trees add depth to the scene.

Forest at Saint-Cloud

Robert, Louis-Rémy

This is a drawing of a group of men observing artworks. The detailed line drawing depicts men in suits and top hats closely inspecting various art pieces in what seems to be an art gallery. The men are shown from different angles, some leaning in to view the artworks. On the walls are paintings, and one man is bent over, peering closely at a painting on the ground depicting a classical or mythological scene with a reclining figure. The gallery walls are decorated with framed images, each with its own level of detail captured in the sketch. The composition uses strong lines and cross-hatching to create depth and character, effectively capturing a scene of art appreciation from a bygone era.

Une Salle de l'hotel Drouot un jour d'exposition

Maurand, Charles

The image shows five individuals standing in a line on a flat terrain with a soft, neutral background. Starting from the left, there is a male figure with short dark hair holding a spear, another male figure with feathers in his hair holding a paddle or club, a male with a feathered headdress and a red band across his forehead, a female in a skirt with beaded accessories holding arrows, and a small child standing beside her.

Klatsop Indians

Catlin, George

Two men are depicted from the waist up in the image. They are both wearing formal robes, suggesting a professional setting, possibly as legal professionals. The man on the left has a smug expression with a wide smile and eyes looking downward. He has curly hair peeking out from beneath a rectangular hat. The man on the right is angled towards the left, appearing to lean in to converse with the other man, with his mouth slightly open. He has a defined nose and curly hair under a similar hat. Both are wearing dark robes with a light-colored collar. The man on the left is holding eyeglasses and rolled papers in his right hand. The background features shaded patterns, creating a neutral backdrop for the two figures.

Eh bien, mon cher, vous avez perdu ...

Daumier, Honoré

The image depicts a night scene in a dense and shadowy forest. A faintly illuminated path is visible running horizontally through the scene. Dark silhouettes of trees and foliage surround the path, leading to a strip of warm light shining through the trees. The horizon is obscured by the densely packed trees, creating a continuous dark mass. The artist uses blended brushstrokes to create subtle transitions between light and shadow, adding depth. The color palette consists of deep greens and blacks with touches of muted oranges and yellows where the light breaks through, creating contrast. Softly rendered brushstrokes blur the boundaries of form, enhancing the scene's depth and contrast.

Ignis Fatuus, Rio Uruguay

Catlin, George

This is a painting of a forest scene with dancers and a tent. Figures are dancing in the foreground on green grass, with each figure positioned expressively. More figures are gathered near a tent, and in the background, dense trees fill the scene. A serene body of water is visible through the clearing, surrounded by greenery.

Tapuya Encampment

Catlin, George

The image shows three individuals, each dressed in traditional, rustic clothing and wearing wide-brimmed hats. The person on the left is playing a wind instrument with a determined expression. The person in the middle is also playing a wind instrument, with their face partially obscured by shadows. The person on the right, possibly a child, is playing a small wind instrument. The background is a simple wall with a deep shadow cast across it, indicating bright sunlight from the side. No additional objects or jewelry are visible in the image.

Planche III – Groupe de Trois Pifferari Debout, dans la Cour du 21 Quai Bourbon (Plate III – Group of Three Pifferari Standing, in the Court of 21 Quai Bourbon)

Nègre, Charles

The image shows a full-body sketch of a person in profile view facing left. The individual holds a rifle over their right shoulder with their left hand and their right hand is on their belt. They wear a wide-brimmed hat and simple attire. Surrounding the main figure are three close-up side profile sketches of the head from various angles, emphasizing the hat and facial structure. The background is plain.

Recruit; Two Studies of Heads

Huntington, Daniel

People and a horse-drawn wagon move along a street lined with buildings on the left and trees on the right in this loosely painted horizontal landscape. The wide street angles from the bottom left of the composition to the middle right. The surface of the road is painted with strokes of apricot orange, light gray, rust red, and olive green, and it leads back to a slate-blue, blurred area suggesting trees in the distance. The two, three, or four-story buildings are close together or may be joined. They are painted in muted tones of parchment white, pale peach, and blue gray. Closest to us and to the left, a long brown roof and two bare trees sit beyond an ivy-covered stone wall. The people are indistinct and small in relation to the scene and are dressed in black, brown, olive-green, and slate-blue clothing. One of two carriages is across the road from us and the second one is farther back. On our side of the road, a man wearing a long black jacket and gray pants strolls away from us past a neat row of trees lining the peach-colored sidewalk. The overcast gray and pale pink sky is above. The artist signed and dated the lower left corner, “Sisley. 72.”

Boulevard Héloïse, Argenteuil

Sisley, Alfred

The image shows a table with a funnel, bottles with stoppers, a brush, a small dish, and other objects. The color palette is primarily brown and black. The objects are arranged on the table, with the funnel and bottles in the center, and a sheet of paper hanging over the table on the left side.

Frontispiece

Bonvin, François

Dozens of light-skinned men and women gather around clusters of columns and sandstone-colored buildings that line a crimson-red river to our right in this horizontal painting. The center of the painting is dominated by a structure made up of three rows of three columns each, which hold up a flat-topped roof. A similar structure angles into the distance along the left edge of the painting. The columns of these two structures are carved with bands showing people separated by rings of vertical lines. The capitals are carved with stylized leaves. Just beyond the columns to our left, a blocky, rose-pink structure is carved with more people, seated or standing singly or in pairs. More rectangular, parchment-brown buildings extend into the distance along the water’s edge. The people gathered along the riverbank wear robes and tunics in deep blue or black, bright white, or saturated tones of cobalt blue, ruby red, or shell pink. Standing within the columns of the central structure, a crowned, bearded man wearing an emerald-green robe under a scarlet-red cloak gestures to our right, toward the red river. A woman nearby, wearing lapis blue and also crowned, watches with hands flung up as a person pours red liquid from a bucket. Most of the other people look or gesture toward the river, which winds in deep S-curves from the horizon line, which comes about two-thirds of the way up the composition, through sage-green fields, to the town. A single, white lightning bolt zigzags down from a white cloud in an otherwise navy-blue sky above.

"He Turned Their Waters into Blood"

Field, Erastus Salisbury

The image shows three individuals standing in full length facing the viewer. On the left stands a woman with dark hair, wearing a brown fringed dress with red leggings. The middle figure, likely a man, wears a beaded garment and a headpiece with feathers. He holds a stick or staff. The figure on the right, also likely a man, wears a feathered headdress, a beaded necklace, and an arm band. He is bare-chested with a blue cloth covering his lower body, grey leggings, and holds a painted shield and a ceremonial club. The background features a softly painted horizon within an oval border.

Athapasca Chief, His Wife, and a Warrior

Catlin, George

The sculpture is a large, intricately designed urn with classical motifs. The focal point of the urn features a bas-relief depiction of a woman and a child, both seated and surrounded by a natural setting with trees and rocks. The scene is elegantly framed by ornate garland patterns and ribbon motifs. The urn has two large handles shaped like ram's heads, adding a distinctive and symmetrical feature to either side. It is crafted from white marble, giving it a smooth and pristine appearance, with finely polished surfaces that highlight the detailed artistry. The urn stands on a beautifully carved pedestal base, which is also adorned with patterns resembling leaves. Overall, this sculpture presents a harmonious blend of classical elements and exquisite craftsmanship, contributing to its aesthetic grandeur.

Monumental Urn

Clodion

The image shows the Colossi of Memnon, two massive seated statues of Pharaoh Amenhotep III, made of light-colored sandstone. The statues are eroded but retain faint details like hieroglyphs. People nearby appear small in comparison, highlighting the statues' grandiosity. The statues are in an open area with barren hills in the background.

