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Muybridge, Eadweard

40 works

This is a photograph of a series of motion studies. It captures a sequence of images arranged in two rows, each depicting figures engaged in dynamic movements. In the top row, a figure appears to be leaping over another, showcasing a progression of a jump with varying stages of elevation and descent. The bottom row shows a progression of a piggyback ride, highlighting the lifting and carrying movement between figures. The setting is stripped down and functional, likely focusing on the study of human motion. The background is marked with vertical lines, possibly for measuring movement. The entire composition reflects an analytic, scientific approach to capturing motion in a photographic timeline.

Plate Number 166. Jumping over a man's back (leapfrog)

Muybridge, Eadweard

The image shows a series of black and white photographs arranged in a grid pattern, depicting a human figure riding a horse. The photos capture different stages of a trot, with the rider seated upright on the horse's back. The background is plain with a grid-like pattern, and the ground appears flat. The sequence illustrates the motion of the horse and rider, focusing on the horse's legs in various stages of the trot.

Plate Number 615. "Hansel" cantering, bareback

Muybridge, Eadweard

This is a photograph showing a series of sequential images of a hand in different positions and gestures. The image features a grid layout with multiple small frames, each showing a close-up of an arm and hand. The background and lighting are consistent, and the series captures various dynamic hand movements. The tones are monochromatic with strong contrast, highlighting the skin and drapery texture. The composition suggests a study of movement or a kinetic experiment, emphasizing hand gestures' fluidity and versatility.

Plate Number 535. Movement of the hand, beating time

Muybridge, Eadweard

This is a photograph of a sequence showing a figure holding a rod in various positions. The image consists of multiple frames arranged in a grid pattern, capturing a motion study of a figure in motion. The figure is seen holding a rod and progresses through different stages of walking and posing. The background features a vertically striped surface that provides contrast to the figure's movement. The rhythmic sequence captures the dynamics of the motion.

Plate Number 355. On guard, walking and turning around

Muybridge, Eadweard

This is a photograph of a baboon in motion. The black and white image is divided into four horizontal rows, each containing frames showing the progression of the baboon walking. The setting includes a grid-lined background on the left side. Each frame captures a moment in the baboon's stride, showcasing variations in leg and arm positioning as it moves from left to right. The documentation appears detailed, potentially for studying movement mechanics or animation.

Plate Number 747. Baboon walking on all fours

Muybridge, Eadweard

This is a photograph of a sequence showing a group of deer moving. The image is a series of black and white frames depicting the movement of deer within a natural setting. The composition is arranged in a grid format, capturing the deer at various stages of walking or running. Each frame shows slight variations in the positions of the deer's legs and antlers. The setting features a dark background, which serves to accentuate the lighter tones of the deer's bodies. The grid layout suggests an analytical approach, focusing on the precise motion of the deer.

Plate Number 687. Fallow deer, buck and group of does, galloping

Muybridge, Eadweard

This is a photograph showing a sequence of a person swinging a bat. The sequence is displayed in a grid of small, black-and-white images, illustrating the stages of the bat swing. The backdrop features a grid pattern, and each frame captures the progression from preparing to swing the bat to the follow-through of the swing. The setting appears to be an indoor or enclosed motion capture environment. The sequential arrangement suggests the use of chronophotographic techniques for studying physical motion.

Plate Number 277. Baseball, batting

Muybridge, Eadweard

This is a series of black and white photographs showing an individual interacting with a bucket outdoors. Each frame captures a different moment in the motion. The background varies between a grid-like pattern and outdoor structures. The images focus on the physical dynamics of using a bucket, including the flow of water in the middle row. The set provides insight into movement and photography.

Plate Number 401. Emptying a bucket of water

Muybridge, Eadweard

This is a photograph of a sequence depicting an elephant in motion. The image comprises a grid of black and white photographs arranged in four rows of four frames each, capturing the different stages of an elephant's walk. The background is plain. The photographs document the elephant's movement in a walking cycle.

Plate Number 732. Elephant walking

Muybridge, Eadweard

This is a photograph showing a series of sequential motion studies of a person removing a piece of fabric. The grid layout contains two parallel rows of images capturing the progression of the action. The background appears to be a studio setting with simple, possibly textured or striped walls. The scenes are in black and white.

