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1801 to 1825

71 works

Voyage pittoresque de Genève à Milan par le Simplon

Lory, Gabriel Ludwig

This is a drawing of a chaotic horsemen battle scene. The drawing depicts a tumultuous and energetic scene of horses and riders in an intense struggle. The central focus is a horse rearing on its hind legs, while others are entangled in a frenzied motion. The dynamic lines and shadows create a sense of movement and tension throughout the composition. The riders appear to be using weapons, contorted in dramatic poses that enhance the ferocity of the scene. This intricate line work reflects a classical approach to etching, highlighting both the power and chaos of the depicted battle setting.

Surprise

Chifflart, François-Nicolas

The Skeleton Re-animated

The Skeleton Re-animated

Schiavonetti, Luigi

Shown from about the waist up, a man with pale, peachy skin, wearing a marine-blue greatcoat over several layers of clothing, looks out at us in this vertical portrait painting. The man’s body is angled to our left, and he looks at us from the corners of his dark brown, hooded eyes. He has an oval face with a slightly jutting chin, a long, straight nose, and his full-lipped mouth is lightly pursed. He is lit from our left, casting the right ear and side of his face in shadow. His chestnut-brown, wavy hair is short, and brushed forward over the ear we can see. Several shirts and coats are layered over his shoulders. Closest to his skin, a high-collared white shirt, with points reaching past his jawline, is tied with a wide, black neckcloth. Next is a custard-yellow garment, also with a high-neck, perhaps a vest. Over that he wears a brown coat with wide, pointed lapels. A bright, scarlet-red oval is fastened to one buttonhole on the lapel to our right, and a gold and rose-pink ornament peeks out from the bottom hem at his waist. Finally, the blue greatcoat has an elbow-length cape, and nearly falls off his shoulders. Fabric across the back of the collar is a hood lined with dark silver satin. He props his left elbow, to our right, on a table or ledge, and that wide cuff is rolled back over the white edge of this shirt. He wears a gold band on the pinky finger of that hand. The ledge is draped with a deep, marmalade-orange cloth. Gold tassels dangling from the end of a scrolled, bound document hangs off the edge of the ledge, near the man’s wrist. The background deepens from sage green along the lower left edge of the painting to fawn brown around the man’s head. The artist signed and dated the lower right corner, “Ingres. Pinx. Rom. 1810.”

Marcotte d'Argenteuil

Ingres, Jean-Auguste-Dominique

The image features figures and shapes arranged in three horizontal bands. In the upper section, an abstract pattern of symmetrical human-like figures with raised arms is depicted. The center of the image displays a flowing abstract shape surrounding central human figures. Below, a group of seated figures is arranged in a semi-circle. The overall composition creates an abstract narrative through the arrangement of figures within distinct horizontal zones.

When the Morning Stars Sang Together

Blake, William

This is a drawing of two figures facing each other under a decorative floral vine arch. One figure is bent over, appearing to drag an object, while the other stands upright with hands in pockets, dressed in a long coat and top hat. The figures are detailed and in a classic style. The floral vine includes small creatures and floral elements as an ornamental frame.

Peter Schlemihl Sells His Shadow

Schrödter, Adolf

The Soul hovering over the Body reluctantly parting with Life

The Soul hovering over the Body reluctantly parting with Life

Schiavonetti, Luigi

The image shows a man seated with his body facing slightly to the side and his head turned towards the viewer. He has short, curly hair and defined facial features. He is wearing a dark jacket with buttons, a shirt with a high collar, and a medal or insignia. In the room, there is a table with round artifacts or coins, a bookcase filled with books, relief sculptures on the wall, and classical sculptures, including a statue of a muscular male figure.

Ennio Quirino Visconti

Rados, Luigi

Saint-Mémin Collection of Portraits, Group 37

Saint-Mémin, Charles B. J. Févret de

The image depicts a person standing or walking. The full body is visible with arms slightly extended and facing forward. The facial features are indistinct, and the hair blends into the background. The person is wearing a long robe or gown. There are no visible jewelry or handheld objects. The background is textured and dark, creating an atmosphere of depth and obscurity.

