1751 to 1775

69 works

The image depicts an oval portrait of a woman from the chest upwards. She is shown in a three-quarter view, facing slightly to the right. The woman has delicate facial features and a youthful appearance, with dark hair styled in an elaborate updo typical of 18th-century fashion. She wears a gown with a low neckline and some white lace peeking out, in a muted brownish color. The background features a softly blended gradient of earthy tones. There are no visible accessories in the image.

Lady Holland (Lady Mary Fitzpatrick)

Hamilton, Hugh Douglas

Lapides Capitolini; Le Rovine dell Castello dell'Acqua Giula; Antichità di Cora

Piranesi, Giovanni Battista

This is a photograph of an engraved metal printing plate. The image shows a metal plate with raised, inverted text meant for printing. The design also includes a dragonfly and abstract shapes. The edges of the plate show signs of use and oxidation. The text is clearly engraved into the metal, with intentional calligraphic flourishes.

Electrotype plate made from fragment of Blake's cancelled plate for "A Prophecy"

Anonymous Artist

The image shows a landscape with a small body of water reflecting the surrounding trees. The horizon is low, marked by trees at the water's edge. The scene includes lush green trees and shrubs with expressive brushstrokes creating depth. The color palette is earthy, with rich greens of the trees contrasting browns and yellows of the water. The sky is a pale gray with hints of warm tones. Brushstrokes suggest an impressionistic style emphasizing the serene natural setting.

Reflections in a Wooded Pool

Hills, Robert

This is a photograph of a closed, old hardcover book with a brown leather cover. The image shows the front cover of the book, bound in textured brown leather. The cover has a rich hue with dark speckles, indicating wear. The edges are slightly worn, suggesting usage. A sheet of yellowed paper is peeking out from the book. The image emphasizes the material qualities of the leather.

Universae Architecturae Civilis Elementa...; Materia Tentaminis Publici...

Rieger, Christian

The image shows a close-up view of several children's faces. The children are positioned closely together, facing in various directions with different expressions. They have youthful facial features with plump cheeks and expressive eyes. Their hair varies from curly to straight, and some wear hats or head coverings with ribbons or flowers. The children are dressed in period clothing with collars and frills, including one child wearing a necklace with a cross pendant. The background is a plain cross-hatched pattern.

Nine Children's Heads

Schenau, Johann Eleazar

The image shows a landscape with a town in the distance. The town sits on a plateau or hill, surrounded by vegetation. Detailed line work depicts rocks, plants, and trees. A figure stands on a path near foliage and rocks. The sky has wispy clouds.

Tivoli

Dies, Albert Christoph

The image shows a large dark blue eel among tall, slender, branching coral structures. The eel is dark blue and black, while the coral is golden brown against a light background. The eel's head is on the left, with its body winding through the coral branches that rise vertically in the image.

The Black Muray (Muraenae helenae varietas)

Catesby, Mark

A young woman with light skin stands in a garden, wearing a voluminous, full-length, silvery, shimmering gown in this vertical portrait painting. Her body faces us, as she looks into the distance to our left. She has rosy cheeks, gray-green eyes under gently arched, light brown brows, and her coral-pink, thin, closed lips curve in a slight smile. Her ash-brown hair is pulled back and adorned with tiny shell-pink and azure-blue flowers along the left side top of head, to our right. A pleated lace ruffle encircles her smooth neck. Her gown is parchment white where the light glints off the stiff fabric and is silvery gray in the shadows, creating a silk-like sheen. The dress is cut low across the chest, fits tightly around her narrow waist, and has puffy sleeves tied at the elbows with topaz-blue bows. Another blue bow is tied at her chest, and the ends wrap around her back along her waist. A corsage at her left shoulder, to our right, is a profusion of white flowers around a pale pink rose. In her other hand, to our left, she holds a straw hat with a shallow crown and a wide brim, trimmed with sky-blue ribbon. The arm holding the hat is nearly engulfed in the deep folds of her full skirt. She holds a pink rose in her other hand, which rests on the lip of a shiny, copper-colored urn filled with pink flowers and delicate green leaves. On that wrist she wears a bracelet with four strands of white pearls holding a cameo. She stands on a pale, dirt ground. A teal-blue bench in the lower left corner of the painting is tucked into sage-green shrubbery. Sprigs of pink roses are strewn across the seat and on the ground. The woman is framed to either side with olive and celery-green trees and vegetation, which blend into the hazy distance beyond her head.