The Statues of the Plain, Thebes

Frith, Francis

The image shows a man standing with a relaxed posture, leaning slightly to one side while resting one hand in his trouser pocket. His other hand is on a walking stick. He has a composed expression, neatly groomed hair, and a mustache. He is dressed in a formal outfit consisting of dark trousers, a waistcoat with a patterned design, a bow tie, and an overcoat draped over his shoulders. There is a statuette on a pedestal next to him, depicting a figure in armor. The background features patterned wallpaper, a table beside him with a top hat and fabric items.

Portrait of a Man

Silvy, Camille

This painting shows a woman standing in front of a wooden dresser with a mirror, her back to us. We can see her face reflected in the mirror. She is gazing at her reflection with both of her hands lifted towards her slightly tilted face. The woman has pale skin and dark hair neatly styled away from her face, and she is wearing a dark gown with white ruffles around the neck. On the dresser, there is a floral arrangement, a pair of blue bottles, and a wooden box holding more containers. Behind the dresser, the background includes patterned wallpaper, a blue curtain on the left, and sunlight coming through a window on the right. The floor appears to be covered by a patterned rug.

The Toilet

Johnson, Eastman

This is a drawing of a bear wearing a crown and holding a scepter and sword. The bear is standing upright, with its left arm raised high holding a torch and its right arm holding a sword. In the background, a group of smaller, indistinct figures appear to be bowing or kneeling. The use of shading with pencil or charcoal offers a contrast, highlighting the central figure. The drawing conveys themes of dominance and authority.

L'ours du nord, le plus désagréable de tous les ours connus

Daumier, Honoré

The image shows a woman standing gracefully. She is positioned with her head slightly tilted and eyes closed. Her right hand is held delicately near her face. She has long, dark, wavy hair falling over her shoulders and down her back. The woman is wearing a voluminous, light-colored dress that extends to the floor, with long, loose sleeves. In her right hand, she holds a candlestick with a lit candle. The background features a rustic setting with a large wooden wheel, stone architecture, and a staircase leading upwards.

Adelina Patti

Silvy, Camille

The image displays a landscape with a high horizon line, showcasing a grassy plain under a soft sky. Figures on horseback are dispersed across the scene, with fluid brushstrokes depicting movement in the grass and sky. The color palette is mainly earth tones, greens, rust, and ochre, set against a pale blue sky.

Driving the Pampas for Wild Cattle - Connibo

Catlin, George

The image shows a seascape from an elevated point of view. The horizon is positioned slightly above the center line of the image, with several ships on calm waters. A detailed ship stands slightly off-center to the right. In the distance, the shore with buildings or a settlement is visible. The sky has soft pencil strokes indicating clouds. The drawing is monochromatic, using shades of grey for depth. Light shading and fine lines depict water movement and ship structures with delicacy and precision.

Coastal Landscape with Shipping

Boudin, Eugène

The image shows a large gray fern leaf on a textured, light beige background. The color palette includes shades of gray for the leaf and off-white to beige for the background. The fern leaf is positioned with its stem from the middle of the bottom edge towards the upper left, taking up most of the image space with its detailed fronds.

Fern

Talbot, William Henry Fox

The image shows an elevated view of a scenic landscape with water and architecture in the distance. The horizon is high, with the water's edge and buildings lining it. A tree with large fruits and dense foliage frames the view closely, its branches extending across the upper section of the image. The photographic technique captures clear lines and textures. The color palette is monochromatic with varying shades of sepia or brown tones highlighting details like tree textures and the water's stillness. In the background, there are rolling hills covered with thick trees.

A Peep from Upper Lake Road showing Temple and Island with Park -- fruit tree in foreground

Bourne, Samuel

The image shows four men in side profile, positioned in a line, observing something closely. The first man leans over a surface, examining a framed object with a magnifying glass. The second man stands behind him, watching. The third man stands behind the second man, observing. The fourth man is further back, leaning forward. The background displays framed artworks or panels. The men's features are exaggerated in a cartoonish style.

L'Hotel des ventes: L'Amateur

Maurand, Charles

This image shows the upper body of a person in a side profile position. The person's head and partial shoulder are visible, with their face turned slightly to the side. Their facial features are indistinct due to the art style, with a visible nose and chin. The hair is long and flows down behind the head, blending with the dark background. Clothing details are ambiguous, with shadows and textured dark markings dominating the image. There are no visible jewelry or objects held by the person. The background is a textured dark area that blends into the figure, creating a moody and abstract atmosphere.

Head of an Old Woman

Ribot, Augustin Théodule

The image depicts a small waterfall flowing into a pool within a forest. The viewer is at eye level with the pool, with the waterfall as the focal point. The surroundings consist of tall trees, lush foliage, and a canopy above, obscuring the sky. The monochromatic color scheme enhances textures and contrasts. Water reflects the environment, giving depth to the composition. Ivy covers rocks near the waterfall, and a pathway can be seen in the distance, lined with forest. The scene evokes a sense of serenity and timelessness.

Grotto in the Bois de Boulogne

Marville, Charles

The image shows a river winding through cultivated fields with a small boat anchored nearby. In the distance, there is a cityscape with various buildings, including a prominent domed structure to the right. The photo has a soft, sepia-tone palette, giving it an aged feel.

View of Rome

Caneva, Giacomo

The sculpture depicts a bull standing on a rectangular base. The bull is robustly built, with detailed musculature, a slightly lowered head, and prominent horns. The sculpture is made of bronze with a dark greenish-brown patina. It is small and detailed, showing the folds of the bull's skin and facial features.

Small Bull

Barye, Antoine-Louis

This is a drawing featuring a crowd of people gazing up towards an elevated platform where a scene unfolds. The foreground shows tightly packed individuals, dressed in period attire with many men wearing top hats, staring upwards. The crowd spans the foreground. In the background, high structures can be seen, along with additional figures peering out of windows or climbing to get a better view. Lines suggest movement towards the upper right where figures appear engaged in activity. The drawing utilizes a detailed line-based technique to emphasize figures and expressions.

Les Voyageurs du dimanche

Maurand, Charles

La Goulue and Her Sister

La Goulue and Her Sister

Toulouse-Lautrec, Henri de

The sculpture depicts a horse in a rearing position with one front leg raised and bent. It is made of dark bronze with a smooth reflective surface and darker patina in some areas. The horse's nostrils are flared, and its mane appears flowing. The sculpture rests on an oval base, providing stability. The artwork is slightly larger than life, emphasizing the presence and vitality of the horse.

Turkish Horse, Right Foreleg Raised

Barye, Antoine-Louis

The image shows a drawing of a person from the knees up, lying on their back with their head tilted to the side and arms resting at their sides. The person's facial features are soft, with closed eyes and a relaxed mouth, and their medium length, slightly wavy hair is visible. They are wearing a buttoned shirt with a high collar in earthy tones with hints of red and shading, depicted with a focus on capturing the folds and textures. The background is a light, solid color, emphasizing the figure's form and posture without any additional elements.

Fallen Jockey (study for "Scene from the Steeplechase: The Fallen Jockey")

Degas, Edgar

The sculpture depicts a human figure lying on its side with one arm bent under the head. The figure is detailed with visible features such as a head shape, torso, bent knees, and a foot. The sculpture appears to be made from a light-colored material, which gives it an off-white to grayish appearance. The surface of the sculpture looks rough with visible texture, creating an impression of being aged or eroded. It is placed on a dark cloth or surface with cracked earth or stone tiles beneath. The posture suggests a realistic portrayal of human form and anatomy.

Impronte Umane, Pompei (Human Cast, Pompeii)

Sommer, Giorgio

The image depicts a man seated from the waist up, with his body slightly turned to the side but facing the camera. The man has deep-set eyes, a prominent nose, and a firm mouth. He has curly dark hair with some thinning at the front. He is dressed in a dark suit, including a waistcoat and bow tie, over a white shirt. A pocket watch chain is visible hanging from his waistcoat. The bottom of the photograph is inscribed with "Barnum." The background is plain.