Christ descending into the Grave

Schiavonetti, Luigi

The image shows a smooth surface with lines and shapes creating an abstract pattern. The surface has a mottled appearance with varying shades of brown blending together. There is a faint horizontal line across the middle.

Le Solenni Esequie di Monsignor Filippo Visconti Arcivescovo di Milano...

Cagnola, Luigi

The image displays faint, swirling lines and shapes on a smooth, dark surface, creating an abstract pattern. The lines crisscross and curve subtly. Light and shadows interact to suggest depth, forming an intricate web that resembles a well-worn, textured slate. The abstract elements allow for interpretation, resembling distant mountains or a hazy, distant forest.

The Day of Judgment

Schiavonetti, Luigi

The meeting of a Family in Heaven

The meeting of a Family in Heaven

Schiavonetti, Luigi

The image depicts indistinct, flowing lines and shapes on a dark, possibly metallic surface. The patterns suggest depth and texture, resembling forms such as fabric folds or shadowy figures in an undefined space.

The Soul exploring the recesses of the Grave

Schiavonetti, Luigi

This painting depicts two people balancing on a running horse. The horse is mid-gallop, heading to the left, with a red cloth on its back and a silver halter on its face. It is a rich brown color, with a short mane. Standing on its back is a person with short, curly blond hair and pale skin, wearing a pale-yellow tunic or dress with puffy sleeves, silver embellishments, and white tights. They are standing with one arm extended to the side and the other raised, and one of their legs is slightly bent. On their shoulder stands a much smaller person with the same skin, hair, and pale-yellow costume. This person has one leg extended outward, and they are holding a blue fabric in both hands which twists through the air. The background shows an indoor setting, with teal fabric hung below red drapes, and on the left is the front of a building with peach walls. The floor is gray, and slopes slightly downward on the left and right.

The Mounted Acrobats

American 19th Century

This is a photograph of a textured metal plate. The surface of the plate has faint, indistinct marks that may suggest a figure or abstract form. The lighting creates reflections and highlights on the surface, emphasizing its rugged and scratched quality. The overall appearance is industrial, with a sense of history. The shading and texture provide depth and complexity in a monochromatic presentation.

Death's Door

Schiavonetti, Luigi

This is a photograph of an engraved metal plate. The plate has a worn and aged appearance, with scratches and areas of discoloration throughout. The design on the plate appears intricate, with various lines and textured areas. The edges of the plate are slightly beveled, and there is a visible border around the design.

The Counseller [sic], King, Warrior, Mother &Child, in the Tomb

Schiavonetti, Luigi

This is a photograph of an engraved metal plate. The plate contains a depiction of several figures in a scene with a natural setting. The image shows a gathering with an arch or structure in the background. The figures are interacting with each other and the environment, which includes trees and rocky terrain. The details suggest traditional engraving techniques were used to create the image.

The descent of Man into the Vale of Death

Schiavonetti, Luigi

Thirteen individuals are shown kneeling on the ground in a semi-circle around two central figures. The central figures appear to be a man and a woman with long hair. The individuals wear flowing robes. The central figures have hands clasped, while others have hands raised. The scene takes place under a large tree with a full canopy, with decorative motifs on the bark. The background shows hills, a moon, and a landscape suggesting nature. Sheep are in the foreground.

Job and His Family

Blake, William

Saint-Mémin Collection of Portraits, Group 33

Saint-Mémin, Charles B. J. Févret de

This is a drawing of swirling lines and abstract forms. It depicts an interplay between figures and flowing elements, suggesting motion and energy. The detailed linework emphasizes the fluidity and movement of the forms within a rectangular border. The composition is precise, creating a visual impact through the use of line and form.