Madame Bergeret

Boucher, François

This is a drawing of a title page for a book about ancient Rome. The title page showcases a collection of ancient Roman monuments, with an illustration of classical ruins, columns, and architectural fragments. The typography is elegant, with the title in uppercase letters. The page attributes the work to Monsieur Barbault, a painter, and former pensionnaire of the king in Rome, and references the publication location of Rome by Libraires François.

Les Plus Beaux Monuments de Rome Ancienne Ou Recueïl Des Plus Beaux Morceaux De L'Antiquité Romaine Qui Existent Encore: Dessinés Par Monsieur Barbault Peintre Ancien Pensionnaire Du Roy a Rome, Et Gravés en 128 Planches Avec Leur Explication.

Nolli, Carlo

The image shows a landscape captured from a slightly elevated perspective. The horizon is suggested by distant hills and sky, partially obscured by clusters of lush trees. There is no distinct line for the horizon, as it blends with the tree line and distant mountains. The style of the piece features intricate engravings, capturing detail and texture of a rocky cliff and dense foliage. The scene is in monochrome, primarily black and white. In the bottom right corner, a person stands near a large rock. A river winds into the scene from the middle distance. Trees with detailed leaves dominate the image, with some clouds visible in the background.

Ponte Lupo a Tivoli

Dies, Albert Christoph

Les Graces

Various Artists

The image displays a person reclining on a fabric-covered surface. The individual is lying on their side, propped up by their left arm, with their right arm resting on their side. The person has closed eyes and a serene expression, with styled hair and is unclothed. They are surrounded by soft folds of fabric, with a textured pattern in the background.

Reclining Female Nude

Bonnet, Louis-Marin

The image shows a close-up portrait of a person's upper torso and head. The person is positioned at a slight angle, with their head turned towards the viewer. They have delicate facial features, including softly arched eyebrows, large eyes, a straight nose, and slightly parted lips. The individual has light-colored, curly hair styled back with a ribbon visible at the back of the head. They are dressed in historical clothing, possibly a high-collared garment or cape. The background is plain and neutral, emphasizing the subject's facial features and expression.

Head of a Gentleman [recto]

Ducreux, Joseph

The image features a bustling port scene with a wall and buildings alongside a harbor. The perspective is slightly elevated, showing a horizon about a third of the way from the top. The artwork uses detailed brushstrokes to depict architectural features. The color palette is subdued with shades of brown and sepia. The foreground shows people, carts, and timber stacks, while in the background there are docked ships and various buildings with flags and a statue.

View of Livorno

Uggeri, Angelo

This is an ornate wooden table with multiple compartments and intricate gold detailing. The table is designed with a polished wood finish with decorative inlays and carvings indifferent shades of orange and reddish-brown wood. It is turned slightly to the left so that we get a view of the front and one of the sides. It features several drawers and compartments that are partially open, revealing felt-lined interiors. The central compartment has a lid that flips open, revealing a narrow compartment with a slanted bottom. The table has curved legs with decorative gold metal mounts at the joints and feet.

Combined Toilet and Writing Table (toilette à transformations)

Leleu, Jean-François

This is a photograph of a brown leather book cover. The image captures a close-up view of a textured, brown surface that appears to be a leather cover. Signs of wear are visible, including slight scuffs and darker edges. The texture of the leather is evident, showing variations in tone and color.