Plate Number 430. Toilet; taking off clothes

Muybridge, Eadweard

The image shows a naked male figure in various stages of a motion sequence, likely pitching or throwing a baseball. The man's entire body is visible in different stances, each illustrating a step in the throwing process. His arms and legs are flexed or extended accordingly. The man's facial features are somewhat indistinct, and he has short hair. No clothing or jewelry is visible, and he holds a baseball in some frames. The background consists of a plain, textured wall in the upper row and a more detailed outdoor setting with a path, grass, and fence visible in the lower row.

Plate Number 281. Baseball, catching and throwing

Muybridge, Eadweard

This is an image showing a raccoon in a grid-lined background, moving from left to right. The image is composed of multiple frames depicting different stages of the raccoon's motion. Each frame shows a slight progression as the raccoon moves, highlighting its body postures, leg positioning, and tail movement. The grid serves as a reference for observing the animal's actions with accuracy. The sequence documents the nuances of the raccoon's gait in a scientific manner.

Plate Number 745. Raccoon walking and turning around

Muybridge, Eadweard

The images depict a woman in various positions, displaying different views of her body. She starts seated, moves to standing, then bends forward while holding a fan. She has a neat bun hairstyle and wears a long dress with puffy sleeves and a high neckline. The background has vertical lines, resembling wooden paneling.

Plate Number 250. Rising from chair, stooping and lifting handkerchief

Muybridge, Eadweard

This is a photograph showing a sequential motion study of a figure ascending a ladder. Multiple frames depict the progressive movements involved in climbing up a ladder. Each frame captures a slight change in position, illustrating the mechanics of motion. The ladder is positioned upright, with each step clearly visible as the sequence progresses. The background appears to be a plain setting, emphasizing the focus on the movement study. The format suggests the image is part of a motion study or an early example of sequential photography designed to analyze motion.

Plate Number 112. Ascending a ladder

Muybridge, Eadweard

The sequence of photographs depicts two naked men engaging in a blacksmithing task. They alternate roles, with one holding a hammer while the other holds a metal piece on the anvil. The men have short hair and their facial features are visible but not clearly distinguishable due to the black and white quality of the images. They work with a hammer and an anvil placed on a block in a simple outdoor setting with a wooden fence or wall in the background. There are no visible jewelry or additional objects in the images.

Plate Number 377. Two blacksmiths, hammering on anvil

Muybridge, Eadweard

Plate Number 588. "Reuben" walking, harnessed to sulky

Muybridge, Eadweard

The image shows sequential photographs of a nude woman interacting with a hammock. The woman is seen in various positions, from standing to sitting and swinging in the hammock. Her short, likely brown, hair is visible, but not her facial features. She is not wearing any clothing or jewelry. The setting is outdoors with a cord or wire grid and a solid backdrop. The lighting indicates a bright day or well-lit area, highlighting the movement in the photos.

Plate Number 261. Getting into hammock

Muybridge, Eadweard

This is a photograph showing a person flipping over a chair in a series of sequential frames. The top row displays the person moving from a seated position on the chair to a handstand and flipping over the chair. The second row shows a similar sequence from a different angle. Each frame captures a moment in the movement, illustrating motion progression.

Plate Number 373. Acrobat, "press up" from chair

Muybridge, Eadweard

The image consists of small photographs arranged in a grid format. The photographs show two women from multiple angles and positions, standing closely next to each other and appearing to walk together while holding fans. Their facial features are indistinct due to the small size of the frames, but their hair is tied back in a bun. They are nude except for the large fans they hold, which partially obscure their bodies in some frames. The background features a brick wall and a wooden floor, suggesting an enclosed, outdoor setting. The sequential nature of the images suggests motion or a narrative of movement as the women progress from one side of the frame to the other.

Plate Number 54. Two women walking arm in arm and turning around; one flirting a fan

Muybridge, Eadweard

This is a black and white photographic series capturing a sequence of movements associated with a domestic laundry chore. The series comprises multiple frames arranged in two rows. Each frame shows the progression of action, beginning with handling a laundry item and ending with laying it out. The background features a patterned backdrop and a partially visible bucket. The series depicts fluid transitions between actions, providing a time-lapse effect and highlighting physical gestures involved in the task. The photograph breaks down movement into visual elements reminiscent of early motion studies.