The Lord Answering Job out of the Whirlwind

Blake, William

The image shows a large silver teapot with a unique spout shaped like an eagle's head, a dark handle, and intricate engravings. It has claw-footed legs, a finial on the lid, and an oval emblem on its side. The color scheme is mainly metallic silver with dark accents.

Five-Piece Tea/Coffee Service

Fletcher, Thomas

This is a photograph of an engraved metal plate. The image shows the etched surface of a metallic plate with various textures and patterns. The plate has a matte appearance with scratches and lines visible across its surface. Geometric and possibly organic shapes intertwine throughout the design.

The Reunion of the Soul & the Body

Schiavonetti, Luigi

The image displays intersecting lines and faint shapes, forming an abstract design. Observers may perceive hints of a table scene and figures engaged in conversation. The forms resemble faces and limbs, blending into the abstract. The composition combines abstract artistry with suggestions of human-like interactions.

The Death of The Good Old Man

Schiavonetti, Luigi

This is a drawing of several figures in a mystical scene under a starry sky. The image shows several seated figures on one side and one standing figure gesturing towards them. Behind the seated figures is a structure made of stacked blocks or stones. The scene is set against a backdrop of stark lines and contrasting shades, with a night sky filled with small stars or dots.

The Wrath of Elihu

Blake, William

This is a photograph of an engraved metal plate. The image shows a metal surface that has been engraved with fine lines and details depicting an individual. The surface is dark, and the engravings highlight the contours and features of the figure with intricate line work. The lines are meticulously etched, producing a ghostly visage that subtly emerges from the metal's surface.

William Blake

Schiavonetti, Luigi

Saint-Mémin Collection of Portraits, Group 42

Saint-Mémin, Charles B. J. Févret de

This is a drawing of abstract figures and forms with a complex composition. The image shows vague outlines of figures amid a patterned texture. The surface is mainly gray and appears to be made of a metallic or subdued material. The figures are abstracted and merge into one another, lacking distinct details, suggesting movement or transformation. There are suggestions of architectural elements, possibly indicating an enclosed space. The intricate detailing of lines and shading encourages viewers to search for definition within the obscured presentation.

Death of the Strong Wicked Man

Schiavonetti, Luigi

Both dressed in white, a little boy leans onto the lap of a woman sitting in front of a smooth, sunlit boulder with a landscape to the right in this vertical portrait painting. Both people have pale skin with rosy cheeks. To our left, the woman sits with her body facing our right. Her round face also tips to our right, and she looks at us with gray eyes. She has an upturned nose and her full, pink lips are closed in a slight smile. Her long legs are crossed at the ankles, and dark gray slippers peek out from under the long hem. She wears a diaphanous, eggshell-white gown gathered under her bust. The short sleeves of the dress are puffy over sheer sleeves that extend to her wrists. A sheer veil is tied over her brown hair with a gray ribbon falls over her shoulders. She wears coral-red beaded necklace and drop earrings. Her hands rest in her lap and intertwine with the little boy’s hands. He stands behind her and leans onto her knees with both elbows. His round face is framed by a cap of honey-brown hair, and he looks at us with big, lapis-blue eyes. The boy has a small nose and bow-shaped lips. He wears a flax-yellow and mist-gray short sleeved garment with a bow in the back. Light falls on the pair from our left, and throws some of the foliage surrounding them into shadow. Burnt orange, gold, and white leaves and flowers surround the boulder behind the woman, and a view into a moss-green forest interior extends into the distance to our right.

Lady Mary Templetown and Her Eldest Son

Lawrence, Thomas, Sir

The image shows a street-level perspective of a narrow alleyway between tall buildings with trees on one side. A seated figure is on the right near the viewer. A woman and a child are walking down the street. The sketch is done in pencil on blue-toned paper, creating a sense of form and depth with light, fluid lines. The color palette is minimal, highlighting the blue paper as the background with shading variations from the pencil work, emphasizing shadows and shapes.