The Temple Builder's Most Useful Companion being Fifty Entire New Original Designs for Pleasure and Recreation; Consisting of Plans, Elevations, and Sections, in the Greek, Roman and Gothic Taste

Overton, Thomas Collins

Politician

Sherwin, John Keyse

Head of a Man

Robert, Hubert

This is a drawing of a crucifixion scene with multiple figures involved. The image shows a lifeless body being lowered from a large wooden cross by a group of individuals. The figures are clothed in flowing garments, conveying a moment of mourning and solemnity. There is a ladder leaning against the cross with individuals positioned on and around it. On the ground, a skull and bones are visible. The background includes a cloudy sky and an additional pair of crosses. The drawing evokes a sense of drama and emotion through its use of shading and composition.

Descent from the Cross

Charpentier, François-Philippe

This painting depicts a seated woman looking off to the left, resting her head on her right hand, our left, with her elbow on an abstract green surface. She has a fair complexion, a long nose, pale eyebrows, pale lips in a neutral expression, and reddish-brown hair styled up with a blue clip. She is wearing a pale mauve dress and shawl with a deep neckline, blue-green ribbon details, and puffed sleeves. A thin black belt is tied around her waist and there is a silver bracelet on her forearm. The background is painted in soft shades of blue and green, with a few highlights of pale yellow. An inscription in gold lettering in the top left corner identifies her as "Annetta D. of Edward Coke, wife of Lewis Cage of Milgate Kent."

Annetta Coke

Reynolds, Joshua, Sir

Les Saisons: poëme

Saint-Lambert, Jean-François de

The image shows a wooded area with a clearing surrounded by trees. There is a stone column faintly visible through the branches. In the center is a large stone structure with a reclining statue among the trees. The artwork features intricate etching with fine lines conveying texture. The color palette is monochromatic using shades of gray. A winding path is visible in front of the trees with two small deer.

In villa Borghese

Reinhart, Johann Christian

The image features two illustrations. The top illustration shows a detailed architectural drawing of a stone block with labeled sections and parts marked with letters. The perspective is from a slight angle, emphasizing the three-dimensional aspect and showcasing architectural elements like channels and holes. The drawing style is technical and precise, with clean, deliberate lines defining the structure. The bottom illustration depicts an ancient ruin, potentially part of a coliseum or amphitheater. The perspective is from a low vantage point, looking up towards the structure. A series of arches guide the eye towards a tall tower in the middle, with additional buildings and vegetation in the background. The brushstrokes are expressive, creating a textured, cross-hatching effect to indicate the aged and overgrown nature of the ruins. The color palette is monochromatic, using contrasts of light and dark to convey depth and detail, similar to etchings or engravings.

Le Antichità Romane (volume I)

Piranesi, Giovanni Battista

The image is an engraving showing a point of view from slightly above ground level, looking towards a cylindrical stone structure surrounded by lush trees and vegetation. The horizon is just above the middle of the image with tree tops and a distant building visible. Intricate engravings detail the stones, foliage, and clouds. The color palette is monochrome with varying shades of black and white. A path winds through the landscape with a figure on horseback traveling along it. The circular ruin is prominent, with trees framing it on both sides, leading to a distant architectural structure in the background.

Sepolcro volgarmente detto degli Orazii e Curiazii a Albano

Reinhart, Johann Christian

The image shows an elevated view of a narrow waterway flowing between rocky cliffs. The horizon is high in the composition, with distant mountains and a sky filled with clouds. The style features detailed engravings on the rocks and foliage. Near the water, a person and livestock are resting. The waterway continues between cliffs and vegetation into the distance. The color palette is monochromatic, using shades of grey.

Cascatella di Tivoli

Dies, Albert Christoph

This is a drawing of an elaborate architectural structure featuring grand arches, columns, and detailed stonework. The design includes large arches, columns, circular medallions, arched windows, and a colonnade leading into the depth of the structure. In the distance, an obelisk-like structure is visible. The drawing uses cross-hatching and bold lines to define depth and form.