Plate Number 434. Hanging clothes on a line

Muybridge, Eadweard

The image shows a waterfall streaming between trees, with water flowing over rocks in the foreground. The viewpoint is from below the falls, looking upwards towards the cascading water from a distance. The scene conveys depth as the viewer's eye follows the water's path to the edge. The horizon is hidden by trees and rocks around the waterfall. The monochrome sepia palette highlights the textures of the trees and rocks, creating a timeless feel. The water appears smooth, contrasting the rough surfaces of the rocks. The image captures the power and beauty of nature, focusing on the interaction between the water and the landscape.

Pi-wy-ack (Cataract of Diamonds), Vernal Falls, Yosemite Valley, California

Muybridge, Eadweard

This is a photograph of a sequence of black and white frames capturing a person running. The frames show different stages of the running motion in both side and frontal views. Each frame freezes a moment in time, depicting the movement of limbs and body. The background is plain, emphasizing the motion of the subject. The style is reminiscent of early motion studies in photography.

Plate Number 68. Running

Muybridge, Eadweard

The image shows black and white photographs depicting a person playing tennis in various poses. The person is captured standing, crouching, and leaning forward, with changing body orientations for a dynamic sense of motion. Their facial features show shadows, and they have short to medium-length hair. They wear a long, flowing garment resembling a toga and hold a tennis racket in some frames. The background features a grid pattern on the wall and a flat ground surface.

Plate Number 299. Playing with a ball

Muybridge, Eadweard

Plate Number 718. Cat; trotting; change to galloping

Plate Number 718. Cat; trotting; change to galloping

Muybridge, Eadweard

This is a photograph of a deer in motion. The image shows a series of frames depicting a deer walking or trotting in front of a grid-lined backdrop. The frames capture different moments in the deer's gait. The background features a cage or fence with vertical lines. The lighting highlights the shadow and form of the deer's body as it moves, showcasing the fluidity and grace of its movement. The image appears to be an early motion study focused on capturing the anatomy and motion of the deer in a scientific manner.

Plate Number 683. Virginia deer, buck, galloping

Muybridge, Eadweard

This is a photograph of a dog jumping over a fence. The image is a sequence of black and white frames arranged in two rows, capturing a large dog in motion as it approaches, leaps over, and lands on the other side of a fence. The dog is shown from various angles, providing a detailed study of its movements. The environment appears to be an enclosed area, likely with metal fencing visible in the background, under a natural or ambient source of light. The set-up suggests an early form of motion study or animal locomotion photography, focusing on capturing the precise mechanics of the animal's leap.

Plate Number 712. Dog; jumping hurdle; mastiff, Dread

Muybridge, Eadweard

This is a photograph of a sequence showing two figures engaged in a combative or dance-like interaction. The image is presented in a grid layout featuring twelve black and white frames, capturing the intricate motions and dynamics between the figures. Each frame depicts a slightly different position, illustrating the fluidity and continuity of their movements. The figures are positioned against a backdrop with a grid pattern. The photograph exhibits a high level of detail, allowing the viewer to observe the musculature and the choreography of the sequence.

Plate Number 340. Boxing, open hand

Muybridge, Eadweard

The image displays a series of photographs showing a nude male figure transitioning from standing to crouching and eventually lying on the ground. The man's body is visible entirely in each frame, showcasing different angles and stages of movement. He is bald and his facial features are not distinctly visible in all frames. There are no clothes or accessories visible on the person. The background includes what seems to be a wire mesh and solid vertical surfaces, possibly a part of a fenced or enclosed area, with light filtering through and casting shadows on the ground.

Plate Number 257. Lying on the ground

Muybridge, Eadweard

This is a photograph of sequential movements captured in multiple frames. The image shows a progression of movements demonstrating various body positions. There are twelve distinct positions arranged in a grid of four rows and four columns with a backdrop of a grid pattern. The photography captures the fluidity and flexibility of the subject matter as it advances through each frame.

Plate Number 510. Contortions on the ground

Muybridge, Eadweard

This is a photograph of a pronghorn antelope in motion captured through a sequence of frames. The image is in the style of Eadweard Muybridge. A series of twelve separate, sequential images in a grid show the antelope moving progressively. Each frame depicts a change in the position of the animal's legs and body, illustrating the fluid motion of its gait. The background is simple, likely a plain dark surface with vertical and horizontal lines.