View up a Street in Sorrento [verso]

Bertin, François-Édouard

The sculpture is a bust of a man with a strong expression, prominent eyes, and defined facial features. He wears a high-collared coat and a neatly tied cravat. The material is smooth and light-colored, possibly marble or a similar stone. The craftsmanship depicts intricate details of the man's face, hair, and clothing realistically. The bust sits on a round pedestal, elevating it and enhancing its classical appearance.

Joel Barlow

Houdon, Jean-Antoine

Antiquites de la Grande-Grece (volume I)

Antiquites de la Grande-Grece (volume I)

Piranesi, Francesco

This image features classical imagery and text. The upper section shows a winged figure intertwined with a swan in a rectangular border. The name "HOMER" is displayed below, surrounded by a decorative border of repeated swan motifs. A seated figure reading or reflecting is depicted further down, integrated with a large initial "H" and accompanied by text in German praising Homer and his literary significance. The layout and decorative elements are in a neoclassical style, emphasizing symmetry and classical themes.

Homer Nach Antiken Gezeichnet

Tischbein, Johann Heinrich Wilhelm

Saint-Mémin Collection of Portraits, Group 28

Saint-Mémin, Charles B. J. Févret de

The image depicts a man standing in a slightly turned position with his head facing forward. He has distinct facial features, including a defined nose and relaxed expression. His hair is light and combed back gently. He is dressed in ornate clerical attire with intricate patterns on his sleeves and collar, and wears a large cross around his neck. His right hand rests on a document, while his left hand holds a book or similar object, resting on a table. The background is plain, with no additional details.

Gabriel Cortois de Pressigny

Ingres, Jean-Auguste-Dominique

The scene depicts a family resting on a grassy area, with a man sitting, a woman standing with a jug, and two children interacting with them. There is a group of grazing animals, likely goats, on the left. In the background, there is a forested area leading to architectural structures resembling castles. The sky above is expansive, with a calm and serene atmosphere created by a color palette of soft greys and whites. The artwork showcases fine, detailed brushstrokes, particularly in the grassy textures and foliage.

Scenery of Bristol

Danby, Francis

This painting is a portrait of a seated woman looking off to the left with a composed expression. She has light skin with rosy cheeks, brown eyes, and slightly upturned pink lips. Her curly brown hair is styled on top of her head with a small floral clip or decoration. She is wearing a white dress with short sleeves and a low neckline with a wide collar. Around her waist is a thin belt with gold and light-blue designs, and a translucent cloth with a similar pattern is draped over her right forearm. Her other arm rests over the edge of the tan chair she sits in, and she brings her hand up slightly below her chin. A thin gold band is visible on one of her fingers. The background is a plain, muted brown color, with a curved tan section at the very top.

Eleanor Parke Custis Lewis (Mrs. Lawrence Lewis)

Stuart, Gilbert

This is a photograph of a book cover. The cover is designed with intricate gold embellishments on a dark brown leather background. It features a central oval design with a regal emblem of fleurs-de-lis and a crown. Surrounding the central motif are symmetrical patterns with scrollwork and floral elements in gold. The corners and borders are adorned with circular and linear motifs. The use of gold contrasts against the dark material, highlighting the detailed craftsmanship.