Fantasy on a Magnificent Triumphal Artch

Piranesi, Giovanni Battista

This is a drawing of a scene involving a tree, a snake, and human figures. The drawing depicts a scene beneath a large tree full of fruit. A cloud-like formation emerges from the tree with a figure sitting on it and pointing downward. Below, two figures interact with the environment. One figure stands with folded arms, while another sits on the ground and gestures. A serpent is seen nearby. The style of the drawing is detailed and intricate, focusing on line work and shading to convey texture and depth in the figures, tree, and forms. Text at the bottom of the artwork suggests a narrative.

God Commanding Adam and Eve

Palko, Franz Karl

Young Woman, Old Woman, and Man with Long Hair

Schenau, Johann Eleazar

This is a drawing of various mythological figures and animals in a whimsical scene. The scene features elegantly dressed women and mythical creatures among trees and animals. Some figures appear to be floating or perched in a theatrical setting, with cherubic figures carrying a large drape. On the ground, there is a lively gathering with dogs, food, and drink, creating a sense of festivity and merriment. The image uses bright and soft colors to convey a playful and dreamlike quality. The figures are attired in green and pinks, enhancing the festive atmosphere.

Diana Resting after the Hunt

Enderle, Johann Baptist

This is a drawing of an ornate decorative page dedicated to Elisabetta Petrowna, the Empress of all Russias. The page features a sonnet beneath the title, embellished with detailed illustrations. Cherubs hold a draped fabric at the top center, with the left and right borders adorned with scrolls and floral motifs. At the bottom left, there is a depiction of an angelic figure seated with a trumpet, looking upward. Another cherub rests on ornate scrollwork at the bottom right, near an Italian inscription. The artistry of the page displays a blend of baroque ornamental elements, emphasizing luxury and grandeur in its classical design.

La Divina Commedia

Dante Alighieri

Two Women's Heads

Flaxman, John

This is a drawing of four figures arranged in a slightly circular composition. One figure is seated on a piece of furniture with curved legs, draped in fabric and gesturing with an upward-pointing hand. Next to this figure is a partially clothed figure seated on what appears to be fabric. To the left of these figures is a naked standing figure with a muscular build, seemingly in dialogue with the seated draped figure. On the right is another unclothed figure with wings, seated in a relaxed position. The style of the drawing is reminiscent of classical and renaissance studies, characterized by delicate and precise line work on a textured paper background.

Gods and a Goddess in Conversation

David, Jacques-Louis

Mrs. Thomas Horne

Cotes, Francis

The image depicts an engraving showing a hilly terrain leading to a town. The view is from an elevated position looking down towards the distance. The horizon is low, with architectural features such as domes and spires indicating a cityscape in the far distance. The sky is prominent, filled with textured clouds rendered in a detailed linear style typical of engravings. The color palette is monochromatic, with varying shades of gray creating contrast between the buildings, sky, and activities of the people in the foreground. Individuals are shown engaged in various activities on the hilly terrain, providing scale and human presence to the landscape.

Prisco onor pur dura...

Wagner, Joseph

Roll-top Desk (Bureau à cylindre)

Riesener, Jean-Henri

The image depicts an ancient ruin surrounded by trees and vegetation. The perspective is slightly elevated, showing the ruin, greenery, and hills in the distance. The artwork features intricate details of stone, foliage, and texture, using a monochromatic color palette of various shades of gray. Closest to the viewer are remnants of classical architecture partly covered by greenery, leading to a landscape with dense clusters of trees and a cloudy sky.

Avanzi della Bibliotheca in Villa Adriana

Reinhart, Johann Christian

This is a drawing of the facade of a theater building. The image shows a detailed architectural illustration of a building with classical elements such as arches and columns, featuring two levels of evenly spaced windows with decorative pediments above each. The Italian text around the drawing indicates that this is the design or plan of a "new theater" in Bologna, dedicated to Count Girolamo Legnani by Lorenzo Capponi. The typography and style of the text reflect a formal and historical presentation, possibly indicative of an 18th-century document.

