← All periods

1551 to 1600

63 works

The image is a portrait of a man with curly hair, a beard, mustache, and distinct facial features. He is wearing an ornate garment with a lace ruff, intricate patterns, and a fur shoulder guard. The portrait is framed and features engraved text and a background of fine cross-hatched lines.

Sir Anthony Shirley, Traveler and Ambassador to Persia

Custos, Dominicus

The image shows a person standing next to a donkey. The person has long hair and a beard, and is wearing a red hat and a violet tunic. They are barefoot and have one hand resting on a shovel buried in the ground. The donkey is kneeling and carrying various items on its back. The background features a rural landscape with hills, trees, and a building under a cloudy sky.

Issachar

Sadeler I, Jan

A mostly nude young woman with pale skin leans, half-sitting, back on one hand while she reaches for a silver vessel held by a second woman in this vertical painting. The woman who offers the vessel also has light skin, and both have auburn-brown hair bound up and interwoven with strands of pearls. The body of the woman at the center of the painting, Susanna, faces us and she turns her head to our left, to look at the vessel with shaded, dark eyes. She has a straight nose, and her ruby-red, full lips are closed. A glint on one earlobe suggests a jeweled earring behind curls that frame her face and brush her shoulders. She has small, firm breasts and wears a bronze-colored bracelet on each wrist. Crimson-red cloth hangs from the backs of her shoulders and drapes over her seat. Sheer white fabric covers her lap across her upper thighs. The toes of one foot rest on the ground while the other foot dips into the water of a pool. The other woman, holding the round vessel, faces away from us as she leans into the painting so only her head, shoulders, and arms are visible. Her dark pink sleeve wraps around the upper arm we can see, and she wears a gold-colored bracelet on that wrist. A swath of brick-red fabric hangs between the two women. A dark, shadowy bush dotted with deep pink roses fills the space behind Susanna and, in the distance to our left, two people stand under an arched trellis covered with vines. Wearing light-colored robes and hoods, the people in the distance are painted with silvery gray and cream white, and are translucent against the sky.

Susanna

Tintoretto, Domenico

This is a photograph of an etched metal plate. The image shows an intricately engraved scene on a rectangular sheet of metal, possibly copper or brass. The etching includes figures holding arrows or other tools, along with swirling patterns resembling clouds or smoke. The work displays detailed craftsmanship that is best appreciated up close, illustrating how images were historically printed.

Wrath

Aldegrever, Heinrich

This is a drawing of three winged figures in a dynamic composition. The drawing depicts three angelic figures with wings, rendered in shades of brown and white. One figure kneels in the foreground with a forward-leaning posture, while another stands behind with slightly open wings, and a third is positioned horizontally in flight. The figures are executed with strong outlines and flowing lines. The background is minimal and the use of white highlights gives a sense of luminosity to their forms.

Christ in Gethsemane

Zanguidi, called Bertoia, Jacopo

The sculpture depicts a standing nude female figure holding chains attached to two dogs. The woman is looking downwards towards one of the dogs. The sculpture is made from a smooth, ivory-colored material with a polished surface. Relative to us, the sculpture is small and detailed, capturing intricate elements such as the woman's facial features, hair, and the muscles and posture of the dogs around the woman's feet.

Diana with Her Hounds

Kern, Leonhard

The image shows a half-length portrait of a woman depicted in the form of a bust within an oval frame. The woman is positioned centrally, facing directly forward. Her facial features include closed eyes and a calm expression, and her hair is covered with a cap adorned with lace. Around her, she wears a dark drape and under it, a dress with a high lace collar. Above the portrait, an angel with wings is positioned, looking down towards the oval frame, and a hand is resting on top of the frame. The angel's hair is curly and flows to the shoulders. The setting includes a large, decorative architectural element resembling a pedestal or monument supporting the frame. Above this, an opened book with a quill and some sort of horn rest over it. The background features a scene with clouds and appears to depict a landscape with trees and hills extending into the distance. Latin inscriptions are present around the image, providing textual context.

Anne Bill

Anonymous Artist

The image depicts six moths and a small insect arranged in a circular formation within an oval frame. The color scheme consists of earth tones such as browns, beiges, and muted yellows with soft shading. The moths vary in color and pattern, with one positioned to the upper left, a darker moth in the top center, and a cream-colored moth with spots to the upper right. In the lower section, there is a moth with pinkish-brown wings on the left, a central moth with golden wings, and a darker moth with lighter patches on the lower right. A small insect is located directly beneath the central moth, near the bottom of the image.