Album of Portraits of Queen Marie-Antoinette

Various Artists

Two large dogs approach a man lying unconscious and mostly buried in the snow in this horizontal painting. The head of the man comes toward us, at the lower center of the composition, and the dogs are close to us. In the center of the painting, a large tan and white dog has short, glossy fur and floppy ears, and its jowly mouth hangs open with the pink tongue visible. It paws at the snow partially covering most of the body of the man, who wears an olive-green coat with a fur collar and white shirt. The dog looks up to our right, and its body and white-tipped tail recede diagonally into the picture to the left. There is a red blanket with black edging over the dog’s back, and the hound wears a wide, fur-lined silver collar ornamented with metalwork lions and bells. The second dog, a dark brown brindle color, sits to the immediate left of the first dog. It gazes down at the prone person and bends its head down to lick a bare pale, pink hand that protrudes from under the snow. The brindle dog wears a small barrel around its neck on a brown buckled leather collar. The man’s dark brown hair falls over the snow. His pale gray face is upward, and his shoulders are visible while his arms splay out, and the rest of his body, extending into the picture, is covered with snow. The man’s eyes are closed. His right hand, in a tan leather glove, reaches toward us from the snow, while a green velvet cap with a red ribbon lies under the hand. The scene is enclosed by large, angular, steel and blue-gray boulders and rock formations, with two craggy pine trees above. Beyond lies a mountain landscape with a V-shaped pass at the center top framed by the steep ascent of jagged, snowy hillsides and a sliver of blue sky. A blocky stone building is nestled in among the crags to our right. On a path leading from the building, three bearded men wearing black caps and robes hurry toward the dogs. The nearest of them holds up a staff with a cross on the top and waves or signals to the men farther back along the path.

Alpine Mastiffs Reanimating a Distressed Traveler

Landseer, Edwin, Sir

This painting shows the upper body of a woman seated in a chair. She is wearing a white bonnet with ruffled edges, covering her wavy, light brown hair. Her facial features include fair skin, thin lips, a long nose, and a pointed chin. She is dressed in a deep red gown with a high white collar. The chair has a blue cushion and wooden frame with curved armrests. The background is a gradient of brown at the top and tan at the bottom.

Sarah Homes Tappan (Mrs. Benjamin Tappan)

Stuart, Gilbert

This is a drawing of a biblical scene with a swirling figure surrounded by intricate linework. It depicts a dramatic whirlwind with ethereal figures intertwined with the wind. The central figure emerges from the scene, appearing powerful and commanding. The text above and below the drawing quotes a scriptural narrative: "Then the Lord answered Job out of the Whirlwind." The intricate details and textural contrasts create a vivid portrayal of an epic moment, filled with movement and emotion.

The Lord Answering Job out of the Whirlwind

Blake, William

This is a drawing of a bull charging at a pole vaulter in a bullring. The bull is depicted mid-charge, with its head lowered and front legs stretched forward. The pole vaulter is shown using a long stick to vault over the bull. In the background, there is an audience with some holding umbrellas, watching the spectacle unfold in a traditional bullring setting.

Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)

Goya, Francisco

The image displays an upper-body portrait of a seated woman. She has fair skin, rosy cheeks, dark hair styled in tight curls, and is wearing a white lace bonnet with ribbons. She is dressed in a dark dress with white lace at the neckline and has a subtle smile on her face. The background is a plain, warm brown color with a lighter area on the left.

Portrait of a Lady

Neagle, John

The sculpture depicts a horse in a dynamic pose, with one of its front legs raised. It is crafted from a dark material, likely bronze, giving it a rich, dark brown color with a slightly shiny surface. It is displayed on a rectangular base made from the same material. The surface of the horse is textured, showing details such as musculature, mane, and tail. The horse is proportionate and realistic in its depiction, evoking a sense of naturalism. The size of the sculpture is small, indicative that it is a model or a small-scale work rather than a life-sized representation.

Flayed Horse III

Gericault, Théodore

This is a drawing of an ornate entomological illustration centered around a flea. The central subject features a flea with a segmented body, legs, and antennae, placed within a diamond-shaped frame. Encasing this central diamond is an elaborate border of floral motifs and acanthus-like leaves, with stylized human-like faces at the corners. The artwork is in sepia tone, giving it a vintage appearance. The design is symmetrical.

Meister Floh. Ein Marchen in sieben Abentheuern zweier Freunde (Master Flea: A Fairy-Tale in Seven Adventures of Two Friends

Thiele, Karl Friedrich

This is a drawing of a group of figures gathered under a tree. The central focus of the drawing is a cluster of figures congregated beneath a large tree with serpentine branches. Surrounding them are more trees and landscape elements, including a crescent moon in the sky. In the foreground, there are sheep lying on the ground. The detailed lines and shading create an intricate scene, giving depth and texture to the figures and foliage. The composition and style suggest a blend of mystical and pastoral themes.