Plate Number 697. Antelope trotting

Muybridge, Eadweard

This is a photograph of a sequential depiction of an athletic activity. The photograph shows a series of frames with two rows, each capturing moments in a motion sequence. The images present two figures in motion, engaged in a form of sparring or wrestling. The background has a plain, grid-like pattern. The series captures different stages of the interaction between the figures, highlighting their dynamic movements and positions.

Plate Number 342. Boxing, open hand

Muybridge, Eadweard

This is a photograph of a sequence showing a person in motion. The image captures a series of photographic frames depicting the detailed motion of a figure engaged in a physical action, set against the backdrop of a gridded wall. Each frame in the sequence highlights different stages of the leap, documenting the bodily dynamics and postures from various angles.

Plate Number 161. Jumping, standing high jump

Muybridge, Eadweard

This is a series of time-lapse images capturing the motion of a person walking. The grid displays sequential images highlighting nuances in movement. The focus is on the biomechanics of walking, with each frame showing different phases of the stride from various angles. The controlled setting suggests a study in motion photography, with vertical lines in the backdrop adding structure to the composition.

Plate Number 119. Descending an incline with right hand on breast

Muybridge, Eadweard

This is a photograph depicting a sequence of movements involving the handling of a large log. The image is divided into smaller frames arranged systematically to show a series of actions. It shows lifting, carrying, and positioning the log against a backdrop with horizontal lines. The sequence emphasizes the observation of movement dynamics and could be reminiscent of motion studies for analyzing actions in detail.

Plate Number 383. Lifting a log on shoulder

Muybridge, Eadweard

The image shows a sequence of photographs displaying a nude individual in motion. The top row shows the person crouching down and standing up, while the bottom row captures similar movements from different angles. The individual has short hair tied closely to the head and is holding a small cloth or towel in some frames. The background consists of a tiled wall with horizontal lines, and the ground appears flat, resembling a paved or sports court.

Plate Number 220. Stooping, and lifting handkerchief and turning

Muybridge, Eadweard

This is a photograph of a series of images capturing the movement of a horned animal. The image is divided into frames that document the progression of the animal running or leaping, captured in mid-motion. The setting appears to be an enclosed area with a fenced boundary visible in the background. The ground is earthy, and the movement is presented in a way that displays the dynamics of the animal’s motion across the frames, showing different phases of its stride.

Plate Number 702. Gnu bucking and galloping

Muybridge, Eadweard

The image is a composite of sequential photographs showing a man performing a gymnastic routine. In each frame, the man's full body is depicted, highlighting different stages of a handstand routine performed on gymnastic equipment. The man is balancing and maneuvering with precision, transitioning between various positions. His facial features are not clearly visible. He is not wearing clothes and there is no jewelry. The background has a grid pattern on the wall, and the floor is clear, allowing space for the gymnastic apparatus and highlighting the man's movements.

Plate Number 368. Acrobat descending stairs on hands

Muybridge, Eadweard

This is a photograph of a sequence showing a person swinging a hammer. The image is divided into multiple frames capturing the dynamics of an action with meticulous detail. Each frame captures a slight progression in the motion, demonstrating the body's transitions and positioning during the hammer swing. The background has a grid pattern, indicative of a scientific or anatomical study purpose. This series resembles early motion study photography aimed at capturing and analyzing the different phases of an action.

Plate Number 376. Blacksmith, hammering on anvil with two hands

Muybridge, Eadweard

This is a photograph of a series of black and white images capturing the movement of a figure in period clothing performing different actions with a broom and a bucket. The full description depicts a motion study consisting of sequential frames arranged in a grid. Each frame captures a slight advancement in movement, illustrating the act of walking and handling objects in a choreographed manner. The background features a grid pattern. The attire includes a bonnet, long dress, apron, and patterned stockings. The composition serves an educational or analytical purpose, emphasizing the fluidity of motion through still imagery.

Plate Number 107. Turning to ascend stairs with a bucket of water and a broom in hands

Muybridge, Eadweard

This is a photograph of a sequence showing the movement of a figure running. The image is divided into a series of frames capturing progressive moments in the motion of the figure. The background consists of a grid. Each frame captures a static moment, detailing changes in the position and posture. The figure's movement is fluid, with hair and limbs depicted in various stages of running.

Plate Number 469. Child running

Muybridge, Eadweard