Plate 31: Seven Moths

Hoefnagel, Joris

Christian IV, King of Denmark

Passe I, Crispijn van de

This is a photograph of a ceramic vessel. The vessel is a tall, pyramid-shaped object with a narrow neck and a wide base decorated with a colorful glaze featuring intricate, ornate designs. The surface of the vessel is adorned with highly detailed and decorative motifs including mythical figures, scrollwork, and creatures, with a central humanoid figure on one side. The vessel includes handles on each side, with a snake-like design coiled around them. The color palette consists of rich blues, yellows, and greens.

Quadrilateral flask with Saint John the Baptist and grotesques

Patanazzi Workshop

This is a drawing of two ornate fountains. The drawing depicts two intricately designed fountains. The fountain on the left features a central column with sculpted birds that act as spouts, allowing water to flow from their beaks. It is composed of multiple tiers with elaborate leafy decorations that resemble cascading water. On the right, the fountain boasts an ornamental urn at the top, surrounded by scrollwork and floral motifs. Both fountains sit on pedestals and are drawn with fine lines and shading that give them a three-dimensional appearance.

Two Fountains

Italian 17th Century

The image depicts a man standing in a strong and authoritative position. He is facing slightly to the side, with one hand on his hip and the other holding a scepter. His facial features are defined, and he sports a full beard. His hair is obscured by an ornate helmet adorned with a colorful, feathered plume. He is wearing a golden chest plate and a short, decorative skirt with patches of red and gold. A blue cloak is draped over his shoulders, fastened with a decorative clasp. His sandals are strapped up to his calves, and he stands with one foot forward showcasing muscular legs. Surrounding him is a landscape of green hills leading to a distant medieval town with castles. Majestic snow-capped mountains rise in the background. At his side sits a large, imposing lion, calm but alert, with a detailed and flowing mane. The scene is bordered by text.

Juda

Sadeler I, Jan

This is a photograph of a bronze medallion. The medallion features a sculptural relief of a female figure holding a branch with leaves. The background showcases a landscape with structures resembling a castle or city. The perimeter of the medallion bears an inscription in Latin. The surface has a warm patina, highlighting the design details against the dark background.

Daphne Transformed into a Laurel Tree [reverse]

Galeotti, Pier Paolo

Round Dish with the Wedding Feast of Cupid and Psyche

Round Dish with the Wedding Feast of Cupid and Psyche

Limousin, Leonard

The image depicts an architectural scene from an elevated angle. The composition leads the eye towards building structures that recede into the distance. Several towers, columns, and sculptural figures are visible. The brushstroke technique is linear and precise, with an etching style. The color palette is monochromatic, focusing on black and gray shades. The painting shows columns, a statue, arches, spires, and decorative elements. Faint outlines of other structures are visible in the background.

Square with a Circular Building on the Left and an Obelisk in the Background

Doetechum, Lucas van

The image shows a figure with a staff and a textile, surrounded by playful dogs. In the background, there are hills, mountains, and trees. The style is linear and delicate, with fine lines detailing the figures and natural elements. The color palette is monochrome, using sepia-like tones on a light background.

The Huntress

Callot, Jacques

Giulio Nobili, 1537-1612, Florentine Senator [obverse]

Poggini, Domenico

The sculpture portrays the face of a cherubic figure with rounded cheeks and a subtle smile. The face is framed by a circular design featuring a leaf and flower pattern. The sculpture is primarily golden with darker patches underneath. The surface texture is uneven, emphasizing its three-dimensional quality. The proportions of the face are slightly exaggerated, giving it a mythical appearance.

A Child's Head

Italian 17th Century

The image shows a man standing confidently, with a robust build, muscles, and a full beard. He wears an ornate helmet with a large, colorful plume and a short blue skirt-like garment. A red cape drapes over his shoulders, leaving his upper body exposed. He holds a sword, pointing downwards, with armor pieces on the ground nearby. The background shows a landscape with a winding river, greenery, and a distant castle, under a lightly cloudy sky.

Gad

Sadeler I, Jan

The image shows an etching of a man from the waist up. He is facing slightly to his left and has distinct facial features: high forehead, arched eyebrows, prominent cheekbones, beard, mustache, and short, combed-back hair. He is wearing ornate armor with intricate designs, along with an elaborate ruff around his neck. The background includes text "FRIDERICVS II. D. G. DANIE. NORVEGIAE. & C. REX. OBIIT. A. 1588" encircling an oval border framing the image.