Job and His Family

Blake, William

This painting features a landscape with a winding dirt path surrounded by foliage. In the background, there are hills and mountains. On the left is row of buildings below tall brown cliffs, including a white church with a steeple. A body of water with sailboats can be seen in the distance on the right. The color palette is warm, with earthy tones including greens, browns, yellow, and oranges, with shades of pink and purple in the cloudy sky.

Lake George and the Village of Caldwell

Chambers, Thomas

Saint-Mémin Collection of Portraits, Group 19

Saint-Mémin, Charles B. J. Févret de

This painting is a portrait of a man from his chest up. He is positioned slightly angled to the left and looks directly at us. His skin is pale, and he has rosy cheeks, deep-set, dark eyes, a long, straight nose, and thin lips set in a neutral expression. His hair is light gray, combed back from his face and curled above his ears. He is wearing a black coat over a white, high-collared shirt and a white lace cravat. The background is dark brown.

George Washington

Stuart, Gilbert

George Michael Bedinger

Saint-Mémin, Charles B. J. Févret de

The sculpture is a bust depicting a person with an elaborate hairstyle characterized by voluminous curls. The figure has realistic facial features including eyes, nose, and lips, as well as a detailed representation of a draped garment over the shoulders. The sculpture is predominantly a light, weathered grey. The subject of the sculpture is positioned directly facing the viewer.

Linnaeus (Carl von Linn)

Rush, William

The image shows a black and white etching of a landscape. The horizon is high in the composition, with a sky filled with soft clouds. In the middle, a small house is partially hidden by trees, with a bridge over a stream. Trees, rocks, and a person sitting on a rock by the water flank the stream. The intricate line work captures textures of foliage and rocks, creating depth and contrast in varying shades of grey.

The Lochmühle in the Liebethal, in "Saxon Switzerland"

Veith, Philipp

This is a drawing featuring a central figure seated in an elevated position, surrounded by an ethereal halo or orb of light. Flanking the central figure are two elongated forms. Below, there is a group of figures gathered around a symbolic or abstract natural element that resembles a mountainous or tree-like structure. The composition includes intricate line work conveying movement and texture.

The Fall of Satan

Blake, William

This is a photograph of a page from a book. The page displays the title "ARABESQUES MYTHOLOGIQUES" in capital letters. The background is a creamy off-white color. There are no illustrations or additional text present. The edges of the page are slightly worn. Stains or marks are visible, particularly towards the bottom left and right corners.

Arabesques Mythologiques

Genlis, Stéphanie Félicité de Comtesse

The image shows a narrow street with rustic buildings on both sides. The viewpoint is slightly elevated, giving a downward angle to the scene. The horizon is obscured by the buildings, with chimneys emitting smoke. The drawing style is etching with fine lines defining textures. The color palette is monochromatic in varying shades of sepia and black. A lamppost is visible in the foreground, and two figures walk down the street. In the background, more architectural elements and fences are visible.

Rue de Champ de l'Alouette

Bonvin, François

This is a drawing depicting a scene with a group of individuals and a figure kneeling. The image is rendered in a loose style using washes of dark brown ink, creating a monochromatic effect. The composition includes a kneeling figure making a supplicating gesture towards a group of standing individuals. The background shows hills and a bridge, adding depth to the scene. The outlines of the figures are sketchy yet decisive, suggesting movement and interaction within a possibly historical or allegorical setting. The medium and style give the scene spontaneity and emotive power, encouraging contemplation of the narrative content.

Composition with Four Figures [recto and verso]

Allston, Washington

This is a drawing of a bull in an arena. The drawing portrays a scene where a bull is centrally positioned, having trapped a figure under its neck. Another figure is positioned in the foreground raising an object, while two indistinct figures stand in the background. The scene takes place within an enclosed space, indicated by the textured background and ground. The artwork employs a limited palette.