Pianta e spaccato del nuovo teatro di Bologna

Capponi

Sir Joshua Reynolds, 1723-1792, Painter [obverse]

Kirk, John

The image displays a landscape from a slightly elevated viewpoint. The horizon is not distinct, with a dense cluster of trees and vegetation covering undulating terrain. An ancient stone bridge with sturdy arches and an aged appearance is in the middle ground, partially obscured by greenery. The bridge spans a small rocky stream. In the foreground, some cattle are grazing near the water. The brushstrokes are delicate and precise, capturing details like leaves, stones, and the bridge's texture. The monochromatic palette is mainly black, gray, and white, highlighting contrasts and depth in the landscape.

Ponte Acquoreo a Tivoli

Reinhart, Johann Christian

The image depicts a detailed architectural view from an elevated position, showcasing a grand basilica and its surrounding structures. The horizon is above the clustered buildings, highlighting the facades and the sky with clouds. The architectural style is characterized by intricate line work, with classical columns and statues on the facade. The color palette includes shades of black, white, and grey. People are gathered on the left, with a path leading to the centrally positioned basilica. In the distance, there are more classical buildings or ruins.

Les Plus Beaux Edifices de Rome Moderne...

Montagu, Domenico

William Henry Cavendish Bentinck, 3rd Duke of Portland

Pratt, Matthew

The image depicts a figure standing upright. The person is holding a scroll in each hand and is facing slightly to the left. The facial features are classical, with a serene expression. The person has long, wavy hair partially covered by draped fabric. The clothing is flowing and layered, resembling classical Greco-Roman attire. No visible jewelry is present. The background is plain and unadorned, with subtle shading.

Orante from the Villa Medici

David, Jacques-Louis

The image shows four black-and-white etchings of elderly men. Each etching features the upper body of a seated man, highlighting the face and shoulders. The men have long, bushy beards, deeply set eyes, and aged facial features. They wear different styles of hats: simple floppy hats in two etchings, and more embellished headgear in the others. The men wear heavy, draped clothing, possibly robes or cloaks, with fur trims on one figure. Two men hold writing instruments and parchments. The background is plain with shading for depth.

Raccolta di teste (Parts I and II)

Tiepolo, Giovanni Domenico

The sketch displays a full-length figure of a person standing in a gentle, fluid pose. The individual is shown in a classical draped stance, with one arm extended forward and the other near the chest. The facial features are softly sketched, with a slightly tilted head. The person's hair is styled in a swept-back manner. They are dressed in traditional draped garments with no visible jewelry or objects held. In the background, a lightly sketched architectural element or column is visible. The image is drawn in soft pencil on a plain background, highlighting the lines and folds of the clothing.

Woman in Toga [verso]

Robert, Hubert

The image shows swirling lines and shapes creating an intricate pattern on the surface, resembling marbling. This pattern can be associated with natural forms, like water movement or cloud swirls. It features colors such as green, gray, and yellow, enhancing its organic appearance. The design conveys dynamic movement within the still image, echoing familiar elements.

Scelta di XXIV Vedute delle principali Contrade, Piazze, Chiese, e Palazzi della Città di Firenze

Zocchi, Giuseppe

This is a drawing of a garden scene. The image shows elegantly dressed individuals dancing and socializing outdoors. The setting includes lush foliage, architecture, and a house with classic European design features. The figures are joyful, engaging in dancing and socializing near a table. There is musical accompaniment in the background, creating a celebratory mood in the garden party setting.

The Tavern

Basan, Pierre-François

The image shows swirling lines and rounded shapes blending together in an abstract design. The lines and shapes overlap in a pattern with various colors including pale pink, muted green, soft yellow, and dark accents. The design resembles fluid movements found in nature, such as water currents or wind flow, portrayed in pastel tones.