P. T. Barnum

Fredricks, Charles D.

This is a photograph of a vintage book cover. The cover is titled "Union Pacific Railroad Photographical Illustrations" in gold lettering, set against a brown background. The cover shows signs of age with worn edges and faded areas. The binding is leather and there are highlights of wear. The text is centrally aligned.

The Great West Illustrated in a Series of Photographic Views Across the Continent

Russell, Andrew Joseph

This is a photograph of a grand Gothic cathedral with detailed architecture featuring towering spires. The cathedral is shown from a side angle, emphasizing the use of flying buttresses along its façade. A large rose window is prominently displayed on the side. The two large towers at the front of the cathedral exhibit ornate detailing, and the roof of the building slopes steeply, with an array of lines and textures. In the foreground, along a waterway, there are smaller structures and what appears to be building materials.

Église Notre Dame - Côté sud

Renard, François-Auguste

The sculpture depicts a horse in motion with its front left leg raised and its head turned to the side. It is crafted from a dark, metallic material with a green patina. The horse's muscles and contours are detailed, and it stands on a rocky base.

Turkish Horse, Left Foreleg Raised

Barye, Antoine-Louis

The image shows a crowd of people gathered around a large, enclosed carriage. The individuals have exaggerated facial features and are wearing top hats. Some are engaging in conversation or observations. A child is holding onto a man with a top hat. More figures in the background are wearing similar attire. The scene conveys a busy atmosphere with rich, dark lines outlining the crowd.

Exposition universelle: L'Etranger trouve toutes les facilites desirables...

Peulot, Julien Antoine

The image shows four women posing for a portrait. Two women are seated in front, while two are standing behind them. The women have different hairstyles and wear various dresses. They are positioned against a blank backdrop. The photograph is colored and framed with textured cardboard, labeled with "EMERSON, Lowell."

Portrait of Four Women Weavers

Emerson, Moses W.

This image depicts Old China Street in Canton, viewed from a slightly elevated perspective. The horizon is high, marked by the rooftops of densely packed buildings flanking the street. Decorative elements like ornate arches and lanterns are visible. The brushstrokes are precise and detailed, adding realism to the scene. The color palette consists of warm earth tones with shades of brown, beige, and red, contrasted by the blue sky. Figures are engaged in various activities, providing a sense of daily life. In the distance, the street extends into a busy thoroughfare lined with more buildings and activity.

Old China Street, Canton

Heine, William

The image shows a historical ruin with distinct columns and arches on the left side. A group of people is resting on the ground near the ruins. In the background, there are rooftops and a tall clock tower. Other buildings and a palm tree are also visible. The color palette is sepia, highlighting the aged textures of the structures.

Temple of the Winds

Robertson, James

This appears to be a rectangular book with a landscape orientation. The cover is black with a textured pattern of swirling designs. In the center of the cover is the word "ALBUM" in capital letters, embossed in gold. The letters have decorative serifs. The edges of the book appear worn.

Sketchbook

Gonzalès, Eva

The image shows an ancient temple-like structure with intricate architectural details. The scene is closely cropped around the building, which features arched doorways, detailed carvings, and steps. The architecture is ornate, worn, and aged. The image is rendered in sepia tones, giving it a historical feel. The sky is relatively clear with some scattered clouds in the background.

Pugahm Myo: East Facade of Damayangyee Pagoda

Tripe, Linnaeus

This is a drawing of an angelic figure and fallen individuals within a grand architectural setting. The drawing presents a somber scene. In the foreground, there are individuals lying on the ground, dressed in long robes, some motionless. One of these figures features a faint halo above its head. The upper portion of the drawing is dominated by an angel with outstretched wings, descending from above. The background features an architectural element reminiscent of a theater or amphitheater, with curved arches and tiered seating. The use of muted tones and careful shading highlights the ethereal quality of the angel and the solemnity of the tableau below.

Christian Martyrs

Doré, Gustave

The image depicts a half-length portrait of a person shown from the waist up. The individual is standing with a confident posture, one hand positioned at their waist. Their facial features include a prominent mustache and pointed beard, with slightly arched eyebrows and a direct gaze. The person's hair is a dark shade, styled close to the head and visible beneath their hat. They are wearing a dark blue military uniform adorned with yellow buttons and shoulder insignia, along with a yellow and red belt. The hat is also dark blue with a yellow emblem that has the letters "US," circled by a decorative design. The person also wears yellow gloves on their hand. The background of the image is a muted, textured surface in shades of gray.

The Colonel

American 19th Century

The image shows a woman sitting on a large rock outdoors. She is captured from the waist up, positioned in a three-quarters view. The woman has a mature appearance with soft facial features and short, dark hair mostly hidden under a wide-brimmed hat. She is wearing a dark cape over a light-colored blouse and holding a cluster of flowers around her midsection. The background includes a calm body of water with a distant shoreline populated with trees and sparse buildings.

Gertrude Käsebier in Maine

White, Clarence H.

The image shows a sculpture of a standing female figure with long flowing hair and draped in a cloth. There is an additional smaller figure at her feet. The sculpture is white and placed on a square pedestal. The setting seems to be an exhibition hall with intricate architectural backdrop and various display items around, including other sculptures. The sculpture is centrally positioned among other exhibits in the aisle.

The International Exhibition of 1862 — "The Nave, from the Western Dome"

London Stereoscopic and Photographic Company

The image depicts six people, all facing the viewer. On the left, a woman sits on the ground. A naked child is partially visible behind her on the left, and in front of her she holds a younger child in a decorated carrier with a square handle. On the right are three men, one sitting and the other two standing. The seated man is in the center of the painting, and he holds a bow and two arrows. The next man on the right holds an axe or similar weapon, and the third man on the right also holds a bow and two arrows. All of the people have light brown skin, and the woman and children have black hair. The men have no visible hair, but instead appear to wear headdresses of long, thin red fibers or feathers that radiate outward from the backs of their heads. The seated man also has long horizontal feathers or fibers extending on either side of his head. The men and woman are all adorned with jewelry, including layers of colorful necklaces, silver bracelets, and several earrings in each ear. The woman wears a long-sleeved tan dress, while the men have fur-lined tan garments draped around their torsos and tan pants with colorful beads and fringe. Their garments are painted with scenes of people on horseback or colorful geometric patterns. The men also have tattoos on their arms and torsos. The seated man has red handprints on his upper arms, and the dark outlines of a bull's head on his chest and face. He has a hooped ring in his nose. The background shows a blue sky and grassy ground. The painting is framed in a gray oval border with tan paper beyond it and a green outer frame.

Pawnee Indians

Catlin, George

The image shows a bird's-eye view of a crowded cityscape with the Collège Henri IV or Lycée Napoléon. The horizon is set high in the frame, behind the assortment of buildings. The skyline is barely visible due to the closely packed structures. The style features intricate etching techniques with finely crafted lines depicting buildings and vegetation. The color scheme is monochromatic, using varying shades of brown. Figures and architectural details are seen in the foreground, with roofs, buildings, and trees extending towards the horizon. More buildings are visible in the background, contributing to the urban landscape's complexity and density.

Collège Henri IV, Paris, ou Lycée Napoléon (Henry IV College or Napoleon School)

Meryon, Charles

The image shows a serene river landscape from a slightly elevated angle. The horizon is near the upper third of the painting with a dense strip of forest lining the riverbanks in the distance. Two animals are scavenging for food on a sandy bank to the right, and to the left, near us, a small canoe with two figures is quietly paddling. The brushstrokes are smooth and detailed, capturing the lush foliage and gentle ripples on the water. The color palette is natural with rich greens of the vegetation contrasting with soft blues and earthy tones of the river and sky.