Frederick II, King of Denmark and Norway

Goltzius, Hendrick

This is a painting on ornamental pottery. The artwork is on a decorative ceramic plate depicting a scene within an arched architectural setting. The detailed artwork includes elements of Renaissance-era attire and architectural forms. The background features a brick archway, buildings, and a blue sky with clouds. In the foreground, a group of figures is gathered in a dynamic arrangement. The figures are dressed in colorful period costumes, with one figure seated on an ornate chair. Rich drapery in blue and white stripes hangs on the right side. This style is reminiscent of Renaissance majolica ware, known for its vivid colors and narrative scenes.

Molded dish with Joseph's robe being presented to his father

Urbino 16th Century

This is a drawing of an ornate book page. The page is the title page of a biographical work about Michelangelo Buonarroti, written by Giorgio Vasari. The page's layout is centered with the title "VITA DEL GRAN MICHELAGNOLO BUONARROTI" prominently displayed. An intricate decorative border frames the page, featuring illustrations of cherubic figures on either side, with ornate scrollwork and a coat of arms at the top. Below, there is a small depiction of a cityscape labeled "IN FIORENZA." The text and imagery are printed in a classic typographic style, typical of the Renaissance period, with additional information about the text being produced by "Nella Stamperia de' Giunti 1568."

Vita de' gran Michelagnolo Buonarroti

Vasari, Giorgio

The image depicts a study of two male figures showing their back and waist up, focusing on the muscular anatomy. Both figures have broad shoulders and defined muscular backs, with detailed attention given to the curvature and tension of the muscles. They are in seated positions, slightly turned to the side. The drawing does not show their heads in full detail, but some facial features such as the outline of the jaw and part of the ear can be seen. The hair is suggested by flowing lines. The sketch is rendered in a reddish-brown medium on a textured, light background, possibly paper. The background is plain, and there are visible stains and marks on the paper.

Two Nudes

Italian 17th Century

Pietro Lauro, born 1508, Modenese Poet and Scholar [obverse]

Master I.A.V.F.

The image shows a courtyard with columns, arches, a balustrade, statues, and a tower in the distance. The scene is depicted with meticulous detail using a monochromatic color palette of shades of gray to emphasize light and shadow. A fountain with intricate details sits at the center, with open walkways leading to more secluded areas.

Palace Courtyard with Fountain in a Rectangular Basin

Doetechum, Lucas van

This is a painting of a mythological scene on a decorative plate. The scene depicted involves several figures engaged in an active, dynamic composition. The central figure is supported or carried by several other figures along a landscape filled with vibrant colors, including greens, blues, and warm earth tones. The background features an idyllic landscape with trees and rocky formations under a sky exhibiting gradations of blue and orange hues. A figure to the left appears to be playing a musical instrument. This is in the style of Renaissance majolica pottery, encompassing mythological and classical themes painted with vivid colors on ceramic ware.

Plate with the Triumph of Bacchus

Italian 16th Century

The image shows a man from the waist up facing forward with a slight turn to his right. He has a neatly trimmed beard and mustache. He wears a large, dark hat and formal attire with an ornate ruff around his neck, a patterned cloak, and a chain or decorative clasp. The portrait's framework includes flowing banners with Latin inscriptions and two cherubs holding scepters and a coat of arms at the top. The background features intricate patterns and engravings.

Thomas Howard, First Earl of Suffolk

Elstrack, Renold

Jacopo Antonio Sorra [obverse]

Abondio, Antonio

Musketeer

Gheyn II, Jacques de

Sir Richard Shelley, c. 1513-c. 1589, Prior of England in Malta and Turcopolier [obverse]

Rantwyck, Bernardo

The image depicts a person standing with a wide stance and slightly leaning back. The person is facing away from the viewer, turned to the right side, head slightly inclined backward. The individual's facial features are obscured by a helmet. The person is wearing armor and holding a long spear or lance across their back. The background shows multiple figures in armor with spears or pikes, arranged in formation. The terrain consists of rolling hills with sparse vegetation under a sketched sky.

Pikeman

Gheyn II, Jacques de

The image shows an illustration of a man standing confidently. His left hand is on his hip and his right hand holds a decorative staff. He has short, curly hair, high cheekbones, and a sharp gaze. The man wears a detailed outfit with a high collar, patterned jacket, puffed trousers, a sash, tights, ornate shoes, and a sword at his hip. The background features a detailed landscape with plowed fields, sparse vegetation, and distant hills. There is text at the bottom in a script-style font.