One hundred and fifty new designs by Thos. Johnson carver, consisting of Ceilings, Chimmney Pieces, Slab, Glass and Picture Frames (etc.)...the Whole well Adapted for Decorating all kinds of Ornamental Furniture, in the Present Taste

Johnson, Thomas

This is a tapestry of people in flowing garments in a pastoral landscape. At the center of the tapestry, a man in a red garment reclines, his eyes closed. He holds a plumed golden helmet on his knee and wears golden sandals. Around him, a crowd of people sitting or lounging on the ground turn to look at him, some pointing. All of the people have light skin and pale-yellow hair. The scene includes musical instruments, white sculptures, vessels spilling water, and many pink flowers among green leaves. Some sections of the tapestry, especially around the center, are bright white. The scene is surrounded by a golden border.

Dream of Rinaldo

Besnier, Nicolas

The image depicts architectural diagrams and cross-sections of wooden structures. The drawing displays detailed illustrations and cross-sections of roof construction, including various aspects, sections, and elements. Technical information about structural components like beams, columns, and trusses are provided through labels and measurements. The sections are neatly organized within boxes, potentially representing different perspectives or construction stages. The style is technical and precise, typical for architectural drawings used for educational or construction purposes.

Della Magnificenza ed Archittetura; Osservazioni; E Parere su l'Architettura

Piranesi, Giovanni Battista

This is a drawing of an interior scene featuring two figures. One figure is elaborately dressed and standing, holding a container, while the other is reclining beneath a canopy. The setting includes columns, drapery, and another figure in the background. The drawing is detailed with fine lines and contrasting elements.

Second Day, Seventh Story: The Duke of Athens Contemplating the Sleeping Princess Alatiel

Gravelot, Hubert François

This is a drawing of a cover page. The cover features a title in bold red and black text, promoting a collection of images of Rome. It names Giambattista Piranesi as the architect, with Giovanni Bouchard as the collector. Below the text, there is an illustration of an ancient Roman architectural ruin set amidst trees and natural surroundings, with detailed textures and grand columns. The drawing is detailed with a sense of depth, capturing the ambiance of Roman architecture.

Le Magnificenze di Roma Le Più Remarcabili Consistenti In Gran Numero di Stampe Nelle quali vengano rappresentate le più cospicue Fabbriche Di Roma Moderna, E Le Rimaste Dell' Antica, Anche Quelle, Che Sparse Sono Per L'Italia Con L'Aggiunta Ancora Di Molte Invenzioni Si Prospettiva Sulla Maniera Degl' Antichi Romani, Come Anche Di Molti Capricci Di Carceri Sotterranee. Il Tutto Com Singolar Gusto, E Studio Diligentemente Delineate, Inventate, Ed Incise Da Giambattista Piranesi Architetto Veneziano, E Raccolte Da Giovanni Bouchard Mercante Librajo Al Corso

Polanzani, Francesco

The drawing depicts various sketches of people in different poses and positions. The top left sketch shows an individual looking to the side, with a hat and distinct facial features, including a prominent nose and an open mouth. The person is shown with a hand raised. Adjacent sketches show heads and shoulders of other individuals in various positions. One person appears to have curly hair, while another has straight hair pulled back. The expressions are neutral, with detailed eyes and subtle mouths. Some figures exhibit facial profiles or angled views, emphasizing cheek and jaw contours. One person in the lower section appears to be leaning forward with a headband holding back curly hair, observing something below, possibly a woven basket. The attire suggests loose-fitting garments. The scene is sketched in sepia tones, with minimal background detailing, focusing more on the figures and their facial expressions and interactions. The background is plain and unadorned, accentuating the pencil or ink sketch work on the pale surface.

Sheet of Studies

Stothard, Thomas

The image shows a full-body sketch of a reclining person on their back, with the head turned slightly to the side. The person is lying with one leg bent at the knee and the other leg extended, while their arms are positioned across the torso. The facial features are softly defined, with closed eyes and the hair appears curly and styled up, though details are subtle. The individual is depicted without clothing, drawn with gentle lines and shading that capture the contours of the body. The surrounding area features a simple, textured background without any additional objects or decorations.