Pont de Palmiers and Tiger Shooting

Catlin, George

The image portrays a sketch of a rustic building complex with multiple connected structures, viewed from an elevated angle. The main building and its reflection are prominent, set against a horizon at the lower part of the image. Delicate pencil strokes and light shading capture the architecture, foliage, and surroundings, creating depth and texture. The color scheme features varying shades of gray on a beige background, evoking a timeless quality. A body of water reflects part of the building, with trees and bushes surrounding the structures, enhancing the tranquil and pastoral ambiance.

Seine et Marne

Mielatz, Charles Frederick William

The painting depicts an elevated point of view of a broad landscape. The horizon is high in the image, showing distant mountains against a light blue sky with scattered clouds. The brushstrokes are smooth and blended, creating depth and atmosphere. The color palette includes earthy greens and browns in the landscape, and cooler blues and grays in the mountains and sky. Close to us, a group of horses stands near trees, with figures by a river and a waterfall in the background. The middle ground contains more trees and greenery leading to the distant horizon.

Falls of the Snake River

Catlin, George

The image is captured from a ground-level point of view, looking down a winding path surrounded by dense trees and foliage. The path disappears into the distance, with no clear end in sight. The photograph is monochromatic, akin to early photography, creating a sepia-toned effect. Greenery and tall trees line the path, casting shadows, while three figures in light clothing sit at the edge of the path. The composition and color palette of the image give a serene, timeless nature scene.

At Winterdyne on the Severn

Gresley, Francis

The image depicts a night scene with two figures walking along a dimly lit path. The horizon line is obscured by darkness and shadow, creating a sense of depth as it fades into the dark sky. The sky is filled with textured strokes, conveying movement and a tumultuous atmosphere. The figures are close to us, one carrying a lantern that illuminates the path and their legs, contrasting against the darkness. The brushstrokes are detailed and intricate, defining the figures and path with fine lines. The color palette is monochromatic, using black and gray tones to enhance the dramatic mood. The light from the lantern illuminates the man and child, casting long shadows and creating an eerie ambiance.

The Search for an Inn (La Recherche d'une auberge)

Daubigny, Charles-François

The image shows a rocky cliff photographed from a side, slightly elevated point of view, with a person standing on the large boulders near the top. The horizon is mostly obscured by the massive rock formation. The texture of the rocks is rough and weathered. The color palette is earthy and muted, with a historical or vintage feel. The sky above is a uniform light hue, contrasting with the darker tones of the rock face and soil.

The Logan Rock, South Coast of Cornwall

May, William

The image depicts a night-time riverscape with a view from the bank of a river. The horizon is in the upper third of the painting, where the river meets a line of trees fading into the night. The brushstrokes give an impressionistic texture to the foliage and water, creating movement and depth. The color palette consists of deep blues and blacks, with a red-orange glow near a light source by the river bank illuminating nearby vegetation. A canoe with figures moves on the water near the light, heading towards the dim shorelines. Dark clouds loom in the upper portion, emphasizing the nocturnal setting.

Spearing by Torchlight

Catlin, George

The image shows a waterfall streaming between trees, with water flowing over rocks in the foreground. The viewpoint is from below the falls, looking upwards towards the cascading water from a distance. The scene conveys depth as the viewer's eye follows the water's path to the edge. The horizon is hidden by trees and rocks around the waterfall. The monochrome sepia palette highlights the textures of the trees and rocks, creating a timeless feel. The water appears smooth, contrasting the rough surfaces of the rocks. The image captures the power and beauty of nature, focusing on the interaction between the water and the landscape.

Pi-wy-ack (Cataract of Diamonds), Vernal Falls, Yosemite Valley, California

Muybridge, Eadweard

The image depicts a rugged landscape with large rock formations dominating the right side. The horizon is situated in the upper third of the image, mostly obscured by towering cliffs. The rock surfaces rise steeply from the water, with varied tones. The water is still, mirroring the cliffs and enhancing the vertical lines. The color palette is monochromatic with sepia tones. In the distance, the cliffs continue, interspersed with shadows.

Black Canyon, Colorado River, Looking Below from Big Horn Camp, #4

O'Sullivan, Timothy H.

This is a drawing of a document enclosed in a decorative border. The central focus is a handwritten text enclosed within an ornamental frame, featuring towers at each side which culminate in stylized flaming torches. At the top, there are cloud-like designs with two diagonal lines converging towards the center. At the bottom, the words "Loi Sunaire" are written above a decorative element featuring a burning flame atop a small platform with three legs, surrounded by rays. The border includes decorative details such as stars and a bird-like figure at the base. The style is characterized by intricate line work and symbolic imagery.

La Loi lunaire, 1er planche ("Lunar" Law, 1st plate)

Meryon, Charles

This grayscale photograph shows a young girl sitting on a dark wooden-framed sofa with an opened book on her lap, her head tilted downward to look at it. She has pale skin and her facial features are slightly blurred. She is wearing a light-colored dress with long sleeves, dark stockings, and black shoes. Her long hair is flowing down her shoulders. The room has a patterned carpet and a framed picture on the otherwise blank wall behind her.

Miss Grace

White, Clarence H.

This image shows a woman standing next to a small table. She is dressed in a dark, long-sleeved dress with a white collar. Her hair is neatly styled, and she has a composed expression on her face. She is resting her hand on the table, which has a decorative cloth draped over it. On the table, there is a black hat with a feather. The background is plain with a geometric patterned floor.

Portrait of a Civil War Widow

American 19th Century

We look across a lush landscape of olive-green forests lining a glimmering, silvery-blue lake with hills in the deep distance under a pale blue sky in this horizontal landscape painting. The scene is painted with some visible and some blended brushstrokes to give it a hazy, soft appearance. A man wearing a red cap and a white shirt sits in a long, low, narrow boat with a pointed bow in the grasses along the shore, near the bottom center of the composition. Gnarled tree trunks, one to each side, frame the view beyond. Towering, leafy trees nearly fill the right half of the painting. To our left, the still surface of the lake leads back to a city painted almost in silhouette with flint blue, which is reflected in the surface of the water. Hills and mountains are painted in bands of lightening blue as they recede into the deep distance to our left. The horizon comes about a third of the way up the composition, and the pale sky above is veiled with soft white clouds. The painting is signed in orange letters in the lower left corner, “COROT,” and dated in the lower right, “JANVIER 1866.”

The Moored Boatman: Souvenir of an Italian Lake

Corot, Jean-Baptiste-Camille

This is a photograph of a closed album cover with French text. The album cover is made of a textured material with a dark green hue. It features embossed text in gold, stating "Dr Duche(enne de Boulogne)" and "MÉCANISME DE LA PHYSIONOMIE ALBUM" across the front. The text is centered, with varying sizes and styles to distinguish between titles and subtitles. Decorative horizontal lines are present above and below some of the text. The album is tied on the side with beige or light brown fabric ties. The overall appearance is formal.

Mécanisme de la Physionomie (The Mechanism of Human Facial Expression)

Duchenne (de Boulogne), Guillaume-Benjamin-Amant

Apple Blossoms in a Vase

Apple Blossoms in a Vase

Heade, Martin Johnson

This painting shows a coastal scene with wooden rowboats on a sandy, rocky shore. A white cloth and several ropes rest on the boat in the center, and two other boats are in a row behind it. On the left, brown stone structures are partially visible, with one in the background appearing to have been carved out of a rocky formation. A small figure is visible atop this structure, tending to what may be a clothesline. The rocks stretch across the painting, with some areas of bright, green-blue ocean visible around them. Small boats appear to sail on the water far in the distance. The light blue sky dominates the upper half of the painting, filled with puffy white clouds.