Gerrit de Jong

Goltzius, Hendrick

This is a photograph of an old coin. The coin features an engraving of a seated figure holding a branch with leaves or buds. Around the edge of the coin are inscriptions in a classical typeface, and the date "1552" is visible. The surface of the coin shows signs of age, with scratches and wear. The engraving is detailed, with emphasis on the flowing lines of the figure's draped clothing and the texture of the branch. The background is dark, highlighting the metallic sheen of the coin and drawing attention to its intricate design.

Victory [reverse]

Delaune, Etienne

The sculpture in the image is of a bird with its wings partially spread. Surrounding the central bird are several smaller birds. The sculpture is crafted from a material that appears to be bronze, as indicated by its brownish metallic sheen. There is a circular composition. Engraved around the edge of the sculpture is a text, "LUATA PVDORE LAETA FOV CVNDITAS," and at the bottom, a small hole is present. The bird is shown in a relief style against a flat background.

Peahen with Six Chicks [reverse]

Poggini, Domenico

The image depicts a portrait of an individual from the waist up, seated in a dignified posture and looking directly at the viewer with a composed expression. The person has detailed facial features, including eyes, a nose, and lips, along with short, styled hair. They wear an elaborate hat with a feather, a richly decorated garment with patterns and embellishments, a fur collar, a chain necklace with a pendant, and hold a fan in their right hand. Their left hand is resting against the clothing. The individual is framed by circles with text and scrolls, with a textured background and heraldic symbols on the sides.

Henry Stuart, Lord Darnley

Elstrack, Renold

The image shows an engraved portrait of a man in an oval frame. He is facing towards the left with his head slightly turned towards the viewer. The man has curly hair, arched eyebrows, and wears a robe with a crucifix around his neck. The background features a lined pattern within the oval frame and a plain border. Below the portrait is a coat of arms with a shield and a hat with tassels, all in an engraved style.

Nicolas Grillet

Mellan, Claude

Henri II, 1519-1559, King of France 1547 [obverse]

Delaune, Etienne

The image depicts an upper-body portrait of a man facing forward. He has a long beard and wears a hat. His expression is neutral. He is dressed in a robe with a fur collar. The background has horizontal lines. At the bottom, there is text and a Latin inscription.

Thomas Cranmer, Archbishop of Canterbury

Hondius I, Hendrik

The image shows a male figure seated in a contemplative pose. He is leaning forward with his hand resting on a globe and the other holding a compass. The man has long, curly hair, a mustache, and a goatee. He is wearing a hat with a feather, a dark doublet with embroidery, puffed sleeves, and a white ruffled collar. He has a decorative collar or sash with a medallion hanging from his neck. He is seated on an ornate chair. Behind him, there are two angelic figures holding up a banner with the inscription "FIDEI DEFENSOR" surrounded by sun rays and drapery. Latin text is featured on banners around the scene. The room is richly decorated.

Charles I

Marshall, William

The sculpture on the coin features a figure riding a horse. The figure is clad in armor, holding a sword aloft. The horse is rearing up on its hind legs. The coin material appears to be bronze, with a warm, tarnished brown color. An inscription in raised letters surrounds the perimeter. The sculpture has intricate details in the armor and the horse's musculature.

Sigismund II Augustus on Horseback [reverse]

Herwijck, Steven van

The Fall of Phaeton

The Fall of Phaeton

Baudous, Robert de

Plate 77: Dotted Bee Fly with a White Flower, a Mayfly, a Blue Weevil, and Other Insects

Plate 77: Dotted Bee Fly with a White Flower, a Mayfly, a Blue Weevil, and Other Insects

Hoefnagel, Joris

This is a drawing of an elephant with a column and statue on its back. The elephant carries a decorative cloth on its back with intricate patterns. A tall column rises from the elephant's back, supporting a statue of a standing figure. Next to the elephant is a torch-like structure emitting smoke. The ground has a pattern resembling cobblestones. The image is labeled "SCHEMA ELEPHANTI."