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)

Goya, Francisco

The sculpture is of a jug or pitcher made of a metallic material, likely silver. It has a curved handle embellished with leaf and scroll motifs. The body is polished, with a decorative band near the neck featuring floral designs and an ornamental base with foliage patterns. The jug is tall, standing on a sturdy, decorated pedestal base. The metallic sculpture is sophisticated and luxurious, appearing functional and artistic.

Monumental Ewer

Fletcher, Thomas

The image shows a landscape with a rocky river winding through trees. A castle or fort sits on a hill to the right of the river, above the tree line. Fluffy clouds are in the sky above. Fine lines and cross-hatching create texture in a monochromatic style, giving a detailed and structured feel to the scene.

Sammlung Radierter Blaetter von Nathe

Nathe, Christoph

The image shows a full-body illustration of a person depicted in a sketchy, fluid style. The person is in an active pose, appearing to be in motion with one leg forward and one leg back, arms extended outward. Their facial features are outlined with prominent eyes and an open mouth. The person's hair is short, curly, and flowing backward. They are dressed in loose, flowing garments detailed with shadows. The background is minimalistic with a lightly sketched ground and empty space around the figure. There is no visible jewelry, and the focus is on the motion and form of the individual.

The Young Courier

Daumier, Honoré

Saint-Mémin Collection of Portraits, Group 36

Saint-Mémin, Charles B. J. Févret de

This is a drawing of figures in dynamic poses. Two winged female figures are flying over a group of reclining figures. The flying figures have flowing garments. The ground below is filled with contorted figures. The background is sparse with minimal indication of a mountainous landscape. The lines create a sense of tension and turmoil.

Justice, Vengeance, and Truth

Chifflart, François-Nicolas

The image shows a landscape with a high horizon line. Sparse foliage and scattered trees are depicted with loose charcoal strokes. Sweeping horizontal lines indicate the vast expanse of the terrain. The color palette is monochromatic, ranging from deep black to light gray.

A View across the Park, Chatsworth, Derbyshire

Burgess, John

Benjamin West Medal Commemorating Those Who Subscribed to Purchase the Painting "Christ Healing the Sick in the Temple" [obverse]

Mills, George

The image displays swirling organic shapes with flowing lines resembling marbled patterns. Circular and oval forms akin to stones or bubbles move across the surface. The left side and corners have dark brown areas similar to aged leather. Vibrant colors like teal, green, and maroon blend in the central area to create a painterly wave or rippling water surface.

Fables (volume II)

Blake, William

The image shows a person in a crouched position with knees bent, arms extended forward as if bracing for a fall. The individual has short hair and is wearing a long coat, pants, and shoes. A stick or cane is on the ground next to them. The background includes trees, ground details, and a decorative frame.

Peter Schlemihl Chasing His Shadow

Schrödter, Adolf

The image shows a valley surrounded by mountains, with cliffs blocking the horizon. The painting has loose brushstrokes in an impressionistic style, using a muted color palette. Vegetation is depicted in various greens, while rocks are shown in browns and grays. The sky is a pale color. A figure in dark clothing is seated on a slope, looking at the landscape, with trees and shrubs around them. Further away, there are cliffs with greenery, creating a dramatic backdrop.

A Seated Man Contemplating a Sunlit Mountain Valley

Alt, Jakob

Omar Pacha

Fenton, Roger

This is a painting of a group of figures and sheep under a tree in the style of William Blake. The image features a collection of figures arranged in an arc, each holding musical instruments like harps, lyres, and trumpets. The figures are painted in flowing robes, suggesting a harmonious gathering. The scene includes sleeping sheep in the foreground, and the night sky above with a crescent moon and a single star. The painting uses muted, watercolor-like tones.

Job and His Family Restored to Prosperity

Blake, William

Saint-Mémin Collection of Portraits, Group 32

Saint-Mémin, Charles B. J. Févret de

Wellington Van Reid

American 19th Century