Marina Piccola, Capri

Haseltine, William Stanley

The image displays the upper body of a person in a seated position, drawn in profile. The individual appears relaxed with their head slightly tilted forward, closed eyes, and a hint of a mustache. The neatly styled hair is combed to the side, and the person is wearing a high-collared garment, potentially a suit or coat. They are depicted holding a violin against their shoulder, with the bow held in their hand. The background is plain, focusing on the subject of the drawing.

The Violinist

Puvis de Chavannes, Pierre

The image shows four women seated on the floor with musical instruments partially visible. Two women on the left are playing instruments. The second from the left holds a string instrument resembling a biwa, and the woman furthest left appears to hold a shamisen. The women have traditional Japanese hairstyles with hairpins. Their faces are adorned with subtle makeup. They are dressed in traditional Japanese kimonos with serene colors. A small table in front of them holds what appears to be tea kettles and cups. The background features a painted screen with depictions of nature, showing foliage and possibly birds.

Musical Party

Beato, Felice

The image shows three full-body figures of Native American individuals. To the left stands a woman wrapped in a light-colored shawl, holding a small child on her back. The woman's hair is parted down the middle, and she wears a long turquoise dress and red shoes. In the center stands a man wearing a headdress with feathers, earrings, and several necklaces. He is dressed in a dark green outfit with decorative trim and red accents, and he holds a long rifle in his right hand. This man's face is adorned with red paint around his eyes. To the right, another man sits cross-legged on the ground, wearing a feathered headdress similar to the standing man. His attire is grey with decorative elements, and he holds a tomahawk in his hands. The background is an open landscape with a predominantly light blue sky and clouds. The image is framed by an oval border set within a larger rectangular frame.

Three Micmac Indians

Catlin, George

The sculpture is a bust depicting an adult male with a mustache and wavy hair swept to the sides. The subject's expression is calm, with closed lips and slightly downcast eyes. He is draped in a robe that is intricately carved to capture the folds of the fabric. The sculpture is made of white marble, giving it a pristine appearance. It is set against a plain background.

William Wilson Corcoran

Rinehart, William Henry

The image shows a landscape from a slightly elevated viewpoint. On the left, a rocky slope with sparse vegetation runs diagonally upwards. A dirt path meanders along this slope, leading towards trees on the right with branches hanging over it. Beyond the trees is a calm body of water, followed by a forested area. In the distance, rolling hills rise against the horizon, placed high in the frame. The scene has a monochromatic color scheme with sepia tones enhancing natural details and contours of the landscape.

F.W. 4 (Old Chain Battery Walk), West Point, New York

Warren, George K.

The image shows three individuals depicted from head to toe. The central figure stands upright, with the figure on the left seated, and the figure on the right standing in a relaxed pose with a bent leg. Each individual has distinct facial features, black hair adorned with feathers, and dressed in traditional attire including decorative elements made of feathers, animal hide, or fur. The seated individual holds a bow, while the central figure holds a feather-decorated spear. All three individuals wear necklaces and have feathers in their hairstyles. The background features a subtle pastoral landscape of grass and open sky.

Alaeutian Chief and Two Warriors

Catlin, George

The image shows a woman standing upright, holding a fan in each hand. She is wearing a traditional Japanese kimono with a checkered pattern and a colorful belt. The woman's hair is styled in an updo. She has a calm and focused expression. There is a bowl on the floor and a small section of a mat underneath her feet. In the background, there is a decorated box with a teapot-like object.

At Her Toilet

Beato, Felice

The image shows a person seated and holding a spindle in their hands. The person's head is facing downward, with facial features partially covered by a bonnet. They are wearing a long dress with visible sleeves. A spinning wheel is also depicted, and the background is plain with no details.

Breton Spinner (Fileuse Bretonne)

Bonvin, François

The image shows a rocky formation from a low angle. The rocks are unevenly stacked, with a person standing on the tallest point. The background is dominated by the rocks, with a hint of a horizon. The color scheme is sepia-toned, giving the image an aged look. In the foreground, there is grass with some smaller rocks, and in the distance, there are shrubs and a slightly overcast sky. Multiple people are seen around the rocks.

Plate 6. Skull Rock

Russell, Andrew Joseph

The image depicts a bust portrait of an elderly man facing forward. He has deep-set eyes, a broad nose, a full, curly white beard, and curly white hair. He is seated upright, dressed in a dark jacket with buttons over a vest and shirt. There are no visible objects in his hands. The background is a plain surface. Below the image, text identifies him as "The Original 'UNCLE TOM.' [Rev. Josiah Henson.]"

Reverend Josiah Henson

Hart, Edward H.

The image depicts a seated woman in an ornate chair, visible from the knees up. She is seated with her arms resting on a table and a book, facing the camera. Her facial features include a long, oval face with a calm expression, and she has dark hair styled in tight ringlets on either side. She wears a floor-length, long-sleeved dress with a high collar and a white lace-edged chemisette peeking out at the neck and cuffs. Additionally, she is holding a newspaper in her lap, and a long chain is draped around her neck, falling onto her dress. The background is a plain, light-colored wall without any distinct features.

Portrait of a Woman

Hart, Henrietta M.

The image includes two seated figures, both shown from the knees up. Each person is seated with their legs bent and feet resting on the ground. The individual on the left has dark hair with feathers and wears a long garment with a pattern across the chest and over the shoulders. Their garment reaches the knees, revealing moccasin-style footwear. This person holds an object in their hand, which appears to be a feather fan or similar item. The figure on the right also has dark hair with feathers and wears a long-sleeve top with a decorative sash, knee-length leggings, and moccasins. The background shows an open landscape with green plains, rocks, and a cloudy sky, suggesting an outdoor setting. The image is enclosed within an oval frame.

Two Choctaw Indians

Catlin, George

The image shows a sketch of a camp viewed from a slightly elevated perspective. The horizon line is high in the composition, with distant clusters of soldiers and encampments depicted with minimalist lines. Closer to the viewer are rough pencil sketches of figures, possibly soldiers, in various poses. Beyond them, the landscape slopes upwards towards tents and military structures, with faint indications of foliage. The artist uses a loose, casual technique with light pencil strokes, creating a sense of immediacy. The color palette is neutral and monochrome, with the paper's light brown tone complementing the graphite pencil marks.

Line-ups and Trenches [recto]

Homer, Winslow

The image depicts a man seated in an ornate wooden chair. He is facing forward with his legs crossed, one hand resting on the chair's arm. The man has a composed expression with a neatly groomed beard and mustache, and his hair is combed back. He is wearing a dark double-breasted suit with a white shirt and a tie. To his left is a richly carved table with books on top, and a portion of draped fabric is visible behind it. The background is plain, emphasizing the man and the furniture elements around him.

Giuseppe Verdi

Disdéri, André Adolphe-Eugène

This is a painting of a group of people clustered together and facing different directions. Many of them have their knees bent. The group stands on light green grass under a blue sky, and the composition is framed in an oval. Almost all of the people are bare chested, their tan skin decorated with horizontal lines of bright red paint. They wear orange and yellow belts and long, white-and-black feathers around their waist. Some wear pants that appear to have tassels or string attached to the sides, while others have bare legs decorated with more red paint. They wear long strands of necklaces and multiple earrings featuring bright turquoise beads, and their hair is tied back in long, thin braids with more feathers and red spikes sticking up from headdresses they wear. Some of the people hold objects like spears, bows, and instruments. One person on the right is dressed differently, wearing a plain brown dress. This person has long black hair, and their body is turned to the left while their face is turned over their shoulder toward us, their eyes closed. In front of the group of people is a semi-circle of gray stones, within which are three large pots or vessels.