Descriptio publicae gratulationis...Ernesti Archiducis Austriae

Borcht, Peter van der

The image shows a central large black insect surrounded by several smaller insects of different types and colors. The color palette includes earth tones with the black insect standing out amidst softer hues like browns, yellows, reddish tones, and green on the smaller insects. The main insect is positioned towards the middle of the image, while the smaller insects encircle it within an oval frame. To the left of the main insect, there is a mix of small, winged and crawling insects. Towards the right, there are additional insects, including one with visible red wings and green body. The insects are spread across the page, mostly within a light brown oval shape.

Plate 65: A Cricket Surrounded by Insects, Including a Ruby-Tailed Wasp

Hoefnagel, Joris

The sculpture depicts a small child sitting with one knee raised and the other folded beneath, engaging with a bird perched nearby. The child is looking upwards with a serene expression, with styled short hair. The sculpture is made of bronze, with a shiny, smooth surface and dark brown color with hints of green patina. It has a rich, textured surface, particularly noticeable on the body and base. The sculpture is small enough to be a tabletop decorative piece, similar in size to a small figurine.

Child Clasping a Bird

North Italian 16th Century

This appears to be the front cover of an old leather-bound book. The book is covered with red leather with the word "IGNIS" embossed in gold in the center. The cover shows signs of wear and aging, with visible scuffs, scratches, and discoloration. There are four brass clasps on the edges of the book: one on the top and bottom edges, and two on the right side.

Animalia Rationalia et Insecta (Ignis)

Hoefnagel, Joris

The image shows a landscape from a high vantage point, revealing a vast, rugged terrain. The horizon is high, emphasizing the depth of the view. In the distance, rocky mountain formations rise, with a castle-like structure on a hill. The artwork features detailed line work, emphasizing textures of rocky surfaces, trees, and streams. The color palette is monochromatic, using varying shades of gray for contrast and depth. Near the viewer on the right, a figure on horseback overlooks the valley. A winding path or stream guides the eye through the scene, highlighting small clusters of trees and buildings.

Large Alpine Landscape

Doetechum the Elder, Johannes van

The Witch of Malleghem

The Witch of Malleghem

Heyden, Pieter van der

This is a painting of birds perched on and around a gnarled tree. The painting features a collection of six birds, each distinct in its coloration and form, situated on a barren landscape where the earth appears rugged and eroded. The birds are distributed across the scene, with some perched on the twisted branches of a leafless tree, while others are stationed on the ground or near a body of water below a cliff. The artwork is rendered with fine detail, capturing the feathers and postures of the birds intricately. Latin text is inscribed at the top of the image.

Plate 63: Six Small Birds, Including a Bluethroat and a Cuckoo(?)

Hoefnagel, Joris

The image features marine creatures inside an oval frame, arranged horizontally. The color palette includes soft blues, greens, pink, and brown. There is an octopus on the left, a large fish in the center, and smaller fish extending to the right. Two seashells and a plant with green leaves and yellow flowers are depicted on the seafloor at the bottom right.

Plate 39: Squid, Gurnard, Pike, and Other Fish

Hoefnagel, Joris

The sculpture is an ornate goblet with a lid. The goblet is made primarily of clear glass, although the top, the base, and a line down the side are adorned with gold-colored metal bands featuring enamel work in green, yellow, brown, and blue. The designs on the metal include flowers, fruit, weapons, and musical instruments. There is a section of text at the top of the goblet, below the lid. At the top of the lid is a white knob.

Covered Cup with Shield of Arms of the Countess of Gleichen

Freiburg-im-Breisgau 16th Century

This is a drawing of a decorative title page featuring text surrounded by ornate borders. The page displays a central panel of text in Latin stating, "ICONES ILLVSTRIVM FEMINARVM VETERIS TESTAMENTI," by Philippo Gallaeo. The typography is set within an intricate border design of floral and geometric patterns. Additional Latin text at the bottom is dedicated to a notable figure. The words are neatly inscribed, combining both printed and handwritten elements, with further handwriting visible at the bottom of the page beyond the ornate border.

Icones Illustrium Feminarum Veteris Testamenti (The Celebrated Women of the Old Testament)

Collaert, Hans the Younger

The image shows a man standing upright. He is posing with one hand on his hip and the other holding a staff or spear with a decorative blade. The man has a mustache, a trimmed full beard, styled hair, and a feathered cap. He is wearing textured clothing with armor-like stripes, a ruffled collar, and detailed sleeves. The background features soldiers, cylindrical towers, buildings, and mountains.