Venus

Boucher, François

This is a drawing of an elaborate baroque-style title page. The image features a highly ornate decorative border with swirling acanthus leaves and floral motifs around a central block of text. At the top, an opened book with Latin text is supported by a cherubic figure, with rays of light emanating from it. Additional cherubs on clouds enhance the composition. The text is inscribed in both Latin and German. This design showcases the detailed printmaking techniques of the period, emphasizing grandeur and formality.

Picturae Chalcographicae Historiam Veteris et Novi Testamenti

Kilian, Philipp Andreas

The image shows an elevated viewpoint of a landscape with trees, a rocky structure resembling a tomb or ruin, and a clear sky with dramatic clouds. A figure on horseback leads a herd of goats across a rocky path. The grayscale color palette creates a serene atmosphere, highlighting details in vegetation and stone. The etching technique captures natural textures and forms, conveying an atmosphere of antiquity.

Sepolcro a Falerium città Etrusca ditrutta

Reinhart, Johann Christian

The image shows ancient ruins in a lush, vegetated landscape. Stone columns and arches are arranged in a semi-circle towards the right. Two figures converse near a large stone slab in the foreground. Other architectural remnants are visible behind them. The scene is captured in detailed black and white engraving, showcasing textures in the stone and foliage.

Nel Colosseo

Reinhart, Johann Christian

From a point of view over the water, we look across a bustling canal at a bridge, which is flanked by rows of buildings to each side in this horizontal painting. At the center of the composition, the pink stone bridge spanning the canal is edged with white stone along its three arches and the top of its stepped deck. At least fifteen people standing or walking along the bridge are painted with touches of dark red, brown, pale yellow, ice blue, white, and black. The canal is busy with gondolas and other small boats, each rowed by standing people with oars. Some boats have covered compartments while others are open with seated passengers. On either side of the canal, tightly packed buildings rise two to five stories high. The architecture includes arched windows, small balconies, and laundry hanging from lines. The colors of the buildings range from pale tan and ochre to darker reds and browns. The street-level areas are active with people walking, talking, or boarding boats. The horizon comes just under halfway up the composition. The sky above is blue with soft, streaked clouds, and sunlight illuminates parts of the scene, casting shadows along the buildings and water.

View on the Cannaregio Canal, Venice

Guardi, Francesco

In this painting, several people dressed in classical attire are gathered around a man on the right, who is wearing a laurel wreath. He appears to sit on an ornately carved throne or chair, and a small brown-and-white dog sits by his feet. His brow is furrowed, and he rests his head on his hand. He is wrapped in a rich yellow cloak lined with white fur. Several people are gathered around him, some in silver armor. Behind the group are two large white columns on the left, and on the right is a draped purple curtain. Behind the columns, blue sky and distant hills are visible.

Alexander Condemning False Praise

Mura, Francesco de

The image shows an aerial view of an old village on rocky terrain with a waterfall flowing into a pool below. Stone buildings and ruins are visible in the distance. The scene includes intricate linework and cross-hatching techniques, creating a textured look. The color scheme is monochromatic, emphasizing the contrast between the water and rocks. Vegetation adds to the dynamic feel of the scene.

Situatione del Tempio di Vesta a Tivoli, dirimpetto la Cascata

Dies, Albert Christoph

The image features a sculpture of three figures wearing crowns, standing on a pedestal. They wear flowing garments resembling Roman togas and hold a garland. The figures are large and grand, surrounded by architectural elements like columns with ornate designs. Above them is a medallion flanked by cherubs. The monochromatic sculpture appears to be made of stone, exuding a sense of classical elegance.

Descrizione delle feste celebrate in Parma l'anno MDCCLXIX per le auguste nozze di Sua Altezza Reale L'Infante Don Ferdinando colla Reale l'Archiduchessa Maria Amalia.

Various Artists