Dance to the Berdache - Saukie

Catlin, George

This is a stereoscopic card featuring two identical images of the full moon, showcasing its craters and surface texture in detail. The card is on a beige background with inscriptions mentioning the photographer, Prof. H. Draper, and the publisher, C. Bierstadt, in Niagara Falls, N.Y. It notes that the negatives were taken with a silvered glass telescope, capturing the selenographic features of the moon.

"Full Moon"

Draper, Henry

The image shows a wide expanse of land with a horizon featuring rolling hills or small mountains and sparse trees. In the foreground, a person in traditional indigenous attire is pulling on a rope tethered to a resisting horse. Several horses gallop energetically in the distance, while another horse stands alone to the right. The brushstrokes are detailed, capturing textures, and the color palette consists of earthy tones. The sky is light blue with occasional white clouds.

Catching Wild Horses - Pawnee

Catlin, George

The image is an etching depicting a view from the bank of a river, looking toward Notre Dame Cathedral. Two towers of Notre Dame stand out, dominating the scene. The horizon is near the middle of the image, lined with buildings. The etching shows detailed buildings, natural elements, and clouds in the sky. Closest to us, figures are seen on a sandy riverbank next to a horse-drawn cart, with boats in the water nearby. The color palette is monochromatic in brown and black.

L'abside de Notre-Dame de Paris (The Apse of the Cathedral of Notre-Dame, Paris)

Meryon, Charles

The image shows an up-close view of a person's hand. The hand is positioned with the back facing the viewer and fingers slightly bent, relaxed, against a flat surface. The skin appears smooth. There are no specific facial features or hair visible. The image does not display any clothing. The background is plain and likely composed of a neutral, slightly textured surface behind the hand.

Study of a Hand

European 19th Century

The image shows a scene with a low angle perspective, focusing on a ridge where two figures are holding up a flag. The terrain below is rough and dotted with stones, graves marked by crosses and headstones. The scene has a muted and monochromatic color palette, reminiscent of an old photograph. A solitary figure stands below the ridge facing the flag, while the background shows a horizon merging into a blank sky. The composition is clear and detailed, capturing the elements in the frame with precision.

Cemetery, Cathcart's Hill

Fenton, Roger

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting. Closest to us to the lower left, a tree with a gnarled trunk and round, sage-green canopy sits mostly in shadow. A river curves from near the tree to cut across most of the landscape in a tight S-shape. One plump haystack, shaped like a giant teardrop, sits near a curve of the river in the vivid, lemon-lime field, to our left of center. One brown and one white cow graze across the river, to our right. Above tawny-brown hills lining the horizon, sunlight from our left turns the tops of the band of clouds pale pink, and the undersides are grayish-purple. The sky above is turquoise. The artist signed the lower right corner, “M J Heade.”

Sunlight and Shadow: The Newbury Marshes

Heade, Martin Johnson

This is a charcoal drawing showing a side profile view of a man's head and upper torso. The man is positioned with his back slightly turned towards the viewer, looking to the right. He has a prominent nose, a thick beard, and wavy hair falling around his head. The man is wearing a shirt with loose fabric. There are no visible accessories or objects. The background is plain, and there is a faint signature in the lower right corner.

Head of a Bearded Gentleman

Müller, Charles-Louis-Lucien

The sculpture displays four human figures around a barrel. To the left, a child looks into the barrel. Next to them, a man in a uniform stands with one hand on his cap, engaged with two other figures. A woman stands to his right, wearing a long dress and looking down at a child clinging to her dress. The sculpture features detailed clothing and expressions, suggesting an activity related to taking an oath and drawing rations. The artwork is crafted from dark bronze with a polished finish, highlighting textures and creating a realistic appearance. The figures are detailed and lifelike, placed on a flat base with an inscription.

Taking the Oath and Drawing Rations

Rogers, John

The image shows a landscape view of vast plains with small mounds of earth, a high horizon, greenish-yellow grassy land, light blue mountains, a sky with pale blue and soft gray clouds, meticulous brushwork with fine details illustrating texture, an earthy color palette with greens, yellows, and browns, and figures including a hunter and two riders on horseback.

Prairie Dog Village

Catlin, George

The image displays swirling lines and circular shapes merging into a complex pattern, creating an abstract design reminiscent of marbled paper. The red and earthy tones combined with intricate patterns evoke the appearance of a swirling garden full of petals and leaves, mingling with bubbles or droplets.

Huit Études et compositions de fleurs (Eight Studies and Compositions of Flowers)

Jacquemart, Jules-Ferdinand

The image shows two girls from the waist up, sitting closely together. The older girl is positioned directly next to the younger girl, and both are facing slightly towards the camera. The older girl has long, dark hair styled in braids, framing her face with a middle part, and her facial expression is neutral. She wears a dark dress with a high collar and plaid decoration near the neck. The younger girl wears her hair parted in the middle and down to her ears, and she also has a neutral expression. Her dress is dark with short sleeves and a white lace or embroidered collar. Their hands are folded in their laps, and they appear to be sitting on a piece of furniture like a chair. They are framed within an ornate, oval-shaped gilded frame with floral and leaf patterns. The background is plain and dark.

Portrait of Two Girls

British 19th Century

This painting shows four people standing by the edge of a body of water, with two of the people close to us and two farther away. They are all facing the left, towards the pale blue water that is framed by large gray rocks. In the pair closest to us, a person is standing with one leg forward, holding a large fish in both hands. They have long, dark hair, and they are wearing several earrings in their visible ear and a skirt made of thin strips of brown fringe or fibers with a colorful yellow-and-red belt. Hanging on their back is a child in cradle, swaddled in tan cloth decorated with colorful yellow bands. Behind them stands another adult who is wrapped in a light-colored blanket with a red stripe along the edges. Below the blanket, they wear tan pants and tan shoes with small dots of yellow, blue, and red. Beside these people, on the grassy ground, is a basket of gray fish. The pair that is farther away is painted with less detail, but one person appears to stand and fire an arrow into the water, while the other sits next to a basket of fish, holding one of the fish up. All of the people have light brown skin and long, dark hair. The setting appears to be outdoors, with a blurred background in shades of green and blue. The painting is surrounded by a border of off-white paper.

Flathead Indians

Catlin, George

The image presents a landscape viewed from an elevated perspective, looking over a wide river winding into the distance. The horizon is positioned quite low, and the sky dominates the upper half of the scene, displaying a blend of blue with hints of pink and gray clouds. Distant trees frame the river on the horizon. Close to us, the left side features dense clusters of tall trees with green foliage, while the opposite riverbank to the right has a line of trees along the water's edge. The color palette is earthy, with shades of green for the vegetation and muted tones of brown and gray for the riverbanks and driftwood. The brushstrokes vary in intensity, softer in the sky and river, and more defined on the trees, contributing to an impressionistic effect.

Scene from the Lower Mississippi

Catlin, George

The image shows a landscape with a body of water, distant cliffs, and rocky formations on the right. There are two small boats near a sandy shore, with one person seated inside. The scene has a sepia tone, and the details of the cliffs, water, and textures are captured clearly in a photographic style.

Cape Horn, Columbia River

Watkins, Carleton E.

In this image, two people are depicted from the waist up, sitting next to each other. The man on the left is seated on a chair, leaning slightly forward, and holding a dog in his arms. He has short, dark hair and appears to be smiling while looking directly at the dog. He is wearing a dark suit and a white shirt. The woman on the right is also seated on a chair, leaning slightly back. She has her hair pulled back and is wearing a bonnet, a dress with a high collar, and a patterned shawl. Her hands are resting in her lap. Both individuals are in a domestic setting, with lined wallpaper or paneling in the background.