Lieutenant-Colonel

Gheyn II, Jacques de

The image displays a village landscape from a high viewpoint. Hills with buildings, including towers, are visible on the horizon. The village is nestled among the hills, with rooftops and stone structures spread out. The detailed line work shows trees on the right and a church with a steeple near rustic buildings. The monochromatic palette focuses on line and texture, highlighting detailed composition.

View of a Town near a River with a Church on the Right

Lautensack, Hanns

This image shows a grand castle on a rocky landscape. The view is from a slightly lower elevation, looking up at the structure. The horizon is not clearly visible as the castle and surrounding rocks dominate the scene. The drawing style features detailed line work depicting the architecture and foliage, with a monochromatic color palette of black ink. The castle is surrounded by dense trees and shrubs, with other structures visible in the distance.

Landscape with a Fortress and Big Stairway

Lautensack, Hanns

The sculpture is an oval platter featuring detailed elements of creatures and foliage from a natural environment. At its center, there is a coiled snake made of a shiny material, possibly ceramic or glazed pottery. The color palette includes greens, browns, and yellows with accents of blue and white. The snake is surrounded by animals like a frog and fish, as well as plants and leaves. The textures and raised elements create a rich and three-dimensional effect.

Rustic Plate with Snakes, Lizards, and Frog

Palissy, Bernard

This is a photograph of an ancient coin. The coin displays intricate engravings featuring a detailed depiction of a tree with branching limbs and small buds or flowers against a textured background. The perimeter of the coin features a beaded edge and an inscription that wraps around the edge. The surface shows signs of aging, with a patina that suggests it has been handled or exposed to elements over time. The craftsmanship of the coin's details, particularly in the naturalistic representation of the tree, reflects a high level of skill in metalwork.

Flowering Shrub Growing through Thorns [reverse]

Galeotti, Pier Paolo

This is an engraving of a man sitting with a calm expression, deep-set eyes, and a beard. He wears a cap and a long-sleeved gown, holding a quill pen and book in one hand. There is an inkwell nearby. Text is placed above and below the image.

Johann Aventinus (Johann Turmair)

Lautensack, Hanns

The image depicts a rural village scene with houses, a church spire, a road running alongside a stream, and people engaging in various activities. Additionally, there is a boat near the water. The painting features precise brushstrokes and uses a color palette of sepia tones, browns, and grays. The sky is clear with a few birds in the distance.

The Village Street

Velde, Esaias van de, I

This is an image of an ancient coin featuring a central design of an ornate urn or vase with two handles, surrounded by partially visible inscriptions around the edge. The surface of the coin is worn with visible patina and signs of aging, giving it a rich, earthy color with hints of green. The inscriptions are in a classical style, possibly Latin, suggesting historical significance. The overall appearance of the coin suggests it has been buried or exposed to the elements for a significant period.

Vase in a Landscape [reverse]

Master IAC. URB.

We look through shadowed trees at a river winding into the distance in this horizontal landscape painting. Close to us, a cluster of three thin trees and a larger central tree are deep in shadow, which contrasts with the light-filled scene beyond. The topaz-blue river curves from the lower right corner, across the canvas, and into the distance at the center. A few spindly trees grow along the riverbank in front of a hut with a thatched roof to our right. The bank to our left is lined with reeds and tall grasses. Behind the central shadowed tree, a long, low, narrow boat is occupied by four people with pale skin. To our left, a person with a dark garment and white collar reclines near a seated man wearing yellow and a feathered cap. To our right, another person reclines near the boatman who pushes the boat through the water using a long pole. The harvest yellow and sage green of the riverbanks and vegetation beyond the boats fades to hazy, pale blue mountains along the horizon line, which comes just over halfway up the composition. White clouds float across a blue sky above.

River Landscape

Carracci, Annibale

The image shows a muscular figure preparing to shoot an arrow from a large bow. The landscape features trees and other figures or animals on what seems to be clouds in the top right corner. The style is precise with fine lines and detailed textures, resembling an engraving. The color palette consists of shades of black, gray, and the paper color for contrast. Cross-hatching is used for detail in trees and the figure's muscles.

Arcas Preparing to Kill His Mother

Baudous, Robert de

The image shows a drawing of a cylindrical stone structure from a slightly elevated angle. A stone plaque with inscriptions is placed against the side of the structure. The horizon is not visible, and the structure fills the frame significantly. The drawing features loose and expressive brushstrokes, creating texture on the stone and a sketch-like quality. The color palette is primarily monochromatic with shades of brown, giving an aged or antique look to the piece.

Tomb of Plautius

Breenbergh, Bartholomeus