Vous voila maintenant passe citoyen

Daumier, Honoré

The image shows an older man seated, captured from the waist up. The man's facial features are characterized by a broad face, prominent nose, and a neutral expression. He has short, slightly wavy hair with sideburns. He is dressed in a formal dark suit, with a visible white shirt and cravat or bow tie. Marks or damage are present on the suit's shoulder area. The photograph is framed in an ornate gold case with a decorative edge. The background is plain and dark, centering the focus on the man's portrait.

Captain Gideon Lane

Campbell, Hamilton

The image shows a group of people sitting in an enclosed train compartment. Six individuals are visible from the waist up. From left to right, there is a standing figure holding onto a support handle, a woman holding a baby, a stout man, a woman with a bonnet, and a man in a top hat. The background shows vertical lines suggesting window frames and part of the carriage's ceiling.

Interieur d'un omnibus

Maurand, Charles

The image shows a large rectangular shape with two diagonal lines running from corner to corner, creating a triangular pattern. The overall composition resembles an abstract design resembling the cover of a book, with a textured surface and black borders.

Williamina Blackett's Album

Murray, Georgina

The image shows a young boy standing upright, with one hand resting on a wooden chair. His posture is formal, and he is facing the camera with a slightly tilted head. The boy has short, curly hair and his facial expression is neutral. He is dressed in a dark three-piece suit with a white shirt and a tie. The background consists of a simple draped curtain, and the floor is covered with a patterned rug. The environment portrayed is typical of a traditional photographic studio setup.

Duc d'Alençon

French 19th Century

The image was captured from an elevated point of view. The horizon line is low in the composition. A series of ancient columns stand above the horizon. A sprawling urban area extends to the left. A large building is visible behind the columns. A mountain rises in the background. The color palette is sepia-toned, giving a vintage feel. The image has gentle tonal variations and soft contrasts, creating a sense of calm and timelessness.

View of Athens with the Temple of the Olympian Zeus

Robertson, James

Shown from the knees up, a pale-skinned woman in a voluminous rust-orange dress stands facing us in this vertical portrait painting. She looks toward us but slightly down with dark brown eyes under curved brows. She has a wide face, rounded cheeks, a broad nose, and closed, coral-pink lips over a deeply dimpled chin. Her chestnut-brown hair is pulled up and back. The orange dress has a band of charcoal gray across the shoulders and at the flaring cuffs. Wide, vertical pleats fall from under the band across her chest. White trim, perhaps lace or fur, is suggested by loosely painted cream white at the high neck. The poofy sleeves and cinched cuffs of her white shirt extend beyond the dress sleeves. Her right arm, to our left, hangs by her side and the other holds an indistinct, loosely painted light-colored object down in front of her. She seems to be in a corner with the wall behind thinly washed in muted brown and green and a sienna-brown wood panel wall to our right.

Girl in Red

Degas, Edgar

This is a photograph of an industrial construction scene. The image shows a structure of scaffolding and iron beams at a construction site. Details like beams, metal rails, and columns are visible, along with wooden scaffolding. The presence of light and shadows creates contrasts and textures on the metal surfaces.

Workers on Girders of Auditorium, New Paris Opera

Delmaet, Hyacinthe César

This is a photograph of two wooden walking staffs or canes. The image features two elongated objects with bulbous, rounded tops that resemble natural wooden staffs. Each staff is mounted on a simple wooden base against a dark, neutral background. The wooden surfaces display an intricate pattern of natural wood grain and knots, with visible cracks and irregularities. The photograph emphasizes the tactile and organic qualities of the wooden objects, showcasing their simplicity and rustic beauty. The stands at the bottom have numbered tags.

Specimens of Gunshot Fractures of the Femur

American 19th Century

The image shows a tipi in a grassy field, with Native American figures nearby engaging in daily activities. The scene includes horses grazing in the background and a serene sky with wispy clouds. The color palette consists of earthy tones and gentle blues.

A Crow Chief at His Toilette

Catlin, George

The image depicts a group of people engaged in a processional activity. The figures are shown from the shoulders down, walking from left to right. They are dressed in heavy clothing with bonnets or headscarves covering their hair. Some are holding candles or objects. The background shows a gate on the left and a religious icon in the middle. The inscription at the bottom reads "CAVEAU ST MEDARD PROCESSION."

Procession in the Sepulchre of Saint Medard(Procession dans le caveaux de St.-Medard)

Legros, Alphonse

The image shows a wide view over a grassy plain, with a high horizon line and groups of figures and horses in the distance. Close by, numerous people, most on horseback, engage in coordinated activities. They wear traditional clothing and appear to be involved in a hunt. The painting features fine, detailed brushstrokes and a color palette of green, brown, red, and earth tones, under a sky of soft blues and grays with scattered clouds.

Camanchees Moving

Catlin, George

Three children with different hairstyles and clothing styles are depicted against a natural background. The left child has long, wavy hair and a contemplative expression. The center child wears a wide-brimmed hat and a dress with puffed sleeves, with a distant gaze. The right child, with a flat top hat and a sailor-style shirt, is holding a basket and a stick. Foliage fills the background, suggesting an outdoors setting.

Elizabeth Keown, Kate Keown, and Freddy Gould

Cameron, Julia Margaret

The image shows a riverside view with an estate surrounded by greenery on the other side. The horizon is high, emphasizing the reflective water surface. Trees and a house are visible on the horizon. The water reflects the surroundings. The color palette is sepia, highlighting textures and shapes in the scene.

Halliford

Prout, Victor Albert

The image shows four individuals in different positions. The individual on the right is holding a rabbit or similar animal by its front paws, lifting it high. They wear a dark, striped suit with a white shirt and a cravat, with wide eyes and an elongated face framed by curly hair. To the left, two more individuals stand closely together, observing the animal. The central figure wears a dark cloak and headscarf, with a round face, while the other wears a tall hat, coat, and shirt. The fourth person, standing slightly behind them, is shorter and also wearing a hat. The background consists of abstract, circular patterns and sketches of hands and a crucifix.

Exposition universelle: La Fabricant de chapeaux de feutre

Maurand, Charles

The image shows a landscape with a building surrounded by greenery. The viewpoint is elevated, showing a wide perspective. The sky is lightly clouded with pastel colors. Two figures near us are engaged in activities. The brushwork is detailed, capturing leaves and architectural elements clearly. The color palette is dominated by greens and browns, complemented by subtle sky hues. A fence and more trees are visible in the background.

Kung-kwa at On-na, Lew Chew

Heine, William

The painting depicts a rural landscape from a distance, showing a hill, houses, and trees. At the bottom of the painting is a body of water with two green banks on either side. The water reflects the green surroundings. On the right, a grassy path with rocks cuts across the landscape. Behind the water is a hill in the distance, with several small buildings on its top. At the base of the hill are several small figures on a grassy field, perhaps a mixture of humans and animals. The colors are predominately shades of green and brown, with some hints of rusty orange. The sky takes up the top half of the image and is a light blue color. Light brushstrokes are visible in the sky.

Landscape in Auvergne

Harpignies, Henri-Joseph

The image depicts a woman from the waist upward seated in a portrait style, facing slightly to the right. She has dark hair and is wearing a dark dress with lace collar and cuffs, accessorized with a brooch, lace detailing on the sleeves, and bracelets. The background is a dark hue, typical of daguerreotype portraits, and the photograph is framed with a gold-colored border.

Portrait of a Woman

Verdier Mlle.

The painting shows a landscape including distant hills under a pale blue sky with clouds. Below the hills is a body of water with some small red rowboats on it. Closer to us, to the right of center, is an American flag on a flagpole. A child in a black suit and a woman in a red dress stand facing the flagpole, and a man stands in front of them, facing us. He is in a blue uniform with long buttons down the front and a red belt. The man is holding broken pieces of a chain in either hand and appears to be standing in a light gray puddle. All three of these people have blue-gray skin and black hair, and there is a small black-and-white dog by them near the bottom right corner. To the left of center, a man riding a horse holds up another American flag. This man is wearing a similar blue uniform and has slightly paler gray skin. He also holds another flag in his other hand, which he allows to drag on the ground, and this flag is red with a wide white stripe in the center and a blue and gold section in the top left. Behind him is another rider on horseback who is mostly in shadow, and behind that a man stands by a tree near two horses that appear to be hitched to a wagon. In the background on the left, there is a tall white monument, and on the right is an arched structure made of light brown stone with a large gray bird sitting on top of it and more horses standing below it.

Allegory of Freedom

American 19th Century

The image shows a scene of railway tracks curving to the right beside a river. The tracks are flanked by rocky terrain, with a large rock face on the left. In the distance, rugged cliffs and rock formations are visible against a clear sky. The perspective is slightly angled, giving a sense of standing at the edge of the tracks. The color palette is composed of sepia tones, creating a warm and nostalgic atmosphere. Light and shadow highlight the texture of the rocks. The image has a classical aesthetic.

Dodge’s Bluff, Canyon of Grand River

Savage, Charles R.

The image shows a street view at Shimoda, with a bridge as the focal point. The scene is captured from a slightly elevated POV, offering a comprehensive view of the street activities and structures. Tall trees and traditional buildings fill the backdrop behind the bridge. The artwork features detailed brushstrokes depicting architecture and figures. The color palette includes earthy tones with contrasting bright colors in the clothing of people. Buildings and trees in the distance have more subdued colors, adding depth to the image.

Street and Bridge at Simoda

Heine, William

Against a distant, hazy, verdant forest, a petal-pink and amethyst-purple orchid grows from a mossy branch close to us, to our left, while three jewel-toned hummingbirds gather around a nest to our right in this horizontal painting. Two pale pink, ruffled petals of the orchid flare up and out from the hot-pink, furled center. The lip-like petal below is amethyst purple brushed with pale yellow along its top. Three narrow, pink petals create a triangle behind the center of the bloom. Some of the pale honeydew-green pods and leaves growing from the base of the plant are speckled with brown spots. The orchid grows on a gnarled brown branch painted with daubs of white, burnt orange, goldenrod yellow, and scarlet red along its length, which spans the width of the painting. Three hummingbirds with narrow, pointed beaks tend a nest built further along the branch to the right of the orchid. The largest is perched with its back to us. It has a vibrant green body and a two-pronged, crimson-red tail. Its head is turned up and to our left, looking at the second bird fluttering on a branch across the nest. The second bird’s avocado-green and dusty rose-pink body curves downward from outstretched wings. The third bird is perched on a nearby branch to our left, its head turned to the right to look at the others. Two white eggs are partially visible in the nest, which is shaped like an upside-down cone. The nest is woven with wavy, dangling strands of burnt-orange plant material. The orchid, birds, and nest fill the center of the composition. The scene is brightly lit from upper left. More leafy branches covered with hanging vines rise on either side of the painting. The background is filled with a dense growth of plants and trees, painted with blended shades of muted greens and pinks creating a diffuse, watery haze. The sky takes up the upper third of the composition and is filled with smoke-gray clouds except for a small circle of blue sky peeking through the branches of the tree in the upper right.

Cattleya Orchid and Three Hummingbirds

Heade, Martin Johnson

The image shows a Native American camp from an elevated viewpoint. The scene includes tipis with symbols and people engaged in various activities. The setting features distant hills under a cloudy sky, with soft transitions between land and sky. The brushstrokes are delicate and precise, creating a realistic landscape. The color palette is dominated by earthy tones, with greens for hills and browns for tipis and earth, while the sky is a blend of grays and blues. Figures on horseback in the distance add movement to the scene. The painting is bordered by an oval frame.

An Ojibbeway Village of Skin Tents

Catlin, George

The image shows a wooded area with a riverbank in the foreground. A large tree with visible roots and sparse leaves is on the right third of the frame. In the middle ground, a group of leafless trees extends diagonally, leading to a man standing among them. The horizon is high in the composition with barren hill slopes rising up to an overcast sky. The color palette is sepia, giving a vintage feel. The textures and details in the landscape are highlighted against the subdued background. The image is a photograph.

Rebel Rifle Pits, Bull Run

Russell, Andrew Joseph

The image shows a man seated facing the camera. An apparatus holds his mouth open. His facial features include a pronounced brow, deep lines across his forehead, and a visible frown emphasized by the device. His hair is thinning and combed back, revealing more of his scalp. He wears a loosely fitted shirt with an open collar. Two other individuals are partially visible, wearing suits suggestive of a formal setting. One on either side of the man holds the device in place. The background is plain and slightly blurred with no noticeable details or objects.

Pain and despair

Duchenne (de Boulogne), Guillaume-Benjamin-Amant

The image shows ancient stone columns in a clear, orderly line. The horizon is low, emphasizing the columns against the sky. In the distance, low buildings and a mountain range are visible. The image likely depicts a photograph of the stone columns, showing their texture and weathering. The color palette is monochromatic, giving an aged look. A person stands close to a column, providing scale, with others sitting on the grass nearby.

Temple of Minerva

Robertson, James

The image shows three men standing closely together in military uniforms. Each man holds a sword in their right hand, resting against their left shoulder. The man on the left has his left arm resting on the shoulder of the center figure. They all have mustaches and wear caps. The background is plain, with a curved arch at the top framing the photo.

M. Edward Rogers, Robert E. Randall, and Charles F. Lennig, First Troop Philadelphia City Cavalry

Broadbent, Samuel

An older woman wearing a long black dress sits reading a book in front of a younger woman wearing cream white, who sits on a couch just beyond, in this vertical portrait painting. The scene is loosely painted with some visible brushstrokes, especially in the furniture, clothing, and room. Both women have pale skin and wear dresses with long sleeves and skirts. To our right, the older woman sits in a chair with a curved back, which runs parallel to the right edge of the canvas. The full skirt of her black dress angles down across the picture, almost spanning the bottom edge of the composition. Her gray hair is pulled back and covered by a black cloth or veil, which falls to her shoulder and blends with her dress. The collar is lined with a white ruffle, and white lace cuffs encircle her wrists. Her face is painted with rosy tones. She looks down at her book with dark eyes, and her rose-pink lips are closed. She wears a gold ring with a light stone on her left ring finger, and the book she holds has a moss-green cover. Her skirt overlaps the younger woman sitting nearby on the couch, which runs along the back wall of the room. The young woman’s knees are angled to our left but she looks slightly back to our right, to gaze down and into the distance with brown eyes. Her skin is paler, but she has lightly flushed cheeks and her petal-pink lips are also closed. An azure-blue bow is tied in her chestnut-brown hair. A few tendrils fall down her back and over one shoulder. Her dress falls loosely over her torso and legs. She wears a gold ring on her left hand and a gold bracelet on that wrist. She fingers a piece of lapis-blue fabric in one hand. The couch behind her has a pattern with stylized flowers or leaves floating within rose-pink ribbons that hang in swags, against a white background. Pillows patterned with ruby red, sky blue, and fawn brown peek out from behind the young woman. A round or oval wooden table with curving legs to our left holds a glass vase with a violet-purple flower, perhaps a hydrangea. A slip of paper or envelope sits on the table next to the vase. The wall behind the couch is fog gray, and the bottom edge of a gold frame hangs behind the young woman.

The Mother and Sister of the Artist

Morisot, Berthe